FD = Funking Duck
The Original is here: https://soundcloud.com/funking-duck/funking-duck-1984-left-behind

1989 Left Behind (FD remix of 1984 Left Behind by FD) [download!]

Psychosis brought me to music production when it became the easiest way for me to communicate my ineffable experiences at the end of my first psychotic break, which lasted a long eight months. As you can imagine, there was much to express. My album “Desert of Delusion” was the strongest processing tool I had acquired to work through what was the most turbulent and invigorating time of my life. 

This wasn’t just a one-off, though. I would go on to experience two more psychotic breaks, with the most recent one being last summer! BUT! I didn’t have to be hospitalized for that one. I’m getting better at this! 

I also have a wicked severe case of ADHD, which is where my name comes from! My primary personality trait is ENERGETIC and as such, I get bored very easily when a loop plays for too long. To combat this, I constantly vary up the instruments and samples I’m using! I aim to create ever-evolving soundscapes that take listeners on a grand journey of the mind, much like what I experienced during my MANY hours of disappearing into Shpongle, OTT, and Entheogenic while psychotic. I want to recreate that immersive experience for the listener and share how I experience music!  

I have a severe brain injury from being hit by a truck as a child. Because of this, my energy waxes and wanes and I’m rather inconsistent on here but I’m trying my best and slowly getting better! It affects my music production in the COOLEST of ways though, because I have a touch of audio-tactile synesthesia. You may find sounds that repeat themselves in my songs, like the deep bubbling of a tabla or the squiggly twang of a jaw-harp. I like to use sounds that FEEL good! 

I’ve only been producing for a little over a year and have VERY much to learn but I LOVE to meet new people! If you have any tips or questions or just want to say hi, PLEASE feel free to drop me a message! I PROMISE I’ll respond as soon as I’m able! 

I hope you enjoy!!~ 

(All digital images made with AI)

Good to be Home !!!
Im a electro music producer and a big fan of electro/hiphop/jazzy music
I work with Ableton and i like to play with my TD3 Behringer Analog, my Model D Behringer Synth and my brand new Behringer Pro VS mini synth :)
1/2 member of Glitchy dot Phong https://soundcloud.com/glitchydotphong with Mtlsir @user-434699157 


https://soundcloud.com/mrmenator-music
https://soundcloud.com/mrmenator
blood_daro@hotmail.com
https://www.deezer.com/pt/artist/162906087
https://www.youtube.com/channel/UCLCj2-5WaXcD2s1PRfmojGA/featured
https://www.mixcloud.com/MrMenator/



Thank You a lot to listen my work & support me !!!!

Lifelong devotee of Electronic music since buying Kraftwerk's Autobahn in 1975!
Played in bands during the 80's. Started making my own music in the 90's as technology gradually progressed and became an Engineer. Like all kinds of music, except Country and Western. (That's Both kinds. :)) I have made some amazing friends on Soundcloud and hope to make many more. Once this terrible virus has been beaten, (It will be) I intend to perform as music is always nicer when Live. Listen, stay safe and have fun. ;)
PS. Look for the Amazing Radio CMJ Music marathon From 08/02/2021. U426 to be featured with a new video. :)

Genocide, June 2025:
Israel is only the executioner, every nation which has armed that country in the past year is an accessory to that genocide, an accomplice, a facilitator.  We cannot talk about war crimes because when you target unarmed civilians, mostly women and children, we are talking about a massacre, like terrorists do, not a war. The people who orchestrated that massacre, in the US, the most duplicitous, followed by those of the UK, Germany, France, and probably a few lesser ones should be tried for crimes against humanity just as well as Netanyahu and his cabinet, because it has been going on for two years, generously reported by media of all kinds, so the enablers knew exactly how the arms were to be used, as a tool for revenge, domination, and humiliation of the Palestinian people.  The conflict has ceased to be about the defense of anything for months.

The parties responsible have made a mockery of decency, morals, fairness, proportion, or justice, not to mention empathy.  Of what little there was, these concepts will be a lot longer to come back than they were to be struck down.  

Is it 1984 already?!?!
 ...

I have not been able to recover access to my other account [https://soundcloud.com/ha-kekong] for a couple of years.  I have tried a few times to get back into it but SoundCloud doesn't trust me.  Same phone number, same email addresses, and they still claim that they can't verify my identity.  I created that account about three years ago as a substitute to my regular account which SoundCloud temporarily closed.  They closed it as part of some upgrade procedure in their system, the result of a bug that affected many accounts, about two years ago.  Since SC did not inform its users I didn't know if that was permanent or not, so I created that other account which I can't access.  Don't be mad if I have not replied to your message in the past two years, that's because I never got them ; ) ... You can always reach me here though.
...

This one here (957729823) is for regular folks.

I love you, both.

...

You can't see it because of the angle with which I took the shot, aiming down, but beyond those blocks is the sea.  To the left is the Mediterranean, to the right is the Atlantic Ocean.  No it's not Gibraltar, but a little bit further West. ... Actually I checked recently and it is further North more than West, I thought I was facing South when in fact I probably was facing the Atlantic ocean, which is why I suppose the waves were of a decent size where we were.
...

My face and the bike are a courtesy of Joël Vaudreuil
[https://vimeo.com/user8897093]  ... Merci Joe!
I then went ahead and butchered his work with a borrowed helmet.
... Sorry Joe. =(
...

I'm trying to promote what I think is good music, so if you want to help out a bit I'd rather you [like] or [repost] my *playlists* rather than my field recordings, if you don't mind, unless you are a die hard fan of those things. Thank you ; )

I speak French, so if you send me a private message, and that you are a francophone, please write in French, thank you.  ... I mean, you don't absolutely have to, but I would prefer it. 

All my field recordings (except for when I record a person) are public, freely downloadable by anyone who is able to click on the button.  I encourage anyone interested to use them in any way whatsoever, on purpose or accidentally. No need for permissions or credits or any other kind  of administrative maneuvers.
...

Anarchists give me hope.

I'm a big fan of EFF.  Love ya EFF.  (no connection with the above line)
... and of course Richard Stallman and Linux and all the others.  Bless yous.

Now don't be lazy, go find out what it is this "EFF" that I'm talking about.  I'll give you a hint: it has to do with computers.

You have a nice day now.  Hugs & Kisses.

Hei!

It's difficult to categorize my music into just one genre. It draws influence from trip hop, breakbeat, instrumental and abstract hip hop, heavy rock, techno, minimal, sound art, contemporary, glitch, and more!

I admire many artists, and you might detect their influence in my work. Among the best are Daft Punk and Massive Attack, followed by 90s Ninja Tune artists like Amon Tobin, DJ Vadim, The Herbaliser, and Kid Koala. I've had the pleasure of seeing many of them live at the legendary Ilosaari Rock festivals. I also appreciate French hip hop, particularly Le Peuple de l'herbe. Other inspirations include The Prodigy, Portishead, DJ Krush, DJ Shadow, Gorillaz, Moby, Mono, Thievery Corporation, Future Sound of London, and more. My taste spans from acid jazz and funk to lo-fi and even punk or hard metal, depending on my mood.

I've been making music since the early 2000s, starting with MadTracker software (I am fine with the program name). A few years ago, I transitioned to music production with Ableton Live 10, and I'm currently using version 12. Some of my tracks are experimental, stemming from explorations over the past 20 years, while others are entirely new compositions. This experimentation is perhaps influenced by my background in research—I'm eager to explore new territories, including music.

Nature is my second passion. I tend to a micro-farm in the summer, raising sheep and chickens and restoring it to its traditional biohabitat. In the winter, I evade to the city and brood there, craving for the countryside's spring, summer, and autumn... or dreaming being in hot and sunny place by a sea or river...

I'm open to collaborations, akin to scientific endeavors where novel and exciting outcomes emerge from teamwork. Feel free to reach out!

Lastly, I want to express my gratitude to my SoundCloud friends, website visitors, and music listeners. This community is truly remarkable!

Best regards,
Tarmo aka Funking Duck

P.S. If you enjoy my music and wish to support me, you can do so via PayPal at paypal.me/funkingduck. Your support will contribute to expenses such as a pro-account subscription on SoundCloud and music software. Thank you very much!

P.P.S. Go and follow my less experimental project here, please:
https://soundcloud.com/maautu/

Life without music would be too bleak to endure!
#Indie

Official Soundcloud for Dark Electro Producer Scratch Kelly 
West Coast, Tasmania 
Darkwave + Dark Ambient + Wave + Experimental + Industrial

Scratch Kelly constructs a synthesis of dark ambient, industrial and wave music. She creates a diverse sonic landscape, from brutal and unforgiving industrial sounds to dreamy dark wave territory marked by melodic synth bass so deep you could drown in it. Her music is designed to bring a sense of realisation, contemplation and healing to the darker places of the psyche.
First surfacing in 2018 with as part of the Hobart based duo Soundtractor, and moving onto solo music production in 2022 with a series of self-released EP's and albums. Her work is heavily influenced by darkwave and industrial electro, but her  inclusion of complex, often experimental rhythms and emotive melodies sets her apart from the rest of the dark electronic scene. She has received her greatest exposure so far on radio and at the Unconformity Festival.

New album out at Bandcamp
https://laar.bandcamp.com/album/movere-ii

More music available for Download at Bandcamp
https://laar.bandcamp.com/album/sherbet-interlude
https://laar.bandcamp.com/album/ontologie
https://laar.bandcamp.com/album/kernproblem
https://laar.bandcamp.com/album/actio-iniuriam
https://laar.bandcamp.com/album/pax
https://laar.bandcamp.com/album/medusalum
https://laar.bandcamp.com/album/movere
https://laar.bandcamp.com/album/glimmering-downbeat