As I have already mentioned, your genre is not my normal go to. The slick side of the production process is not usually my bag. Im normally into organic and earthy but theres something that you and the studio people do that I really really like. I feel you write from the less produced more natural place. And having seen "Ache" live on youtube, (the guys are awesome), you really do have natural soul. And as always, fabulous vocals.

Brillant Tune--and oh my, what a voice:):)

The song delves into the exhilaration of encountering someone new, whose gaze lingers, creating a space free of judgment and filled with pure, almost sacred intentions. It's a celebration of that magnetic, undeniable chemistry—the kind that leaves you breathless. As the lyrics suggest, 'I'll be your melody to complete,'Capturing the essence of becoming the missing element in a harmonious sexual union.

It's Just Natural Baby

Cigales, criquets, grillons et chiens au crépuscule
Slatina, Croatia, 11.08.2022
https://zuunzug.com/2022/10/18/ormoz-cakovec-slatina/

Cicadas, crickets, locusts and dogs at dusk

The Sunniest Of Bonfires

JAMUARY 24 - Day 25

TPC 333 game over

Disquiet Junto Project 0632: Shear Wind
The Assignment: Make the most of the disturbance within a field recording.

I made a windy recording down by the Redondo marina.  It was a quiet day for once.  It's usually kind of noisy with human activity.  Good day for a windy field recording with just a hint of birds and sea lions.  

I converted the field recording to midi notes.  Ableton has a few options when you convert audio to midi, "harmony, melody, drums."  I chose harmony first and didn't get very many midi notes from the conversion, then chose melody and got a lot more.  I used both and even made one more sparse one.  Chime sounds seemed like a natural choice.  I put the same midi effect on all midi tracks making all the notes part of the same 5 note chord.

With the wind recording itself I faded in some resonator and phaser, and faded them out again towards the end.

More on this 632nd weekly Disquiet Junto project, Shear Wind — The Assignment: Make the most of the disturbance within a field recording — at: https://disquiet.com/0632/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://juntoletter.disquiet.com/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0632-shear-wind/

blame it on the wind (Disquiet0632)

“We are all roamers of vast spaces and travellers in many ages.” -  H.P. Lovecraft, Beyond the Wall of Sleep

Made in AUM, on iPad. No keyboards were harmed during the making of this piece.

Beyond The Wall Of Sleep

We Ping Walls

A collaboration with @alanblip and @rabmusiclab. Thank you both :)
More on the 638th weekly Disquiet Junto project, Center (3 of 3) — The Assignment: Complete a trio begun by two other musicians — at https://disquiet.com/0638/

Droning Sheep {with Alanblip & RabMusicLab(disquiet0638)

You want new jingles every month? Plus production beds, sonic logos and Nextro produced intros? That's what we do! Here's a sample of what we delivered in our April 2024 update.

TM Next April 2024 Highlights

Just a little experimental drone to test out some oscillator sync ideas, using the DPO and XPO (and other stuff) in my recently reconfigured Make Noise Shared System (see photo), and my new reverb (Chase Bliss CXM 1978). Also a way of exercising my new subwoofer.

The three oscillators (DPO A, DPO B, and XPO) are synced to each other in a circular fashion (see below for more details). They were initially tuned to the same pitch but there is a small amount of slow pitch modulation applied to all three. There is also a bunch of other slow modulation affecting the filter (QPAS) and the delay (Mimeophon) as well as other aspects of the oscillators. All the modulation comes from an Instruo Ochd, which is the only non-Make Noise module in this system. Finally through the CXM 1978. No post-production other than fade-in/fade-out and normalization.

Warning: lots of deep lows. Use headphones or preferably good speakers (best with a subwoofer).

For the modular nerds, here's how the oscillators are connected together:
- XPO Spike output to DPO X-Lock (this syncs the DPO B oscillator to the XPO)
- DPO A oscillator in Sync mode (which syncs it to DPO oscillator B)
- DPO A oscillator triangle output to XPO sync input

In addition:
- DPO A sine output ring-modulated to DPO B sine output (using section 1 of modDemix)
- DPO B sine output ring-modulated to DPO A sine output (using section 2 of modDemix)

Sync Study

Following my instinct..

@gabrielaevasounds Facebook/insta

It's Just Natural Baby

Gabriela Eva

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