Recorded on four channels nearby laggon under  Svínafellsjökull glacier south of Vatnajökull glacier in Iceland.
Two microphones are recording the soundscape above the  glacier lagoon and two hydrophones are placed in the lagoon.
More information will be found at http://fieldrecording.net


Above and under the glacier lagoon surface

The work is in two movements - Fraying and Prolonged. The first presents a sonic object that gradually disintegrates. The second reframes this object and slows it down, so that the process of decay is frozen, and the object appears almost immortal. The work grew out of reflections on 1 Corinthians 15 and Jiang Zhi's Love Letters (2014). In Jiang Zhi's photographs, flowers are on fire, but are not harmed by the flames.

Alto Flute - Isobel Doughty
Oboe - Caitlin Heathcote
Clarinet in B flat 1 - Heather Ryall
Clarinet in B flat 2 - Julia Raga Pascual
Horn in F - Karen Starkman
Trumpet in B flat 1 - Catherine Pollit
Trumpet in B flat 2 - Thomas Thornton
Tenor trombone 1 - Samuel Dye
Tenor trombone 2 - Jake Jones
Harp - Teresa Raff
Piano - Ábel Misha Gille Esbenshade
Violin 1 - Kanon Miyashita, Tilman Fleig, Yuriko Matsuda, Zora Orfgen
Violin 2 - Camille Saïd, Anastasia Egorova Wise, Zoe Hodi
Viola - Michaela Bartošová, Jeremy Tonelli-Sippel
Violoncello - Lucy Neil, Pieter-Jan De Smet
Double bass - Jess Martin, Cole Morrison
Conductor - James Hoyle

Recorded in October 2018.

Reframe (2017)

Performed by Ben Clark and Antonin Granier on 13.6.19 at LOOSE, LINE, LAYER in St. Mary-at-Hill, London.

The piece invites a child-like curiosity towards the instrument, and simply investigates its sonic possibilities. The materials arose from working collaboratively with percussionists Ben Clark and Antonin Granier. The first movement explores flexibility, the second looping elements, the third resonance.

Piece for three tuned cowbells (2019)

Preview of the audio recording of how a night in the woods turns into a morning, Original slow 52 minutes long progression is avalaible for listening here: https://andruskannel.bandcamp.com/track/forest-soundscape-from-night-to-morning
The recording was made on the morning of May 23, 2020 in the Alam-Pedja nature reserve in Estonia

Forest soundscape from night to morning

This recording was captured right in front of my tent at a little after 5am on the side of the Chattooga River. The section I was camping near was very calm and saw many people fishing and tubing on the river each day. Luckily traffic was minimal this morning and I was able to record some pristine nature sounds!

Recorded with a Sony D100 on a tripod, sensitivity 10. 

Please visit my website for more information about me and my mission: www.acousticnature.com

Thank you for reading and listening ☺

The Break of Dawn Chorus (Sony D100)

Sunday night guitar loops. Unlike other recent guitar loop experiments I've tried out, this one has a live component. After the first minute or so (which I'd already layered in advance of hitting record), new material is added and then later deleted. This setup consists of electric guitar, reverb pedal, overdrive, and looper, plus an eBow on occasion for those extended notes. After recording (amp to phone, live in the room), I used Adobe Audition to implement a fade in and a fade out, and for a little additional reverb.

Night (There and Back)

This is a recording I made at a large Weaver nest in Etosha NP, Namibia. Longer version and more details at https://youtu.be/K8qNPMqECI0

Secret Life Of A Weaver Nest

Participation in the "Disquiet Junto" project led by Marc Weidenbaum: Phase Transition.
The Assignment: Record the sound of ice in a glass and make something with it.
https://disquiet.com/0471/

Ice cubes fall into a glass.
Recorded with a Tascam DR-100MKII + built-in mics Uni.
The Tascam is placed vertically on the glass, in contact.
A Pure data patch lets you hear the recording transposed to 3 voices  and brings out their harmonic components by spreading out them over time.
At the beginning we hear the untransposed sound.
This is the same Pure data patch as for:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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Participation au projet "Disquiet Junto" de Marc Weidenbaum: Phase Transition.
Enregistrer le son d'un glaçon dans un verre et faire quelque chose avec.

https://disquiet.com/0471/

Des glaçons tombent dans un verre.
Enregistrés avec un Tascam DR-100MKII + micros intégrés Uni.
Le Tascam est posé verticalement sur le verre, en contact.
Un patch Pure data fait entendre l'enregistrement transposé sur 3 voix et fait apparaitre ses composantes harmoniques en les déployant dans le temps.
On entends au début le son non transposé.
C'est le même patch que pour:
https://soundcloud.com/gerard-paresys/3stones-disquiet0441

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More on the Disquiet Junto at:
https://disquiet.com/junto/

Subscribe to project announcements here:
https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co:
https://llllllll.co/t/disquiet-junto-project-0471-phase-transition/

Phase - Transition - Disquiet0471

Elephants, hoofed mammals, big cats, hyenas, birds, they all come to the waterhole to drink. If you want to see, hear or study wildlife, waterholes are the place to be.  Longer soundscape at https://youtu.be/LOKnQziT0ug

African Wildlife At Waterhole

I'm contributing some sounds to an upcoming crowdsourced Water & Ice sound effects library. For my contribution, I pulled recordings from a coincidentally-timed recording trip. I recently spent a few very (very) cold nights camped next to a few frozen lakes listening to (and recording) their heaving and sighing and cracking and sloshing. This is a preview of what I heard and will be in the library.

This is a short compilation of some really cool sounds emanating from the lakes. I must emphasize that there is *no* processing here (other than simple editing). Th method here was just set the mics up and let the ice sing (and then edit the takes together). This compilation represents 25 takes that will be included in the crowdsourced library.

There is plenty more where this came from. Fell free to message me if you're interested in hearing more.

Water And Ice Preview

Night time crickets accompany slowing flowing water as it nourishes the “River Of Grass” in Everglades National Park, Florida. The miles wide shallow sheet of water flows about 200 miles from it’s source in central Florida to it’s exit into the sea. January 2021. Two cross faded clips were recorded in AB Stereo with matched pair of Ursi Pro omnidirectional microphones placed about six feet apart and six feet in the air, recorded into SoundDevices MixPre 3 with -40 Hz low cut and 50 Db of gain.

River Of Crickets

Award winning sound recordist, audio director and expedition leader - Dune: Part Two | Mufasa: The Lion King | Horizon Forbidden West | Wordscapes

Secret Life Of A Weaver Nest

George Vlad