The definite study playlist

3 album

Stillness

gabriel ruata

street walk

Producers with dope sound

piano 2 gabriel

musica gabriel

12. Temptation Instrumental

Nils Frahm – Ambre

The Bells

Said and Done

Nils Frahm – Said And Done

iTunes: smarturl.it/hundredwaters
CD & Vinyl: smarturl.it/TMRLABPreAmzn


The Moon Rang Like a Bell

Innocent

Support

HAZEY, the new single from Glass Animals taken from their debut album ZABA out now. Order on iTunes here: po.st/ZABAiDeluxe

your baby's fallen
you know i'm talking now
you know i'm dancing
you know i'm racing round

no no you’re so juiced
you said you'd kick the booze
you know i'll get bruised
you know i'm just a boy

come back baby don't you cry
don't you drain those big blue eyes
i’ve been crawling
come back baby don't you cry
just you say the reason why
i can calm you

you say i'm bawling
i say i'm begging while
you take my photo
i fake my breaking smile
i'm f*ckin' loco
i can't get through to you
you turn your nose you
spark up and i can go 


Order ZABA from
iTunes Deluxe: po.st/ZABAiDeluxe 
iTunes Standard: po.st/ZABAiTunes 
Amazon CD: po.st/ZABAAmznCD 
Amazon Vinyl: po.st/ZABAAmznVinyl 
Artist Store: po.st/ZABAStore

Australian Store: po.st/ZABAAus

Follow Glass Animals online

Site: po.st/glassanimalsweb
Facebook: po.st/GlassAnimalsFB 
Spotify: po.st/GASpotify 
Twitter: po.st/GlassAnimalsTW 
Soundcloud: po.st/GlassAnimalsSC 
Youtube: po.st/GlassAnimalsYT 
Instagram: po.st/GlassAnimalsINS

Hazey

Download

Tycho sunrise DJ set on the Disco Space Shuttle at Burning Man on Friday, August 29th, 2014. Thanks to everyone who made this morning special and of course all my love to everyone at Apogee Camp, best burn yet!

Special thanks to: Nitemoves (Rory O'Connor), Heathered Pearls (Jakub Alexander), Rob Garza, Christopher Willits, Kiyoka, Katie B. , DJ Dane, Clark, the Dusty Rhino crew, Seth, Tobias, and the whole Disco Space Shuttle crew.

Track Listing:

>> SET BEGINS - APPROX 5:40AM 
Slag Boom Van Loon - Poppy Seed (Boards Of Canada Remix)
Boards of Canada - Olson
Clark - Tooth Moves
Manitoba - Dundas, Ontario
Atoms For Peace - Dropped
Tycho - Dye
Photek - Pharoah
>> SUNRISE - APPROX 6:20AM
Ulrich Schnauss - In All The Wrong Places
Tycho - Awake
Bibio - À tout à l'heure
Airbird and Napoleon - In The Zone
Tycho - Awake (Com Truise Remix)
Psychemagik - Cosmic Forest
Cos-Ber-Zam - Ne Noya (Daphni Mix)
Leon Vynehall - Time
Leon Vynehall - Be Brave, Clench Fists
Fort Romeau - Jetée
Dauwd - Lydia
Mirror People - Kaleidoscope (Psychemagik Remix)
Mano Le Tough - Primative People (Tale Of Us Remix)
16 Bit Lolitas - Deep Space Girls (DAVI Remix)
Dauwd - Heat Division
Tycho - L
Lancaster – Beachy Thing
Panama - Destroyer
>> EMBRACE SCULPTURE BURN BEGINS
White Denim - A Place to Start
Washed Out - Amor Fati
Little Dragon - Little Man (Tycho Remix) 
Moths - Heart
White Denim - Street Joy

Black Sunrise - Burning Man Sunrise 2014

I recorded this some days ago and even tho I feel a little fragile about it I want to share it with you.
Have a good time!

(I'm out of downloads and i'm to poor for a premium account atm: here's a download link for the track: https://www.dropbox.com/s/kqhjsd69oshqxsw/November%20Like%20Last%20Year.mp3?dl=0)

Please feel free to do with the track whatever you want.

The Coverphoto was taken in the late 70' and shows two Inuit Children in front of their igloo.

November Like Last Year

This is it, Schrodinger's Cat, the second track of my new conceptual piano album 'From Lineal To Cyclical Thinking'. Enjoy ;)

Schrodinger's Cat

american oak

Step

Hypnagogia

Awakening To The Dream

Initiation

The Flower Of Life

The Lost Realms

Interdimensional Door

From Lineal To Cyclical Thinking is my second 'solo-piano' album.

The Glow

Beyond The Light Cone

Christopher Lloyd - See

‘Apologues’ will be released by Erased Tapes on September 11, 2015 on LP/CD/DL and can be pre-ordered from www.erasedtapes.com/store/index/ERATP075

Masayoshi Fujita, the Berlin-based Japanese vibraphone player, also known under his alias el fog came to the attention of label founder Robert Raths a few years ago. Not only because the vibraphone is an intriguing instrument, but also the way Masayoshi treats his instrument and draws ethereal and layered sounds, is what truly attracted him to Masayoshi’s work.

Having released more ambient-based/electronic recordings of the vibraphone under el fog, Masa became more interested in the sound of the vibraphone itself. He started to compose acoustic pieces and released the first solo album under his real name, titled ‘Stories’, in early 2013. ‘Apologues’ sees Masayoshi for the first time use an array of instruments besides his lead instrument – such as the violin, cello, flute, clarinet, French horn, accordion, piano and snare drum played by friends, but arranged by Masa himself.

In addition to the mallets, Masayoshi often plays the vibraphone with a violin or cello bow, like on ‘Tears of Unicorn’ and ‘Knight and Spirit of Lake’. He would also place bead strings on the vibraphone bars to create an ambient shimmer that can be heard on songs like ‘Moonlight’ and ‘Swallow Flies High in the May Sky’. The latter was composed to let the clarinet express its characteristics and tell its story, whilst the vibraphone takes a supporting role. “The clarinet sounds very warm and soft and very ‘spring’ to me”, says Masa.

“With this album the main idea was to evoke images, atmospheres, sceneries and stories in the listener, the images that have accumulated in myself. At the same time it was an exploration of the unexplored beauty of the vibraphone, and also a pursuit of the charm of the instrumentation and the music itself. Erased Tapes releases a lot of great stuff and naturally became my favourite label of late. And I thought it would fit well to my music.” – Masayoshi Fujita

OFFICIAL WEBSITES: masayoshifujita.com · erasedtapes.com

Apologues

Tears Of Unicorn

Buy LP/CD/DL

Masayoshi Fujita – Tears of Unicorn

‘Rivers and Streams’ will be released by Erased Tapes in LP/CD/DL format on November 27th, 2015.

Pre-order LP/CD/DL here: www.erasedtapes.com/store/index/ERATP077
or digitally on iTunes here: http://snip.ftpromo.net/riversandstreams

Ukrainian pianist Lubomyr Melnyk has often felt that his unique Continuous Music playing is akin to water – flowing and ever connected. As he further developed his technique, and the more the notes flowed, the closer to water he felt. “I found my hands and arms and everything inside them changing from normal muscle and flesh to well... water.”

With his latest album, ‘Rivers and Streams’, Lubomyr focuses deeply on this connection to water, to the point where the music itself begins to embody its liquid form. Produced by Robert Raths and Jamie Perera, the album flows seamlessly from the live recordings of ‘The Pool of Memories’, captured in a church, to pieces entirely born in the studio, such as ‘Sunshimmers’ and ‘Ripples in a Water Scene’, which feature Perera on acoustic and electric guitar.

Amorphous, ever-changing, Lubomyr as performer becomes subsumed into the natural ebb and flow of the keys as the album drifts between nascent upstream trickles and deeply reflective passages through winding river valleys. The album reaches its climax in ‘The Amazon’, a 20-minute piece dedicated to the world’s largest river. Raths invited Korean flautist Hyelim Kim to guest on the first part, before Lubomyr closes the album with cascades of arpeggio figures, stretching across the breadth of the keyboard with rapid virtuosity.

Following on from 2013’s ‘Corollaries’ album and last year’s ‘Evertina’ EP, Lubomyr’s latest offering compounds upon his existing fluid signature style, and breathes an organic vitality, both nuanced and thoughtful. 

"In the body of the Continuous Piano Master, the fingers and the hands turn into Water, Air and Stone. These are the three manifestations of the Continuous Technique. And for the Continuous Pianist, the fingers physically transform the music into one of these three elements.

The greatest of all miracles in the universe is Water. It is also, I believe, the rarest of all physical things in the universe. Water is the most magical and the most mysterious of all things we know! And so I dedicate this album to the Rivers and Streams of this world – in gratitude for their Beauty!“ – Lubomyr Melnyk

The cover artwork shows the surface of vines captured with macro photography by French artist Marion Benoit, which Lubomyr discovered in early 2015 as the perfect visual counterpart.

TRACK LISTING:

1. Parasol
2. The Pool of Memories
3. Sunshimmers
4. Ripples in a Water Scene	
5. The Amazon: The Highlands
6. The Amazon: The Lowlands

OFFICIAL WEBSITES: lubomyr.com · erasedtapes.com · marion-benoit.com

Rivers And Stream

Parasol

Lubomyr Melnyk – Parasol (excerpt)

After releasing Nils Frahm’s two-track solo synthesiser EP ‘Juno’ in a highly sought after 7” edition, Erased Tapes now re-release the original Juno tracks with guest reworks by Border Community's modular synth wizard Luke Abbott and Warp veteran Clark. Both known for their like-minded use of analogue synthesisers in their music, it makes them the perfect artists to rework the originals. Similar to Frahm’s online project ‘Screws Reworked’, where he invited fans to download his solo piano songs to reinterpret them with their own medium of choice, it’s far from being the typical remix EP. Aptly titled ‘Juno Reworked’, it will be released worldwide in the form of a limited 12" Vinyl and Download.

ORDER HERE: www.erasedtapes.com/store/index/ERATP049

LIVE DATES:

10.07. LEEDS (UK) – Opera North Howard Assembly Room
11.07. LONDON (UK) – St. John at Hackney 
25.08. AMSTERDAM (NL) - Grachtenfestival
26.09. SEATTLE (US) – Decibel Festival 
06.10. ESSEN (DE) – Swingfest – Weststadthalle
13.11. BORGERHOUT (BE) – De Roma 
14.11. LEUVEN (BE) – 30CC – Schouwburg
15.11. HASSELT (BE) – Cultuurcentrum
16.11. ROESELARE (BE) – De Spil tickets

OFFICIAL WEBSITES:

nilsfrahm.com · lukeabbottmusic.com · facebook.com/throttleclark · erasedtapes.com

Juno

Juno Reworked

Buy 12"/DL

Nils Frahm - For

‘Loon’ will be released on Erased Tapes as a 12” vinyl as well as digitally on October 2nd. 
Pre-order it here: www.erasedtapes.com/store/index/ERATP072
or via iTunes: http://snip.ftpromo.net/loon

Containing five synthesiser-led pieces, ‘Loon’ was recorded in autumn 2014 across five days at Nils’s Durton Studio in Berlin, and continues on from the ambient sounds of ‘Stare’ but with the addition of more percussive elements and dub influences. For this new EP the duo wired an Oberheim 4 Voice and a Korg PS3100 to the mixing desk and performed live takes on both instruments. With all four hands on its pots, all mixes were recorded straight onto 2-track ½-inch tape.

Like on ‘Stare’, their first collaborative affair in 2012, they simply followed what was laying in front of them, and this time they were driven by some new synths, a kick drum and tape effects. Indulging in dub, the tracks where all performed rather than engineered, with Ólafur riding a few elements on faders and Nils bringing effects in and out. After running several mixes, they went for the five strongest moments from this session. The release was announced on a joint website www.arnaldsfrahm.com together with the launch of an intimate 45-minute studio film titled ‘Trance Frendz’, featuring another seven improvisations.

“Nils got some new synths and we thought we’d try them out. We loved them so much that we didn’t actually end up using anything else to make these songs.” – Ólafur Arnalds

“When I was young I was smuggled to Goa parties by my brother. The music played there in the late nineties had a somewhat deep effect on me. ‘Loon’ is almost a blurry memory of these times. In other words, it is what I’d like to remember that music sounded like back then. In fact it sounded probably really cheesy.” – Nils Frahm

Loon

Wide Open

Ólafur Arnalds & Nils Frahm - Wide Open

ÓLAFUR ARNALDS & NILS FRAHM - 'a2' from their forthcoming collaborative EP 'STARE'.

ORDER the Ltd. Edition 10" Vinyl/Download HERE and receive an Erased Tapes 5th Anniversary sticker with it:
http://www.erasedtapes.com/store/index/ERATP042

'A hazy slow-builder that sits nicely equidistant between Arnalds’ solo work and his excellent Kiasmos project' – The Line Of Best Fit

CONTENT

Erased Tapes label mates Ólafur Arnalds and Nils Frahm record and mix their first collaborative record between Reyjkjavík and Berlin as a surprise release for label founder Robert Raths.

The ambient/electronic work ‘Stare’ is a true family effort from Ólafur Arnalds and Nils Frahm with Anne Müller joining in on cello and all graphics by close label-friend and now in-house designer Torsten Posselt of Feld Studios.

This release will be strictly limited and exclusively available on Record Store Day 2012, April 21st. Coinciding with the 5th Anniversary of Erased Tapes, it’s also available from the official Erased Tapes online store and sure to become a must-have for fans of the label and these two artists.


CONTEXT

Words by Nils Frahm: 
‘I heard ‘Eulogy For Evolution’ for the first time 6 years ago and I was totally captivated. Impossible to know back then that I was supposed to meet Ólafur many years later as my label mate. Later when he took me along a tour of his we also noted that we kind of like hanging out together, doing important things like cover versions of long forgotten songs or eating veggie pizza. Also he would join my live set for a jam and I would return the favour by playing along with his set. 

All in all, I fell for Óli and after one memorable jam session we had in Berlin at Roter Salon in 2011, he finally proposed the idea to visit me in my studio in Berlin to work on 'some music'. I was happy and delighted about that idea, so we got together in April 2011 and after having a big pizza, I plugged in some old analogue synths and we played for four days until late in the night. Also queen Anne Müller stopped by after a show with Agnes Obel to record some cello at 5 am in the morning for ‘b1’. Making music together with people is lovely! 
 
The time I spent with Óli in Berlin made me very happy and the music wasn't like anything I have heard before. It was all very reduced and minimal and I felt like I couldn't have done this alone. So we decided to do another 4-day jam at Óli´s E7 studio in Reykjavik. So I flew there in the end of October to repeat the trick and record some out of this world ambient music. It didn't take us too long to write ‘a1’ and ‘a2’.  I can’t wait for the follow up!’

Words by Olafur Arnalds:
 ‘After having toured together and having had many inspiring late night conversations, I decided to visit Nils in his Durton Studio in Berlin for a weekend. We didn't have anything specific in mind, we just wanted to hang out, jam and eat some falafel. That's what we did, but somehow we also made 25 minutes of ambient bliss that weekend. 

After that we quickly decided we had to do the same in my studio in Iceland. Just hang out for a weekend and possibly make some music. So the album became kind of an Iceland vs. Berlin thing. I think you can hear it very well in the sound (side a vs. side b) and that is the most interesting thing about this record for me: that subtle but significant different in the characteristics of the music two people made in Iceland against what the same two people made in Germany. 

I'm not sure why we decided to keep it secret, it just happened. But it sure was fun! I remember a party at Robert's (Erased Tapes founder) flat in Berlin, where me and Nils stood in the corner the whole night whispering about the project. We then delivered the fully mastered record with finished artwork to Robert around the 5th anniversary of the label. It would have been nice to be there to see his face…"

The live video of Nils and Ólafur’s spontaneous improv live set in Berlin last summer won them many fans since, including UK electronic music producer Max Cooper who is now remixing two of his “absolute favourite artists”. Nils and Ólafur will be touring together throughout Europe this spring.

You can watch it here: http://vimeo.com/28631568
 


LABEL: ERASED TAPES RECORDS    UK RELEASE DATE: APRIL 21, 2012
CAT.NO: ERATP042 EP/DL   EAN: 4050486068137

TRACK LISTING:  1. a1  2. a2  3. b1

OFFICIAL WEBSITES:   OLAFURARNALDS.COM   DURTONSTUDIO.COM   ERASEDTAPES.COM 

Stare

Ólafur Arnalds & Nils Frahm - a2

"bugseed x ill.sugi x pigeondust x child midori - misty"
making beat session with tokyo beatmaker homie @ asagaya 2012/12/05 
new beattapes coming soon...

http://soundcloud.com/ill-sgimoto
http://soundcloud.com/yagi1987
http://soundcloud.com/yelowe
http://soundcloud.com/childmidori
http://soundcloud.com/bug-seed

tomorrow! ill.sugi & yagi live @ fiction ug harajuku / december 6th
http://www.facebook.com/events/353666708063566/?ref=ts&fref=ts
http://yagi1987.tumblr.com/post/36740599679/fiction-lounge-ug-ug-toky00

"TOKY00 @ FICTION UG w/ ILLSUGI & YAGI"
12/6 TOKY00 @ FICTION UG 原宿

recording a radio show from Tokyo to Paris
with radio zero zero (FR)
http://www.radiozerozero.com/listen

interviewed by the sweet Yukibeb
http://soundcloud.com/yukibeb

guest :
ILL.SUGI & YAGI (Trane/JP) for speaking about their new beat tape
(http://illsugi1.bandcamp.com/album/stoned-beat-tape)
resident :
.CHILD MIDORI (Th gallery/Toky00/FR)
(www.soundcloud.com/millemidori)
DJ EFAL (Rough Side/JP)
(http://soundcloud.com/dj-efal)
SONIC BLAST (Rough Side/JP)
@babibubeboy

misty (bugseed x ill.sugi x pigeondust x child midori)

Hip Hop Instrumental Rap Beat ..

I composed the melody of this tune a long time ago, perhaps 5 years ago when I was still living in Guatemala; by that time, I did not know all the jazz and blues chords I know today (thanks to my music theory teacher) although, the color of the melody had showed something that captured me ever since that day...it was mysterious....This year, I decided to do some variations around the key, and just like in my album, I guess I could call it a conceptual tune, given that each variation tells a completely different story of the dream...the type of stories that can only happen in a dream....in this case, a surreal one (you could say)...I guess I could call this composition something like a modern neo-classical progressive concert...a musical experiment....

Variations On A Dream in C#minor

*For Lease & Exclusive Purchases*
E-mail me at chrisrocay@gmail.com
ONLINE BEAT STORE https://goo.gl/HMDRKK
Youtube: www.youtube.com/user/chrisrocay
Twitter: @ChrisrocaY 
Created by: Roca Beats

The Underachievers - Herb Shuttles (Official Instrumental) Produced by Roca Beats

This particular piece is the only one among the album 'A Bunch of Stars A Bunch of Stories' that was improvised during the recording. I knew this one was going to be the first piece, the introduction, but I never really had an idea of how it was going to finish or how long it was going to be...the whole piece revolves around the key of F major...I probably played it like 25 times during a day, each time different, trying different combinations and at the end I decided for this version...Honestly, I was surprised with the result....I guess that is the beauty of improvising....

We Are Just Shadows...

This is my second official album 'A Bunch Of Stars A Bunch Of Stories', this time, a solo piano album (conceptual, again) with some old compositions (some of them more than 5 years old) and a few recent ones..hope the music take you to the place,beyond space and time, where all our dreams come true....enjoy!

Remembering

As a Flying Bird

Float On

Can you tell the difference? listen to Maia on a piano tuned at 432hz
https://soundcloud.com/gabriel-ruata/maia-432hz

Please support me and buy the track for only 1.00$ just click on the link ;)
https://gabrielruata.bandcamp.com/track/maia

A Bunch Of Stars a Bunch Of Stories

Maia

The Nigredo Experience

Albedo

The Goal

''My first official album, 'In The Beginning There Was The Light', is a journey through my own world as a composer and a pianist; throughout the whole process of making it I experimented with different genres -Neoclassical, Experimental, Soundtrack, Solo Piano, Nujazz, and New Age among others- given that each song had a different role to play in the album. I wanted the music to tell a story, or perhaps, the story to have some music, but that was the main reason why I decided ITBTWTL to be a conceptual album, something with a central message/melody that could be used for a film or a play. I invite you to explore the story and for you to be part of this musical journey I created with passion and love; hope you enjoy it.''

Hi everyone, my name is Gabriel Ruata, born and raised in Guatemala City, Guatemala, a small country located in the northern part of Central America. Ever since I was a kid, I loved classical music and always felt a special connection with any kind of musical expression. It seems, somehow, that there was some kind of rhythm in my soul that made me feel music in a special way. 

From among all the musical instruments at my disposition, there was something about the piano that called to me, maybe it was the smell of the wood, maybe it was the beautiful marble keys, maybe it was Chopin or Beethoven calling me, I did not know by then, but there was something mesmerizing about it. That’s why I started playing the piano at age 11; I enrolled in music classes and kept at it for 6 years, after that, I figured it was time I started experimenting with music on my own.

I graduated from school in 2003 and enrolled in Law School after that. After almost 7 years of studying law and finally becoming a lawyer, I decided it was the perfect time to pursue my dream: becoming a music composer, a musician, and an artist.

I studied Music Production and Audio Engineering at Harbourside Institute of Technology in North Vancouver, Canada in 2011; after I graduated from the program, I decided it was time to start doing something more concrete than just individual tunes, so I embarked in the adventure of making a music album.