total cool..aber es gibt einfach Zuviele AL..eine richtige Plage........!!👍

oh yeah! now i can swear in German!!! great song and sentiment.

Klasse Text und Musik, voll auf den Punkt! Und ja, leider gibt’s immer noch viel zu viele von diesen diese A…löchern.

Jedes Wort wandert in meinem Kopf. Das ist Politrock vom feinsten.✌️✌️

Es ist nicht sehr freundlich, aber sehr lustig

awesome. thank you for posting the english lyrics. great track.

Böse, böse, böse ... und doch so gut beobachtet und den Nagel auf den Kopf gehämmert. Fein vorgetragen auch!

High recommendation of headphones, to fully enjoy sound adds and effects.

Letra / translated lyrics:

África... África...   /   Africa... Africa...
la vieja madre...   /   the old mother...
África... África...   /   Africa... Africa...
la tierra extraña...   /   the strange land...
África... África...   /   Africa... Africa...


Son tus raíces   /   Your roots are
más profundas que el tiempo.   /   deeper than time.
Olvida tu vida   /   Forget your life
que ahora es desierto.   /   which is now a desert.

Tus raíces de sangre se han perdido,   /   Your blood roots are lost
y tu exótico mundo ha envejecido.   /   and your exotic world has got old.
La llamada de la selva ha convertido:   /   The call of the jungle has turned:

tus batallas en guerras,   /   your battles to wars,
y tus bosques en hambre,   /   and your forests to hunger,
y tus hombres en tierra.   /   and your men to soil.

África... África...   /   Africa... Africa...
tus cantos lejanos...   /   your distant singings...
África... África...   /   Africa... Africa...
ahora están muertos...   /   are dead now...
ahora están muertos.   /   are dead now.
África... África...   /   Africa... Africa...


... 1995 E-RUIZZO - 2014 FRANCÉS RECORDS

Google Play

África (Hombres de tierra)

This recording is a completed work of Wild Christopher's work "Jolene (Ever Find Your Forever Man)" with my guitar playing. "Jolene" is based on "Let Me Know", one of the "Paploviante Open Collab" pieces.
I received warm compliments and words of welcome from both of them. I am very grateful.I would like to thank them from the bottom of my heart for including me in their wonderful work.

This work is over 6 minutes long. My guitar playing starts with a low volume and rhythm. About a third of the way through, my guitar starts playing to complement Christopher's great singing.

Below are links to each work.

Wild Christopher-Jolene (Ever Find Your Forever Man) - Paploviante Open Collab
https://soundcloud.com/neon-blur/jolene-ever-find-your-forever-man-paploviante-open-collab

Let Me Know - Offer Open Collaboration 80 Bpm(Paploviante and friends)
https://soundcloud.com/paploviante-and-friends/let-me-know-offer-open-collaboration-80-bpm

"Let Me Know" by Paul (one of the "Paploviante Open Collab" pieces)
A few days after the release, he received a number of really excellent works. I was really surprised by the ability of the artists to finish such amazing works in such a short period of time.

Results Offer Open Collaboration Let Me Know(Paploviante)
https://soundcloud.com/paul-racle/sets/results-offer-open

Chord= A ,E
Key = E

After listening to the above works, I realized immediately. Simplifying the scales that form the melody, assuming the case of playing the guitar, it was divided into the case of  Cm/E pentatonic, and the case of  Cm/E and Em/G pentatonic. I thought, ``This is a great exercise for me. For example, putting four songs together on one track, listening to them all in order, and playing the guitar along with each scale is a very useful daily practice. I could imagine that this would be useful not only for myself, but also for most people who are learning to play the guitar.

For example, alternately play the following:
1)Cm/E　Pentatonic scale(Key = E)
2) Cm/E, Em/G Pentatonic scale(Chord = A7,E7)
2) '  Am/C,Cm/E,(Em/G) Pentatonic scale

It's easy to envision it that way, but first, what do I do with the first one? So I started playing guitar while listening to Wild Christopher's "Jolene".
I found it possible to use two chords, A and E7, and finish off with some rock'n'roll backing, but it's too simplistic a way to spice up Christopher's cool and passionate vocals. 

So I took the plunge and tried using the A7 and E7 chords to make a blues rock song. And I was convinced that depending on the way I played, I could proceed without discomfort. An image of the rough blues rock of the early 1970s came to mind. However, I was conscious of keeping the taste of the country blues that was popular before that.

I thought that Wild Christopher's wonderful singing voice would suit slightly rough guitar playing based on precise rhythm composition. A playing style that many great guitarists and predecessors have developed over the decades. I hope that people who come across this piece will want to listen to it again and again :))

Wild Christopher - Jolene - Paploviante Open Collab ft.JUNZO on electric guitars

Wild Christopher - Jolene - Paploviante(Let Me Know) ft.JUNZO on electric guitars

embodiment

I normally go for "light and melodic" in my music but here i've gone for "dark and percussive" for a change!! 

Music,composition,arrangment,mix and production ... Pablo
Retro-Tone Audio ©2023

The Dream Chaser

The Dream Chaser ................ Scary Mix ...............

Dipping into the archives for this one, but one of my personal favorites when I played with gifted violinist Julie Evans many years ago. It came out of an improv session where we would brainstorm musical ideas and then refine the ones we liked.  The transfer from cassette tape worked pretty well with not a lot of hiss or tape flutter.  
I've come to understand that joy and melancholy are more soul mates than opposites, both being able to bring tears at a moment's notice.  The "joy of being" in all its complexity and simplicity is a paradox to be celebrated.

Joie De Vivre (Julie Evans; violin, David; acoustic guitar, bass, shaker

I wrote this song about coming together when times are difficult. 
I wanted to use sand to represent a collective goal. In Spain there is a saying Mi granito de arena, which means My little grain of sand. If we all help towards a common goal then great things can happen. Like sand, each grain is small but collectively it can stop a flood. 

This track (and the harmonies) was written and recorded at home on my iPad :-)


Hourglass by Mia Wilks (Copyright Mia Wilks PRS)

I am there for you 
Just hold my hand 
And tiptoe over the mountains
I will hold your heart in place
I am near, feel my breath on your face 

I am there for you
You can reach out your hand
The hourglass, soft falling sand
Time will never disappear for us
I am there for you 
I am there for you
You can reach out your hand
The hourglass, soft falling sand
Time will never disappear for us
I am there for you 

Your pain is transparent
Far reaching inside your soul
You can’t heal the torture you feel
But a few moments pain I can steal
Whispering in the darkness
Secrets you can confess
No blame, your thoughts become the prison 
You can’t see your life’s vision
But I am there for you 

I am there for you
You can reach out your hand
The hourglass, soft falling sand
Time will never disappear for us
I am there for you
I am there for you
You can reach out your hand
The hourglass, soft falling sand
Time will never disappear for us
I am there for you 

There for you 
There for you 
There for you 
There for you 
There for you 
There for you 

I am there for you 
Just hold my hand 
And tiptoe over the mountains
I will hold your heart in place
I am near, feel my breath on your face 

There for you 
There for you 
There for you 
There for you

HOURGLASS

Lyrics
Monday was  a cold and raining
Tuesday never stopped it’s complaining
and Wednesday stuck around damn near longer than any day should
Thursday was a throbbing tooth ache
And even Friday didn’t give us a real break
Come quitting time I am gonna lay my hammer down 
(Chorus)
We earned this weekend baby
We earned this weekend baby
We earned this weekend
Ain’t nothing getting in our way

Friday night we’ll step out looking so great
Saturday sleep in don’t care how late
Cause little extra rest shouldn’t be some kind of guilty luxury
(Repeat Chorus)
All day Sunday we’ll cater to our best selves 
Dust off the dreams we keep   up on the back shelf
And remember the things we really love to do
(Repeat Chorus)
Cause Monday’s waiting for us anyway
Let’s live free for a couple days
If anyone deserves it, honey, it’s you and me
(Repeat Chorus)

We Earned This Weekend

Musik: DaFlash
Text & Gesangsmelodie: Gabriel
DaFlash auf Soundcloud: @user-494125290
ENGLISH TRANSLATION
OF THE LYRICS CAN BE FOUND HERE:
http://www.gabriel.land/gabriel-arschloch.htm

Arschloch

Pickle Party

Face Down

A little Politics and a dash of rock n roll.

Walk Around the Moon

WALK AROUND THE MOON

Musik ist, was sie ist. Und ich bin einfach nur der, der ich bin.
Music is what it is. And I am just who I am.
More (instrumental) music from my second self "Wexxelbalg":

Arschloch

Gabriel

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