We lost Dan this week. There's something hovering at the edge of my dream state mind. It's speaking to me in image flashes that I can't process.
Art work by Tim Bradley.

The Endorphin Gateway

Francesco Adornetto is a neoclassical and ambient pianist and composer who believes music is a form of breath.
His pieces unfold slowly, like a mindful exhale — offering space, silence, and a sense of emotional truth.

🧘‍♂️ Deeply inspired by yoga, inner stillness, and the quiet power of presence,
his music invites you to pause, soften, and reconnect with the moment.

Blending calm piano, neoclassical minimalism, and ambient textures with occasional ethereal vocals, Francesco Adornetto creates soundscapes for yoga, meditation, slow mornings, study, and reflection.
His sound resonates with fans of Ólafur Arnalds, Ludovico Einaudi Yann Tiersen, Max Richter, and Joep Beving and more...

Since beginning his neoclassical journey in 2024, his work has gained recognition for emotional depth, introspective tone, and a delicate yet expressive language.
He has collaborated with Jessica Bains Brown, Francess Harris, Alessandra Celletti, Mauricio De Los Santos, Araceli Parra, Roberto Guerra, Dawn Walters, and others.

Francesco composes with a handcrafted approach, guided by touch, attentive listening, and the inspiration of the moment — creating music not as a product, but as a deeply human act.

Maine jazz, classical, roots, rhythm & blues pianist. Accompanist, keyboards, special band projects, musical theater, composer, & teacher. Let's talk music.

Rock,Techno,Ambient,Metal,EDM etc...
There is no border.
Enjoy freely!

M'Z, is a solo project shaped by a wide variety of music :
Canterbury, Progressive, Rock in opposition, Metal, Electronica, Space rock, Noise, Jazz, free-rock, Ambient, Psyche, Heavy, Punk, Drum'n bass...

My name is Mathieu Torres and I am also a guitarist and composer in various artistic projects:
La théorie des cordes / Zhorhann / The diogenes / Matziz / Dirt in the wind / Urban BallShit / Inland Motel / Collectif La Barraque / Aux arts etc / Dirt and Cpu / no Skeletons / composer of music for the image...

The driving idea of ​​this particular project is to create parallels between poetic or philosophical concepts and music, without setting aesthetic barriers.

Born from the vital need to create, at the end of 2017, M'Z has since performed around fifty dates (Streets/Markets/Café-concerts (Cave a rock - L'usine à musique - Le Maquis - Red turtle café...)/Festivals (Résistance/Semaine jaune...)Off /Marciac - Bourges / Various support concerts...)
and released 4 albums, 1 EP and 2 singles which received very good press
(Diego Pinheiro Review - ProfilProg - Athos di MAT2020 - Autopoeitican - COREandCO webzine - AM: Plified - areARock - Mazik - Plus PROG de Vous - Eternal Terror - L'oreille à l'envers - Exposé . org - DPRP . net - The Elite Extremophile - Litzic...)

"Prisme" the first album, made the link between Colors, feelings and Music,

"L'autopsie du dogme" the second, attacked the music industry while working to analyze dogma in general and psychoanalyzing the members of M'Z in this quagmire in passing,

"Cool is watching you" (EP) was interested in demolishing, in music and lyrics, the idea of ​​the "Cool" posture that seems to be a norm in the era of social networks and the "start-upized" world

"La Nef" (single) as for it, tried to extract a source, more or less healthy, of the need for human spirituality, when it is freed from religious doctrines
"Hympécita" (single) paid tribute to an animal friend.

"La Civilisation de la Graine" the third was a musical reflection on the essence of our patriarchal organizations and our tendency to organize ourselves into civilizations, certainly elegant but undeniably unjust, ephemeral, violent and rickety. 8 pieces to try to analyze these phenomena.

And finally 'Emancipés du Vides ?'(emancipated from the void?) The fourth album, is a melancholic reflection on our emotional abysses, on the difficulty of extricating ourselves from our various attractions for nothingness, our inability to look at the mental waste that we produce without going through the guilt box, a critique of normalization, of the conformism of the hollow positivism praised by our overly marketed minds in search of the fastest path to "A Meaning". Finally, it symbolizes the vital necessity of finding our lost naivety.

The world around us is inexorably changing and all this is happening not without the help of the human race, the Earth is our home and now it is not just a big anthill in outer space, but the starting point of the mind, from here and into distant worlds.
kgdkun@gmail.com

Jazz/Fusion keyboard player, composer and producer.  Marketing, advertising, publishing and sales career.  Originally from Chicago, where I developed a strong appreciation for the blues and classical, and moved to New York, where jazz and the fine arts are so deep.  Key musical influences include Miles Davis, Herbie Hancock, Jimi Hendrix, Joe Zawinul and Weather Report, Chick Corea and Return to Forever, John McLaughlin and the Mahivishnu Orchestra, Stanley Clarke, Scott Henderson and Tribal Tech, Jeff Beck and Jan Hammer, Mike Stern, John Scofield, Pat Metheny, Emily Remler, McCoy Tyner, Bill Evans, John Coltrane, Jimmy Smith, Joey DeFrancesco, Larry Young, Buddy Guy, Santana and Earth Wind & Fire.   Former classical clarinet and piano player.  Unless noted, my music on SoundCloud was composed, recorded and performed using only keyboards.  An avid photographer.  Many covers here are my shots.  To see my photography look for Herbiejazz on Instagram or search for Herbiejazz on Google.  And a big thumbs up to SoundCloud and the SoundCloud community, and so many friends who have joined me to create.  Thank you all.

If I find out that your song in my 'what I like' playlist uses genAI lyrics, voices or melodies without saying so, believe me, I will slap you hard and of course I will block you!

If AI generated crap-music accumulates on this and other digital music platforms listeners and *especially* musicians should ask themselves if online music production is worth their effort and if they might be better appreciated by focusing exclusively on live events and forget about the machine-infested online experience. For me the answer to this question is clear. If SC and others don't take measures to curtail machine generated junk, I am done here. (31.5.25)

The Endorphin Gateway

Geoffrey Ives - Piano Music from Maine