Black Box EP

Black Box

Accents Records was founded in 2015 by @Sub-Accent 
Dedicated to techno, deep, ambient and all kinds of electronic music experiments, this on-line platform, aims to create bridges between artists and allow everyone to develop his musical production in a humane and positive scale.


ARTITS ROSTER:
	
Will Oirson, Somaticae, Javier Marimon, Vice City, Avsluta, Azidax, Klara, JxF, Formant Value, Eafhm, Martyn Päsch, Paul Rêve, Atoloi, Launaea, Estrato Aurora, Menou, Shoal, Andrea Zapata, Subakou, Nems-B, Yuka, RTNH, Mersel, Michal Wolski, S.V.R.A, Brian Omen, Toxido Mask, Toki Fuko, Merino, Atomic Moog , Akob, Diffused Signal, Pattrn, Laima Adelaide, Luca Sanna, Doctrina Natura, Anechoic, Mateo Hurtado, Bernstein, CØRE, Einerlei, Phooka, Conflation Port, Artos Eleven, Nils Edte , Cyberlife, Moon Patrol, Opalo, Emika Elena, Farceb, Launaea, Daniel​[​i], Milena Glowacka, Polygonia, Time Scale Dilation Lab, Jiman, Sonhan, Adhémar, Matthias Puech, Accou, Inerit, Saïph, Teriak, Charlotte Isabelle, Kletis, Fainface, Forest On Stasys, PRG/M, Gëinst, Zeno Amsel, Vito Lucente, Saphileaum, Abu Ama, Fahmi Mursyid, Rad Machine, Evitceles, Caldera, Sk​ó​ll, Simone Bauer, Tarek Soltani, Elle, Ntrnal Bserver, Savage Cult,Sub Accent, Iazikzazubami , Antimonium, Ikpathua, Vincent Vidal, Josef Gaard, Kujo, Kashmer, Subterean, K​ø​ldd, Concept Of Thrill, Kanthor, Hydrangea, Zesknel, Y/6543/, R​/​no, E110...

This channel was part of a project of mine where I, someone with no experience with making music, never played an instrument, and only casually enjoy music, sat down to see if I could document my journey from knowing nothing about music/audio software or how to make music, to being able to make simple beats or loops. The twist: each song must be done in one sitting, and not worked on over time. Doesn’t matter if the song is incomplete, or how bad the song sucks - the goal was to sit down, make “music”, and then upload. Song titles were chosen ahead of time to be used as the theme/tone of the “music” I was sitting down to make, or by just taking the first words that popped up into mind upon uploading the “song”,  regardless of how dumb they are. 

I had fun. It’s interesting to go back and listen chronologically. I can’t say any of them turned out objectively “good” (a few got stuck on my head though lol) or anything people would enjoy, but I can hear pretty clear improvement between the very first “song”, and the most recent “song”. 

The results of the project were noticeable. The entire process was super fun, and I found an interest and appreciation for music that wasn’t there in that way before. It also made me want to actually continue making “music”, but learn it as I would any other craft and taking it much more seriously. I learned a lot about audio/music software, too; before, I was overwhelmed by the interface and the uses of the many functions in the program, but toward the end of all of this, i was able to use all sorts of things I had no idea how to just a year earlier. 

Anyway, in case any of you dopes wanted to know what the motivation was behind any of this “music”, there it is. I did a yearlong experiment to see how fast I could go from a musically-reta*ded person to a musically-challenged person that can make a loop. 

Last thing: the next thing you should Google is 
 Urban Moving Systems.

BOOKING: luca(at)k4bookings.com
CONTACT: dycide(at)gmail.com

Co-founder of Syte Records : 
https://soundcloud.com/syte-records
www.instagram.com/syterecords/

Black Box

Ghost Warrior