Producer and composer. Posting instrumentals and songs. Contact me for licensing info, high-quality files, and trackouts.

Garrett Austin Hecker is a composer, percussionist, and educator in Gainesville, Florida. He is currently faculty at Santa Fe College. Hecker composes electronic and acoustic contemporary classical music.

For music created after 2020, please visit https://joowonpark.bandcamp.com/ 
I love to create music that makes people laugh like a mad scientist. I am also the director of EMEWS. More info on www.joowonpark.net

The Center for Experimental Music & Intermedia (CEMI) is an interdisciplinary center focused on music and arts technologies, housed within the Division of Composition Studies at the University of North Texas. CEMI provides an environment for research, education, and a busy schedule of public performances. CEMI fosters integration of electroacoustic music, live performance, video/film, plastic arts, and theater. Since its 1963 inception as UNT's Electronic Music Center, CEMI has evolved into an unique creative environment, world-renowned for innovative works and musicians. CEMI's six studios and Merrill Ellis Intermedia Theater provide state-of-the-art support for research, creative work, and performance with computer music and intermedia tools. Committed to the academic goals of our parent institution, CEMI supports courses ranging from an undergraduate Introduction to Electroacoustic Music through graduate seminars on advanced Topics in Electroacoustic Music. CEMI also regularly hosts guest artists and researchers for presentations, residencies, and project development. In 2005, CEMI was noted in Schools that Rock: The Rolling Stone College Guide, which named the UNT College of Music as one of the nation's best music programs.

CEMI's facilities:

THE MEIT: http://cemi.music.unt.edu/places/meit 
16-channel 3-D surround audio 
3-screen immersive HD video projection 
full stage lighting system including "smart light" units 
permanent multi-computer audio/video/lighting control station 
custom hardware/software systems for audio and lighting control 
120-seat capacity

THE STUDIOS: http://cemi.music.unt.edu/places/studios 
6 computer music studios: all with full audio, MIDI, and interactive music systems 
MU2008 : 8-channel interactive studio / rehearsal space 
MU2009 : 8-channel surround audio production studio / teaching space 
MU2011 : 8-channel surround audiovisual studio 
MU2012 : 2-channel audio production studio (General access) 
MU2013 : 2-channel audio production studio 
Music GAL Studio : Recording Studio

Composer, Keyboardist, Conductor, and Educator

Ash Stemke (b. 1991) "…simply composes music he wants to hear, because it is beautiful, spouts no unpleasant theories, and manages nonetheless to avoid the too-well-known and trite." (Steven Kruger, New York Arts).

Evan (b. 1988) is an opera maker, composer, conductor, based in Philadelphia. His most recent opera – libretto by Aleksandar Hut Kono – Ganymede 5 premiered in the 2019 Philly Fringe Festival. Elevator, a short chamber opera, premiered in March as the first episode of the 2019 Serial Opera Project. His operas Colony and Greenland were performed in London at the Royal Opera House, and Greenland was revived in 2018 in the Philadelphia Fringe in an ENAensemble production. He is the Music Director of ENAensemble and Temple Composers Orchestra and served as President of the Temple graduate employee labor union TUGSA. 

With a background in physics, Evan’s compositions often use science as source material, collaborating with physicists on Heat Death and Turbulence. Since becoming involved in labor organizing, some of his music has taken a more political turn. Cosmos 3 – Or – A Succession of Fascist Clowns and the mock-tone poem Collective Bargaining each are based on his experiences in labor organizing. His recent orchestral works include FS and the flute concerto Blue, written in collaboration with flutist Chelsea Meynig. As co-founder and Music Director of the contemporary music theater group ENAensemble, his recent projects have included the 2019 Serial Opera Project (where ENA premiered six new chamber opera ‘episodes’), a fully-staged production of Pierrot Lunaire, and a serialized musical. As Music Director of the Temple Composers’ Orchestra, a sinfonietta which only premieres new works, he has developed and conducted the premiere of over a dozen new works.

Garrett Hecker is following