Buy at Bandcamp: https://slowmotionrec.bandcamp.com
Francisco returns to Slow Motion for the second in our of retro-dance-floor series: Linea Beat Volume 2. 
Drum beats are rolling and lazers are scanning for a double a-side of vintage yet futuristic discoid funk. Relentless hand claps, ghostly Italo voices and killer bass lines that comes on like the B-52’s of your alternative-universe wet dream. 
This is the sound of a sweaty cellar at 2am on a Monday morning with a uniquely Italian twist.

Written and produced by Francesco De Bellis, Rome - Italy. Guitars on Juno by Luciano Raimondi. Artwork by Santo Baldi. Mastered by Marco Antonio Spaventi at Maspaventi studio All right reserved Slow Motion Records 2015 

Pre sales: http://bordelloaparigi.com/shop/upcoming/francisco-linea-beat-vol-2-12/
Pre sales: https://clone.nl/item36623.html

Francisco - Beat Line - Lineabeat

Shields - Tramell Mix

Alexander Pletnev started an entirely new journey under his own name two years ago. Release after release on forward thinking and respected labels like Media Fury, KUMP, Fleeting Wax, SZE and Hard Fist, he has built a solid discography of incredible diversity - from percussive DJ tools to viscous synthetic EBM to dreamy weirdness.
His latest EP titled "Voranto Bros" is a long awaited return to Le Temps Perdu and the prime example of refined musical storytelling. Title track is a cinematic tale, a sound novel about two migrant brothers hitting the shores of USA in the dawn of XXth century to became vicious gangsters, broken souls ruling the night of NYC. Dusty tape hiss, off kilter percussions and melodies all alternate to later sink under the weight of heavy drums. While Hope They Wont Come Back is a severe instrumental ballad with low drums, talking bass lines and noisy guitar riffs - five minutes inside confused man's mind.
On a remix front, Cocktail D'Amore's head honchos Discodromo strip Voranto Bros down to bear bones to deliver EBM style dance floor burner. And Harold Boué aka Abstraxion aka Lion's Drums of Biologic Records fame delivers menacing remix for Hope They Won't Come Back, a dark & mystic journey, which unwinds slowly and builds up to unexpected climax.

LISTEN ON YOUTUBE

PREMIERE : Pletnev - Voranto Bros (Discodromo Remix)

London based French producer Mondowski follows a spate of recent releases on Relish and Ombra with a new club-oriented vision for London label and clubnight Snap, Crackle & Pop. Following his remix services on the label's first and 4th releases, Mondowski makes his full label debut with an electro inspired turn that takes inspiration from the encroaching gentrification of his industrial estate studio.
Lead track Sholay finds a mesmerizing path somewhere between extroverted 80's electro and celebratory spiritual transcendence and gets the remix treatment from Pinkman's Kris Baha who subverts the original by turning the electro backbone up to 11.
The EP's B-side, Negative Space, voyages into darker electro territories with Kraftwerkesque synths, rolling pads and a motorik bassline, all of which provide the launchpad for Flieche's Multiple Man to turn out a pitch black EBM banger. The Easter egg of the release, Hanalei, is a Krautrock sleeper hit and download exclusive.

https://soundcloud.com/mondowski
https://soundcloud.com/clubscp

PRÈMIÉRE: Mondowski - Hanalei [SC&P]

buy there : https://onpointworldwiderecords.bandcamp.com/album/kimokeye-ep

With the first release of OPW001, we are proud to uncover the memoir of Hong Kong based French producer -  Romain Fx. An outstanding musician that quite a few years ago planted a seed that through the years of event experiments and music excavations flourished into the “Kimokeye EP” influenced by the grooves of African melodies, raw vocal snippets with a final touch of uplifting variety of FM synths. With a spicy addition of a darker progressive side to the title track, remixed by Jack Priest.
http://www.soundcloud.com/onpointworldwiderecords

PREMIERE : Romain Fx - Hmmmm

During the lockdown we are selling our collection of remixes for a couple of months exclusive on our bandcamp featuring our latest one for https://soundcloud.com/manulouis on https://soundcloud.com/le-pacifique and igloo

thanx for your support
https://frontdecadeaux.bandcamp.com/album/front-de-cadeaux-remixes

Première: https://soundcloud.com/44100hzsocialclub/premiere-814-manu-louis-internet-front-de-cadeaux-remixle-pacifique-records-igloo-records

Manu Louis - Internet (Remix By Front De Cadeaux)

buy there : : https://wherewerewe.bandcamp.com/

"Where Were We" radio show and party series is turning into a label.
The first release is coming from a local talent Lowe Aka User. Member of Soundwax and Jardin Exotique crews, Algis is not only a BMX rider, but also a dj, producer and party starter. His crew's Jardin Exotique parties at Vilnius' Opium Club already hosted Lauer, Marvin & Guy, Telephones and Cooper Saver. And more names of similar caliber are bound to come in the future.
The 3 tracker EP is heavily inspired by the sounds of 80's italo disco and proto-house. It has taken the best elements of the era such as arpeggiated synths and basslines and mashed it with new touches of modern-day house music. The amalgamation of this sounds like it was made in heaven and descended from above to the earth just in time for summer in order to keep people smiling on the dancefloor whilst busting a move or two.

PREMIERE : Lowe Aka User - Nepalese Honey

SASM is a new collaboration project by Douglas McCarthy (Nitzer Ebb) and Robi Insinna. Under that banner the collective interests of both Insinna and McCarthy in raw beats and sharp edge funk are laid bare. It shows the depth of knowledge and interest in the underground.

INDUSTRIA #1

SASM - Collective Action (Rockers Version)

Democracy (Vocal Version)

SASM - Democracy

Re-upping @AnnaLann's wicked EP released two years ago on Ransom Note Records - https://ransom-note-records.lnk.to/Embodiment

'Embodiment', Anna’s first EP on Ransom Note Records, does its utmost to evade description, existing in a state of perpetual motion and terminal formlessness. Over four singular tracks she projects a thrilling blend of techno, experimental electronics and left-field pop music, realised in pristine and often brutal sound design.

More Info / Buy

Anna Lann - Feeling Emotional (Richard Sen Remix)

“Once upon a time, long ago, there lived at Treva, a wonderful old lady deeply skilled in necromancy. Her charms, spells, and dark incantations made her the terror of the neighbourhood.
Arriving at the church stile, they used to rest the corpse, and there stood the hare, which, as soon as the clergyman began, "I am the resurrection and the life," uttered a diabolical howl then the corpse would change into a black, unshaped creature, and disappeared.”

Starting off the EP is RFX, with a groovy mystical disco pearl of the faraway desert.
Second, we have a rework from Native Red of the infamous track that you know to sing but probably don’t remember where you heard it.
For the second edit from Native Red, we have a dark cinematic banger for some spooky vibe.
And last but not least, a very rare psychedelic gem RFX has dug up which closes the EP in with a rite of passage.

Mihihihi!

Fauve Records

Thaya Name (Native Red Edit) • [Top Cat Exclusive]

contact us: frontdecadeaux@gmail.com
book us: https://culte.be/agency/front-de-cadeaux

ven., 21 juin 2019 /
Mannequin Records Nacht Xll at ​Berghain | Panorama Bar | Säule / Berlin, Germany

ven., 07 juin 2019 /
Club Nuit: Front de Cadeaux / Diana Alma / Discolowcost at ​Le Lieu Unique / Nantes / West, France

sam., 01 juin 2019 /
Nuits Sonores 2019 / Night 4 at ​Old Fagor-Brandt Factories / Lyon, France

sam., 27 avr. 2019 /
Anarchy At The Bar - Hugo Sanchez - Lola Kola at ​Coropuna / Rome, Italy

mer., 17 avr. 2019 /
Listen! Festival 2019 at ​Horta Gallery / Brussels, Belgium

sam., 23 févr. 2019 /
Megatron: Front De Cadeaux at ​Opium Club / Lithuania

sam., 19 janv. 2019 /
Liquid /w. BNJMN, Simple Symmetry, Housemeister & More at ​Salon Zur Wilden Renate / Berlin, Germany

The origins of Front de Cadeaux can be traced back to a dating site for bears, some ten years ago. After Maurizio had spotted a Felix Kubin poster on one of Ugo's pictures, the two started chatting. Very much intrigued, Ugo invited Maurizio, who lives in Brussels, to play at a festival he organised in Rome. Shortly thereafter Ugo made Maurizio a resident of his Subwoofer night, one of the first bear parties in Europa that existed outside of the mainstream bear realm.

The two bonded over food of course, over their belief that dance culture is rotting from the inside, and even more over slow, heavy electronic music. You have to picture it: a flat in Brussels, a table with empty bowls and bottles, thick smoke and these two daddy dj’s listening to stacks and stacks of UK rave and breakbeat records on 33 instead of 45 rpm. Testing how deep and sexy these garbage records sound at a pace the bears can actually follow without dropping dead – Ugo & Maurizio baptised it ‘supreme rallentato’.

During those early encounters, their decade long dj experience merged into one, just like their vision that dance culture urgently needs a revolution. To them that means playing 90 bpm in a club at 3am whilst the promoters are shitting themselves, showing everyone that the body follows the groove, and not the bpm, a capitalist and macho construct that’s making crowds go numb instead of making them dance.

Around 2013, they officially started collaborating as Front de Cadeaux, referring to the Italian way of pronouncing Front 242, the Belgian EBM legends. “Le pédé BPM” (the bpm gay), their first release, followed one year later, with a Fabrizio Mammerella remix that kind of became an anthem in some circles. It's at the same time a celebration of their love for a slower groove as it is a queer manifesto, dissociating themselves from the mainstream gay culture in big cities, dominated by a horrible attitude and bad taste both in music and style. Second single “Infodrogue” came about after the drug line Maurizio worked at, stopped operating after midnight. Backed up by a bubbling bassline, it's telling the sad tale of a junk calling in and no-one answering. The references to culture and real life are everywhere, be it in the track titles of later releases – “Ouvre ta bouche” is a joke about Kate Bush, “Cogitate” a hommage to lsd wizard John C. Lilly – or their sound, which is impregnated by psyche music, mushrooms, dub, triphop and space rock.
Coming hot on the heels of the collaboration ep with long time friend Fabrizio Mamarella earlier this year, featuring their two oldest singles appearing on vinyl for the first time, came Front de Cadeaux’ new 12” on EMET records. “We slowly rot” is a manifesto and an epistemological breakdown of standard, empty club music, for in order to reconnect with what it should be about, our whole idea of dance music has to be deconstructed. As Front de Cadeaux militantly puts it: “every act of the human being is about transformation through destruction”.