Fantastic arrangement, beautiful melody, great effects! ❤️❤️❤️

I don't know if I still have a lot of "very" for this pretty piece (I seem to recognize a beautiful adaptation of a sample from a famous German software) well done !!

interesting little known facts behind . I love edutainment, Frank. Thanks a lot for this!

Max Q were an Australian band formed in 1989. Playing electronic music
https://youtu.be/prM_oXNG3bw?si=OhkxfwOPWA1ffGna
Max Q consisted of Michael Hutchence (INXS) (vocals and songwriting) and Ollie Olsen (Whirlywirld) (songwriting and production), who were accompanied by key members of the post-punk scene in Melbourne, Australia; most of whom had previously collaborated with Olsen. The project followed on from Hutchence and Olsen's work on the film, Dogs in Space, where they had first met.

Max Q released its sole self-titled album in 1989 and had minor hits with the songs "Way of the World" and "Sometimes". The album was certified gold in Australia, and was the 93rd highest-selling album of 1989 in Australia. Max Q was less successful in other countries. The album is no longer in print and has never been re-issued. The band never performed any live shows.

I'm counting on you
To count my blessings
I'm countin' on you
To count the fingers on my hands
That's the amount of time I've got
I'll always feel drowned and I'll always be around
I'll always feel drowned 

And now they want to crown me
For the Ghost of the year
And now they want to crown me
For the Ghost of the year
And now they want to crown me
For the Ghost of the year

New message from the airwaves
One saved one alive
A new message hits my brain
I'm alive I'm alive I'm alive I'm somebody today
There's a great deal of fear inside
That I'm right in my conclusions
A great deal of pain inside
And I'm supposed to be alright

And now they want to crown me
For the Ghost of the year
And now they want to crown me
For the Ghost of the year
And now they want to crown me
For the Ghost of the year

Down on the street
To search for feel
The people on the street they make me real
So I'm counting on you
To count my blessings
I'm counting on you
To count the fingers on my hand
That's the amount of time I've got
I'll always feel drowned and I'll always be around
I'll always feel drowned 

And now they want to crown me
For the Ghost of the year
And now they want to crown me
For the Ghost of the year
And now they want to crown me
For the Ghost of the year

Ghost Of The Year - Max Q - Claudio Malz Remix - FREE DOWNLOAD

Shatter (Lyrics)

My eyes burn
And I can smell my brain rotting away
I am lazy and pointless
My bed sucks me down and I stay
With all the little sparks of dopamine
I build up a tolerance so fast

I want it all to shatter
But I don’t know how I’d survive
I want it all to shatter
But I don’t know how I’d survive

The constant light exposure 
Makes me suffer again 
All of my friends are digital 
I might as well just kill myself 

I want it all to shatter
But I don’t know how I’d survive
I want it all to shatter
But I don’t know how I’d survive

It’s a constant addiction 

It’s a constant addiction 

I wånt it all to śhÁtTer!¡
But I     don’t kn0w how I’d survive
I w  a  n  t it all to sHÅ++3R
But I don’t know how I’d 5urv173

4357_63

I want it all to shatter

I want it all to shatter

I want it all to shatter

I want it all to shatter

Shatter

Lyrics metal symphonic with an ambient touch with the amazing voice of Lea.

Left Behind

One Glass City

a écouté sans moderation
listened without moderation

L S D 23

From 1876 to 1947, a time ball tower stood in Bremerhaven to the north of the entrance to the New Harbour lock. Before the construction work was carried out, discussions were held about the right location. A location in the then still independent Geestemünde (Kingdom of Prussia) and a location in Bremerhaven (Free Hanseatic City of Bremen) were debated. Ultimately, several factors spoke in favor of the location in Bremerhaven. The time ball was put into operation on October 1, 1876.

In the 19th century, knowledge of the exact time was necessary in order to determine the longitude of a ship's position at sea. The optical signal emitted by the falling time ball enabled ship's commands and watchmakers to set ship's chronometers to an accuracy of fractions of a second.

With the advent and spread of radio telegraphic time signals from 1907 onwards, time balls gradually lost their significance. In Bremerhaven, the time ball was no longer used to transmit time signals from January 1, 1929, after the tower had been converted to light time signals. The time ball tower was probably scrapped in 1947.

In 1824, the British captain Robert Wauchope (1788-1862) submitted a proposal to the Admiralty for the installation of time balls. The first time ball was tested in Portsmouth in 1829. This was followed in 1833 by others in Greenwich and on St. Helena, and in 1836 in Cape Town (see Signal Hill).

Cuxhaven was the first German port to receive a time ball in 1874. This was followed by Wilhelmshaven, Bremerhaven, Bremen, Emden, Hamburg, Kiel and Kiel-Wik, Stettin, Swinemünde and Danzig's port of Neufahrwasser.

There were around 160 time balls worldwide, of which around 60 still exist. Most of them were demolished in the 1920s after their task was taken over by time signal transmitters (Germany 1910, Great Britain 1924) from 1907.

Picture credits: From wood engraving by Robert Friedrich Stieler after a drawing by H. Marutzky, around 1876 - Photo of the wood print from a private collection, public domain, https://commons.wikimedia.org/w/index.php?curid=137139675

Timeball

Keep The Faith (Original Mix)

You Lift Me Higher Remastered

Energymaker on Spectrum On Air Vol.46, IMFDO 0075, 31.03.2024

Predictive TextedX

DINO JACKIN

dreamscape skyline

When I don't have the time to actively listen to my favorite artists on soundcloud, I just leave the stream running...while washing up in the kitchen, for example 😆

By the way: this user-92853963 was my old link address and leads to the empty.... I AM NOT A ROBOT!

********************************************************************

A long, long time ago, there was an organ in the Christmas-decorated living room in his parents' house, where Frank grew up. Originally bought by his father for his two older siblings, they showed no interest in playing the organ. Frank, however, did. White and black keys and giving off strange sounds. 

So at the age of 9 he began to let his fingers circle on this instrument, searching for the right keys like on a typewriter. And another 9 years would pass before he could buy his first own instrument. Already at the age of 13 he made notes about the then current synthesizers, bought one magazine after the other and visited music fairs in Frankfurt, Germany.

His first keyboard was the Yamaha DSR-2000, which he bought in a music store near his hometown Biebertal. In installments! Finally he could develop himself further - away from the limited tonality of the small organ. The built-in 8-track sequencer helped him to reach unimagined heights. 
Little by little his equipment expanded and his ambition to create music like that of Jean-Michel Jarres came closer. Influenced by this and countless other musicians of the time, his interest grew, but he taught himself everything. Not even having attended a music school or being able to read music at all, he wrote one song after another and recorded them on the only medium available to him at the time: audio cassettes.
Many of these recordings are unfortunately lost forever, because cassettes are and were not the best recording medium. He has to try to play many of his songs from memory. 

In 2007, he fulfilled a long-awaited wish: to buy a KORG. He had always wanted to own one, but with the latest synthesizers at the time of their release having a purchase price of over 6000 D-marks (the currency of the time in the 1980s and 1990s), that dream of owning one was far away. So in 2007 he bought a used KORG 01W/FD at ebay. And as before with the purchase of the Yamaha keyboard, a completely new world opened up to him.

In addition, there were expanders and sound modules from Kawai, Roland and Yamaha (K1m, SC-55, QY10). Six years later his enthusiasm for making music ebbed and rediscovered his hobby (which it always was and still is). In 2018 in April he decided to present his music to a wider audience and uploaded his first song on the platform soundcloud. Since that time, thanks also to the ever-evolving software, he continues to evolve, experiment and relive his times through music.

Timeball

𝐹𝓇𝒶𝓃𝓀 𝑀𝑒𝒽𝓁

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