A DH Lawrnce wrote, so is it here in this music: "Space, of course, is alive; that's why it moves about; and that's what makes it so eternally spacious and unstuffy. And somewhere it has a wild heart that sends pulses even through me; and I call it the sun; and I feel aristocratic, noble, when I feel a pulse go through me from the wild heart of space, that I call the sun of suns."

Great piano work as usual..remarkable ambient atmosphere..stunning & perfectly executed..excellent mix & recording..stimulating guitar track!

piano and strings having a nice chat together

Great sense of wonder in this piece.  Looking back and moving forward. Beautiful

What a great combination - acoustic upright piano and telecaster!! Beautiful sound reaching out ........ and connecting over here!!

Nothing beats an acoustic piano. And this is wonderful!

Cool and dreamy somehow with a sense of well-being.

lovely music, beautiful interplay between piano and guitar, it's like a dialogue. Great work!

Migratory Bird  (Τhe hope)

Tim and I continue our musical conversations and the kind of tonal quantum entanglement we delight in. Just letting the changes come in the flow of the music. Listening deeply and letting whatever will emerge, to do so harmonically and gracefully.  Kinda like conscious living itself. 😉

As usual, I'm on the Upright Grand Piano and Tim's manning his Telecaster.

We trust you'll enJOY this second Improvisation from our early August 'Mystic Heart' Session.

© Gary Courtland-Miles & Tim Elliot 2022
℗ Gary Courtland-Miles 2022 Gary Courtland-Miles  & Tim Elliot 2022

Mixed and Arranged by Anomon
Photo of Tim in his Teaching and Recording Studio circa 2010.

Let The Changes Come * feat. Tim Elliot

This is my first collaboration with Clive / @winkandwoo 
We decided to make a song after he commented on the artwork for another one of my tracks (Metaplasticity) where he said it looked like a 'chewing gum sea'. I suggested it was a great song name so went for it. I am super happy with the results, hope you'll enjoy it too!

Lyrics :-
What is reality?
With these marshmallow clouds
Lollypops are all around
The trees are candy canes
There is sherbet on the ground
We swim so far
In the chewing gum sea
We swim so far

Chewing Gum Sea - Winkandwoo & tea are sea

After a few months of absence, here is a new title ! 
I used a vocoder for the voice of the robot, in short I had fun making this one ! Its sounds very different from the others, as usual :)
I hope you enjoy and listen u soon :)

One two three four

c r u m i u s. (collab) Thoughts. Inspired by Led Zeppelin. Vocals:: E

Phone recording added to by The Happy Somethings 

I uploaded Bitter before but in my opinion this Bitter is better.
I wrote and played it on the 1st January 2023.

I have loved The Happy Somethings since I first heard them when in Azerbaijan about 6 years ago.  We share the philosophy that if we try harder it sounds worse!  I am pleased and honoured that they spontaneously decided to colloborate and be my "ramshackle"  backing band on this song!  a bit like with Buddy Holly's apartment tapes, only I think Buddy's were better before...and Buddy was never bitter.    

link to their page: https://on.soundcloud.com/87eTU

...and in the words of The Happy Somethings:

"We have been fans of Cobbled Moth's musical output for some considerable time and when we came across this new song called 'Bitter' we just immediately loved it. One evening, bored with ourselves, and without him knowing, we decided to become his backing band... fortunately he embraced our audacity!"

credits
released January 9, 2023

Artwork by Joy.  Not meant to depict me, I'm still just a young lad...in his late 30s. 

Written by Cobbled Moth.
Copyright - all rights reserved - 
Cobbled Moth - Main vocals and acoustic guitar.
The Happy Somethings - other stuff

Lyrics:
I remember you sweeter
Jiving at Saint Peters
You were a spirit transmitter
But now you are bitter
And it's a shame
If you think no one cares
You went through pain
I know I was there
But you always had a wise word
And a kind word too
What happened to you?
I remember you taller
And now you are smaller
Over the land you would skitter
But now you're just bitter
Ooo oo now you are bitter
Ooo oo now we are bitter
And it's a shame
If we think no one cares
We went through pain
Yet always stayed fair
And we always had a wise word
And a kind word too
The disillusionment grew and grew and grew
I remember you fatter
And it didn't matter
In the days before twitter
When you were not bitter
I remember you jolly
In the rain with no brolly
I remember you shiny
Your wit was perfectly briny
I remember you noble
Before the dragon went global
You were never a quitter
Hope you stop being bitter


Bitter - Cobbled Moth & The Happy Somethings

This is a song that started with Ian (IPG1 aka Lou) and his amazing vocal stem, of which I really identify with the lyrics. He has a plethora of vocal stems, so if you're interested in making a hip hop song, you did hit him up. He shared this psychiatrist l particular one with Tez (Llanpsych), who put a beat and guitar on it. Tez then sent it to me, and I added the bass and the synth. Then Tez put the solo part in there along with the effects. he mixed and produced it, and an excellent job he always does, too. This is my first foray into making hip hop, though I've listened to plenty. Hopefully there will be more to come.

Purple Microdot (with IPG1 aka Lou, and Llanpsych)

Off the Rails (Kaerian and Laar / Muterial Open Collab)

A collaboration between 
Kaerian @https://soundcloud.com/kaerian-1
Laar @soundcloud.com/user-325797522
Muterial @soundcloud.com/muterial and his open collab: Muterial – Off-the-rails

Vocals and Lyrics: Kaerian @https://soundcloud.com/kaerian-1

Music: Laar @soundcloud.com/user-325797522 
Recorded with Squire Jaguar, Squire CV 70s Jazz Bass and Fruity Loops. Drum patterns are taken from FL FPC plugin

other "Off the rails" collabs here -> soundcloud.com/muterial/sets/off-the-rails-collaborations

Off the rails
get off the rails
you'll find much different beauty, you'll see
don't be afraid to be alone
don't be afraid to go on your own
believe me you don't need your phone
no, you need to get lost
and to get out of the frost
can you imagine a second
the world differently
can you take a decision
without someone to agree
look differently
try sometimes differently
can you be brave enough
to stand up by yourself
can you be coureagous enough
to choose for yourself
despite what may happen
follow the flowers
follow the smell
that attracts you
whatever happen
remember
you are the one
you are alone

Off the Rails (Kaerian and Laar / Muterial Open Collab)

Blueprint for track that became 'Sandycove Milk'.

Inspired by wondrous music by Conin, whose track 'Kitty's Wake' reminded of the rich clay of Joyce's 'Finnegan's Wake'. This track, about the opening pages of Joyce's Ulysses, borrows coffee spoons, forever those of T.S. Eliot, in an effort to add sweet milk...drawn from the milk-well of honeyed Sandycove.  The lyric speaker is, notionally, Stephen Daedalus. For practical purposes, the lyric speaker is James Joyce himself. His aim? To hit Haines for a guinea [a pre-decimal unit of currency] before heading to France on a ferry. Whilst Haines still feels guilty (sheepish) about having fired his pistol at an imaginary cat he thought he saw in the fireplace in the Martello tower in Sandycove (now the Joyce Museum....a sacred...magical place, whose attendant Joyce scholars told me about the Haines' imaginary cat episode....it is all true...yet also dovetails eerily with the first chapter of Ulysses).

The reference to Haines having consumed Absinthe is a narrative fiction, invented to offer an explanation for his dangerous behaviour. No peer reviewed evidence capable of demonstrating Absinthe has hallucinogenic properties, exists, to my knowledge.


Lyrics

[chorus]
Gotta learn me some Italian
Gonna get me a guitar
Gotta learn me some Italian
Gonna get me a guitar

Hellenise me now
She come and go
talking bout Michelangelo
there will be time
there will be time

do I dare to eat a quiche?
I shall wear enchanted trousers
and float upon the beach

I’m still dreamin
something happened last night

Haines downed a snot-green bottle of Absinthe
started shooting at his Schrödinger's cat
in the fireplace
looks real sheepish this morning
gonna hit him for a guinea [a pre-decimal unit of currency]
and get outta here
gliding on the Emerald sea
to Paris
with Haines’ guinea in my pocket
when I’m at sea

gonna go uptown now
hitting the top deck of this here Martello
gonna watch the mailboat
glide on an Emerald sea
gonna rest my shiny elbows
on the jagged granite
just leavin the harbour

and here comes stately Buck
bearing a bowl of lather
crossed razor and mirror as well
holding the bowl aloft
and intoning...intonin

Introibo ad altare Dei
sacred chalice
sacred cross
and now I’m lookin at the sea
Thallata...sweet mother
Hellenise me
mailboat clearin the harbour
rage of Caliban inside me
cos of Haines....[firing a gun inside the Martello tower when drunk the night before, at a giant cat he imagined was sitting near the fireplace]
sweet Thallata
buttercups on the quilt
powdered musk and gauds of amber beads
calm now like the sea
there will be time
there will be time

Martello

KAWAI CA9500GP, 442hz, Roundness
ZOOM h1nvp wav 48 16

1st  this track
2nd  https://soundcloud.com/pulchraflow/ravel-2nd-movement-of-sonatine
3rd  to be played


https://pulchraflow.blogspot.com/2024/02/ravel2nd-movement-of-sonatine.html


image
https://unsplash.com/ja/%E5%86%99%E7%9C%9F/%E9%9D%92%E8%91%89-QHQYCrSriPA

Ravel 1st movement of Sonatine  ラベル ソナチネ 第１楽章

Challenge was to make one of my shorter songs with one of my longer lyrics, so I 'had' to craft it into an amalgam of 9/4 and 4/4 signatures. Thus, it may feel crazy on verses but I hope also catchy on refrains.

Letra / Translated lyrics:

Sólo pido no tener deseos (Ya no quiero imaginar)  /  I ask only not to have desires (I don’t want to imagine anymore)

¿Puedes explicarme qué es lo que me pasa?  /  Can you tell me what happens to me?
Señor, llévate de mí esta confusión.  /  Lord, take away this confusion.
Quítame el don de la inteligencia,  /  Take the gift of intelligence from me,
pues si no pensara tanto, sería feliz.  /  because if I didn’t think so much, I would be happy.

Siento que este mundo me es extraño,  /  I feel this world is strange,
estoy a disgusto con mis sentidos.  /  I get displeasure from my senses.
No puedo comprender su funcionamiento,  /  I cannot understand their functioning,
ni siquiera amoldarme a él.  /  nor even get used to it.

Sólo pido no tener deseos,  /  I ask only not to have desires,
ya no quiero imaginarme nada.  /  I don’t want to imagine anything anymore.

Esta situación siempre es pasajera,  /  This situation is always temporary,
pero se repite una y otra vez.  /  but repeats itself again and again.
Este malestar de cuerpo y alma  /  This discomfort of soul and body
me hace desear dejar de ser.  /  makes me wish to stop being.  

Pienso entonces en todos los que me quieren,  /  Then I think of all those who love me,
o al menos en los que a veces lo parecen…  /  or at least about those who sometimes seem to…
¿Por qué es tan difícil la coexistencia  /  Why is coexistence so difficult
en medio de una sociedad inteligente?  /  in an intelligent society?

Sólo pido…  /  I ask only…

No deberías dejar pensar a algo imperfecto,  /  You should not allow something imperfect to think,
sino limitarlo a cumplir su función social.  /  but limit it to fulfilling its social role.
Sólo quiero ser un engranaje más, señor,  /  I only want to be one more cog, Lord,
en tu rebaño de almas, sin preguntas.  /  in your flock of souls, without questions.

Esta vida que me has dado, señor,  /  This life you have given me, Lord,
me tortura, de modos insospechados,  /  tortures me, in unsuspected manners,
a buscarle un sentido a mis dudas,  /  to look for a sense to my doubts,
lo cual, tal vez, sea precisamente su fin!  /  which, maybe, is precisely its purpose!

Sólo pido…  /  I ask only…

ER43FI10 97-18

Sólo pido no tener deseos (Ya no quiero imaginar)

There's no doubt about it, Music animates my Soul, and as an enthusiastic student of Life and a passionate Improvisational Pianist &  Composer,  as far as I'm concerned,  our lives would be impoverished without it ! :)  Composing is all about 'Sharing the Joy, Passion and Angst' we experience in Life, as well as connecting up with Musicians and 'Creatives' worldwide. This makes it even more wonderful!  That willingness to engage in whatever way makes SC an ever-expanding Movable Feast that nourishes and inspires on so many levels. 

Music Communicates the Emotional and Informational Content and Context of Heart, Mind, Spirit, and Soul. And 'Letting it Flow' is 'Where Its At' as I hear it!  

Over the past few years since becoming part of the SoundCloud Family, my 'Joy in and Passion for' Creative Musical Expression has increased exponentially as has my appreciation of all the wonderfully passionate Musicians and Creatives worldwide who have devoted themselves to Letting It Take Form! 

Here's a bit of a bio, if anyone is interested.  

Somehow, my MUSE got my attention at a tender age. About the time I was completing my Royal Conservatory training. 

My memory being poorer than most, I began improvising in the passages I had forgotten. And while the audience seemed unaware, my teacher chastised me indulgently, saying, "it appears I have a budding composer on my hands"!  And thus began my Odyssey into the wonderful Vibrational world of Sound!:-) In-deed, I have been an ardent, attentive and appreciative acolyte of my Muse ever since. 

During the early 1970s I had the pleasure and honour of a three year friendship and Master Class with the then Octogenarian Composer Manoah Leide-Tedesco , one of Tone Poem giant Richard Strauss` favorite pupils and friend of Maurice Ravel and other 20th century composers such as Stravinsky (whose music he helped popularize). Since then, whether Improvising, listening, studying composition or devoting myself wholly to the visual arts for years at a time, I have been deeply aware that sharing my musical insights , teaching, and or mentoring young aficionados came with the territory!   I love it, although I am afraid that as my consciousness expands...that I know less and less each year! :-)  

The Tonal Oasis called SoundCloud is a fine and wondrous place in oh so many ways.  And with your support and appreciation, I de-Light to share my music with an ever widening audience. I call what i upload ' Sound-Seeds'.  Most of these 'bed tracks' call out to be fleshed out by passionate soloists who somehow Resonate with my Soundz and Ideas.  So please drop me a line, as i am most interested in letting them bear more fruit through collaboration, interpretation, re-mixing or use in other media.    

And on a personal Note, a Huge Thank-You to each and all who listen, inJoy, and Re-Post onwards what finds it's way thru me! :) Bless y'all.  It's my Joy to simply 'Let' the Creative Spirit find expression through this instrument of Body, Mind, and Heart!  I hope you will find some peace, joy, and rest, in at least some of my improvisations, compositions, or soundz. 

Insofar as playing, and composing  ... as you continue on in Your journey into  the infinite 'Cave of Wonders' we call Music, I wish you all the very best in all Your creative endeavours. 

So Be Kind to yourSelves and one another. Be Audacious, Ready to Play, and above all, share the Joy of being able to express whatever you're feeling. 

In-deed, may The Muse continue to 'Sing on and Play on' through each of us !   For this is one way this 'ol world is lifted up, and Changed for the better - note by note, and smile by smile .  

 Yes, may we simply Let our Creativity flow forth without concern for results.
                                   Peace

                                    Gary *+*

Banner Pic- BLUE SKIES ON PLUTO
                       Pluto's atmosphere as seen recently by Horizon Spacecraft

Let The Changes Come * feat. Tim Elliot

Anomon

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