Latest Experiment

The current music scene is great because of the places where music is made and the experiments that are repeated by each personality. For individual creators, it is much more valuable to have an environment where they can come into contact with a large number of personalities than to be spread.

"Magic is what we do. Music is how we do it." -- Jerry Garcia

Welcome to my page, my peers, associates, friends, and musical family. I'm a lifelong, multi-instrumentalist musician who records prolifically and joyfully. You'll hear me play guitar, bass (regular four string, and four and five string fretless), mandolin, banjo, keys (piano, organ, synth), lap slide, sitar, and sing on my recordings here. I've been in a few dozen bands in my life, playing everything from bluegrass, jazz, rock, jam band, reggae, funk, afrobeat, Middle Eastern, traditional Irish, singer/songwriter, pop/covers, to experimental/avant garde. 
  Since I found SoundCloud a couple years ago, I've found many talented, creative people with whom to create music. However, in the summer of '23 I formed a band called The Eclectic Collective with some of my favorite musicians I've met through here. It started as a loose collective of musicians and coalesced into a core group of musicians who find other musicians with whom we'd like to make music, then run their songs through our process, and in effect add a full band. That core of The Eclectic Collective includes Tez (Llanpsych), J.J. Terrel, Ken (K2 and the Three), Stephen (Texmex Shaman), Chris (cgmaness), and Mark (mistermark). A couple of other musicians are frequent collaborators, as well, including Artur of Surfers Like Us, and Steve Vervaet of Steve's World. More recently, we've been joined by Carl of The Beautiful Dark fame. 
  The magic of music is amplified exponentially by each person adding to it. So, we really try to add our sorcery all kinds of music from all kinds of artists. Sometimes, we keep it within the group, but a lot of what we do is collaboration with other artists. Therefore these days, 100% of what I do is collaboration, within the group or with other artists on the side.
  I, and we, are also available for hire if you have a song or lyrics and you really want to add bigger instrumentation or a band and good production to it. 
  A small sampling of the artists whom I consider primary influences, and whom you will hear coming through my fingers include Phish, The Flaming Lips, The Grateful Dead, Radiohead, Rye Cooder, Steve Earle, Miles Davis, Fela Kuti, Arcade Fire, Mikey Dread, Yellowman, Purpleman, The Meditations, Michigan and Smiley, Lee Perry, Dillinger, Django Reinhardt, Impossible Recording Machine, The Allman Bros Band, Pink Floyd, Led Zeppelin, Cream, Bela Fleck, Les Claypool, Sam Bush, David Grissman, John Prine, Talking Heads, Beastie Boys, MMW, Moe., Morphine, Ween, Steve Lukather, Michael McDonald, John Abercrombie, Dave Holland, John Scofield, Victor Wooten,  Cannonball Adderly, Thelonious Monk, Flea, Parliament Funkadelic,  Frank Zappa, Prince Paul, Pete Rock, Thievery Corporation, Amon Tobin, Chet Baker, Joao Gilberto, Stan Getz, Astrud Gilberto, Carol Kaye, Tame Impala, Mumford and Sons, Japanese Breakfast, LCD Soundsystem, Beach House, Sean Lennon, and Billy Strings, but of course there are many more. I also really like and am influenced by traditional Iranian, Palestinian, Indian, Sri Lankan, Sudanese, Mauritian, Somalian, Egyptian, West African, and Syrian music. I welcome anyone who plays non-western music to contact me for a collaboration, too.
 I'm overjoyed to have found my community on SoundCloud. This is a truly unique forum where everyone is sincerely trying to build each other up. The profoundly supportive and positive SoundCloud community has really opened up an exciting new world of collaboration for me. That is the main reason I'm in the Cloud, actually, to connect with other musicians and make music that I enjoy listening to, and hopefully others do, as well. I am ALWAYS looking to collaborate with interesting musicians, mostly though BandLab, which is where I record almost exclusively. It's a solid, free digital audio workstation hub where you can share recording projects, even if it's not where you make your recordings.
  Everything I do is live instrumental, not programmed, and using no computer beyond my phone. That's not to say that I would be opposed to using that kind of tool, it's just not my preferred medium with which to paint. If you like my music, please share it. If you want to collaborate, my BandLab handle is @bingo_pajama. Feel free to contact me at cornbreadband@hotmail.com, as well, even if you aren't on BandLab.
  If your music is primarily AI, please don't come around my page, as I'm not at all interested in complimenting a machine.
  Here's a link to music I've recorded live with a group of musicians here in Pittsburgh called The Northumberland Street Ramblers.
Check out The Northumberland Street Ramblers on #SoundCloud
https://soundcloud.app.goo.gl/fU4Me

Glory to JAH. 🙏🕊 Email. davespencer2011@hotmail.co.uk   https:davidkaspencer.bandcamp.com/follow_me 🕊 www.facebook.com/profile. New single (lazeedogrecordlabel) Oppression, is out now on all platforms. https://open.spotify.com/track/1kZ2VYIjxlqrZIXROo1WMa?si=70500f3012e642d2 https://open.spotify.com/artist/6jF1KPlxhinrFPfCeSPnDP?si=ShdYP6DDT2qim85amL8jJ. Golden Reflector, out now.

Psychosis brought me to music production when it became the easiest way for me to communicate my ineffable experiences at the end of my first psychotic break, which lasted a long eight months. As you can imagine, there was much to express. My album “Desert of Delusion” was the strongest processing tool I had acquired to work through what was the most turbulent and invigorating time of my life. 

This wasn’t just a one-off, though. I would go on to experience two more psychotic breaks, with the most recent one being last summer! BUT! I didn’t have to be hospitalized for that one. I’m getting better at this! 

I also have a wicked severe case of ADHD, which is where my name comes from! My primary personality trait is ENERGETIC and as such, I get bored very easily when a loop plays for too long. To combat this, I constantly vary up the instruments and samples I’m using! I aim to create ever-evolving soundscapes that take listeners on a grand journey of the mind, much like what I experienced during my MANY hours of disappearing into Shpongle, OTT, and Entheogenic while psychotic. I want to recreate that immersive experience for the listener and share how I experience music!  

I have a severe brain injury from being hit by a truck as a child. Because of this, my energy waxes and wanes and I’m rather inconsistent on here but I’m trying my best and slowly getting better! It affects my music production in the COOLEST of ways though, because I have a touch of audio-tactile synesthesia. You may find sounds that repeat themselves in my songs, like the deep bubbling of a tabla or the squiggly twang of a jaw-harp. I like to use sounds that FEEL good! 

I’ve only been producing for a little over a year and have VERY much to learn but I LOVE to meet new people! If you have any tips or questions or just want to say hi, PLEASE feel free to drop me a message! I PROMISE I’ll respond as soon as I’m able! 

I hope you enjoy!!~ 

(All digital images made with AI)

All music on this site is Avant garde metal with subgenre . All music on this site was written , performed , and executed by Paul Peltzer.  Feel free to record this album from your sound processor on your PC or macintosh for use public or private respectively. There is also some music for sale. Some electronic with jazz fusion drumming . All artist proceeds go to The Salvation Army. Do something good and get some music also . The link is below. Concerning Paul's Facebook page ... You might have to go back to this page and click more than once to get to his Facebook page.

electronic creations, mutations, machinations

I choosed this artist name to talk about platforms, arts made with computer and the virtual era we have now. A secret meaning is when people find a subject and call it with a valuable name. This is universal.
No i.A in my stuff. No pro account because of my humble "real" plays stats. But, if you really want a track, 24bits wave format, you can buy it on bandcamp, for honest prices I must say. Thanks for listening, music is my first passion, too cool when you enjoy ! By the way, Kink is my favorite music performer

si tu parles français, tu comprends que mon objectif est de creer des gifles sonores

Hello my dear friends. I seek and love music that gives me goosebumps.  I 'm looking for it through experiments with rhythms, sounds and harmony.  So far I haven't succeeded yet.  Music is my life. I’m Fred, 70 years, born in Diest, Belgium on August 8, 1954.  I am grateful for all the given likes and comments, for all the listeners and followers here on SC or on all the other streaming services where my music is publiced. I’m also grateful to all these artists and musicians who put their beautiful music on SC.  Thanks everyone.  Keep it healthy.  Take care of each other and sow peace!

From Wikipedia: In Greek mythology, a satyr, sater (UK /ˈsætə/, US /ˈseɪtər/;[1] Greek: σάτυρος satyros,[2] pronounced [sátyros]) is one of a troop of ithyphallic male companions of Dionysus with goat-like features and often permanent erection.[3] Early artistic representations sometimes include horse-like legs, but in 6th-century BC black-figure pottery human legs are the most common.[4] In Roman Mythology there is a concept similar to satyrs, with goat-like features: the faun, being half-man, half-goat, who roamed the woods and mountains.[5] In myths they are often associated with pipe-playing. Greek-speaking Romans often used the Greek term saturos when referring to the Latin faunus, and eventually syncretized the two. (The female "Satyresses" were a later invention of poets.)
With the characters A and T, my initials, stops every similarity between this description and myself.

https://open.spotify.com/artist/1Co4bnzmwZJMD8Y5u9Br6o?si=m8wGruVyTFeBZ5zlKb25Og

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FunkGalaxy