This is it, Schrodinger's Cat, the second track of my new conceptual piano album 'From Lineal To Cyclical Thinking'. Enjoy ;)

Schrodinger's Cat

The Flower Of Life

From Lineal To Cyclical Thinking is my second 'solo-piano' album.

Beyond The Light Cone

The shapes of the wind trace invisible paths in the silence, carrying whispers, echoes, and fragments of memory. The music floats like a fragile light over forgotten rivers, dissolving into shadows that still remember. A journey through weightless atmospheres where breath, silence, and time merge.

Memories

Where Water Flows - Part Two

from my album h e a r t w a a a v e

An experimental vaporwave release that drifts through chill, blissful soundscapes and introspective moods. Delay-drenched vocals and emotional synth leads guide a lucid, dreamlike experience... psychedelic not in form, but in feeling.


life will f o r g i i i v e you

New modal sketches for the Deepchild pres. Acharné project. Hyperreal exploration of faux-piano tonality, artifice and artifact.

www.facebook.com/deepchildmusic

Deepchild pres. Acharné - "Burren Street"

Commissioned by the Northwest Film Forum in Seattle as part of their Puget Soundtrack series, Madeleine composed and performed a soundtrack to Hitchcock's classic film, The Birds.  

Bodega Bay

Healthy uplifting music for the benefit and enjoyment of all.

@brombaer

Fljóta & Brombaer - Contentment Winds

Like everything, 'In The Lens' has been shaped by its past, the music recovered from the garbled intestines of a decades-old hard drive and previously lost emails that were, over the years, left to wallow in discontinued, withering accounts. Forlorn and forgotten samples that were recorded on cassette dictaphones shed a gentle light on Solo Andata’s musical lineage, but in this new era fresh elements appear alongside these re-worked sounds. As a result, the music has both a contemporary and a lightly dated feel to it, like memories shrouded in orbs of present moment dust...

Full review:

http://www.fluid-radio.co.uk/2016/05/solo-andata-in-the-lens/

Pre-Order:

https://12kmusic.bandcamp.com/album/in-the-lens


Pre-Order

Solo Andata - Left

This particular piece is the only one among the album 'A Bunch of Stars A Bunch of Stories' that was improvised during the recording. I knew this one was going to be the first piece, the introduction, but I never really had an idea of how it was going to finish or how long it was going to be...the whole piece revolves around the key of F major...I probably played it like 25 times during a day, each time different, trying different combinations and at the end I decided for this version...Honestly, I was surprised with the result....I guess that is the beauty of improvising....

We Are Just Shadows...

''My first official album, 'In The Beginning There Was The Light', is a journey through my own world as a composer and a pianist; throughout the whole process of making it I experimented with different genres -Neoclassical, Experimental, Soundtrack, Solo Piano, Nujazz, and New Age among others- given that each song had a different role to play in the album. I wanted the music to tell a story, or perhaps, the story to have some music, but that was the main reason why I decided ITBTWTL to be a conceptual album, something with a central message/melody that could be used for a film or a play. I invite you to explore the story and for you to be part of this musical journey I created with passion and love; hope you enjoy it.''

Hi everyone, my name is Gabriel Ruata, born and raised in Guatemala City, Guatemala, a small country located in the northern part of Central America. Ever since I was a kid, I loved classical music and always felt a special connection with any kind of musical expression. It seems, somehow, that there was some kind of rhythm in my soul that made me feel music in a special way. 

From among all the musical instruments at my disposition, there was something about the piano that called to me, maybe it was the smell of the wood, maybe it was the beautiful marble keys, maybe it was Chopin or Beethoven calling me, I did not know by then, but there was something mesmerizing about it. That’s why I started playing the piano at age 11; I enrolled in music classes and kept at it for 6 years, after that, I figured it was time I started experimenting with music on my own.

I graduated from school in 2003 and enrolled in Law School after that. After almost 7 years of studying law and finally becoming a lawyer, I decided it was the perfect time to pursue my dream: becoming a music composer, a musician, and an artist.

I studied Music Production and Audio Engineering at Harbourside Institute of Technology in North Vancouver, Canada in 2011; after I graduated from the program, I decided it was time to start doing something more concrete than just individual tunes, so I embarked in the adventure of making a music album.