Übergänge

. - part 2

Fast shazammed - Part 1

Gidge

Autumn Bells

Dusk

Rest

Fauna, Pt I

Escapism

Prelude

LNLNN

Elegy, Part II

Vaara

"'I Fell in Love' is a lush and emotive tune, one whose airy melodies and icy structure mirrors the group's "Scandinavian surroundings of native forests and snow," from which Gidge is said to gather much of its inspiration. Spanning over six minutes, the track moves at a patient pace, gradually adding melodies and new layers of miniature percussion to the song's somber bounce as it builds towards its climax."
- Glenn Jackson, XLR8R

Order our debut album 'Autumn Bells' here:
https://atomnation.bandcamp.com/album/autumn-bells

Download 'I Fell In Love' for free over at XLR8R:
http://www.xlr8r.com/mp3/2014/05/i-fell-love

I Fell In Love

Gidge - I Fell In Love

Order: http://atomnation.bandcamp.com/album/moon-observations

David Douglas - Piano And Flute

Henry Mancini - Moon river

The Last of Us

The Choice

Born To Die

Video Games

Better

This Dark Ambient album from Female/Male duo Phonothek serves us a deep and complex journey with smokey overtones straight out of Georgia (Europe). Vinyl crackles, echoes and bowed strings builds a tension throughout the album and weaves in and out of powerful geometric imagery. Recommended as a companion for sleepless nights. 

Available in 24 bit FLAC

Written, Produced, Performed - Phonothek 
Mastering, Artwork - Simon Heath

Full Album

Phonothek - Lost In Fog

Le Serpent Rouge

In Search of the Divine

Joao Gilberto's debut LP, 1959's Chega de Saudade, was one of the most important Bossa Nova recordings, and credited by many as the album that launched bossa nova as a major popular music genre.

The 15 songs songs add up to a surprisingly short playing time but introduce several of bossa nova's most beloved trademarks: breezy, soothing melodies and vocals; tight arrangements with seamless blends of clipped guitar strokes and light orchestration, and, of course, the Bossa Nova rhythm. The most popular of these songs - "Chega de Saudade" and "Desafinado" - had already been released as singles in 1958.

João Gilberto - Chega De Saudade

https://open.spotify.com/album/1ISuKQhNdutgMUuqSJGW7J

Midnight Moon Feat. Justice Der And Connor Newton

Night Train

I Got It Bad And That Ain't Good

Fólk fær andlit

Blurred

Six Songs for Invisible Gardens

Peperomia Seedling

@acidpauli
facebook.com/therealacidpauli
twitter.com/acidpauli
instagram.com/therealacidpauli
@ouiemusic
facebook.com/ouiemusic
instagram.com/ouie_music

“Basically my albums have developed into my personal field of experimentation” says Martin Gretschmann, aka Acid Pauli. Known primarily for his psychedelic, leftfield club sounds that weave between slo-mo beats and deep burners, his EPs, remixes and collaborations have generally been more focused on the dancefloor. With his latest album, MOD (his third full-length released on his own Ouie label), Gretschmann goes in a tangential direction, drawing inspiration from modular synthesis and the scene that has flourished around it over the last years. The result is an album produced almost entirely with modular systems, inspired by the possibilities and restrictions of carefully shepherding machines that sing to themselves. 
“I know a lot of people who somehow found themselves and electronic music in a boring dead-end alley, and who have now found completely new worlds through modules”, he explains. Experimental as MOD may be, it certainly isn’t ‘difficult’ or inaccessible - or as someone put it, the nine tracks here are “soft, elegant, fluent, dreamy - the tracks achieve the effect of space-time morphing - magical states”. 
The album is best heard as one continuous piece, allowing it to unfold its delights gently. Most of the tracks were recorded live in one take - often with Gretschmann recording up to 10 different versions before choosing the final piece. 
Propagating Flip Flops starts things off - its glitchy textures and sync-shifting set the scene for the album - the sounds evolving and developing before resolving into a warm, ethereal tone. Intellijel Bell is made up of deep loops of rhythmic sounds, while metallic sounds and a submerged jazzy undertone hint at the classic Acid Pauli sense of fun. Acid On Yusef uses looped up rhythmic pulses and bass tones, joined by modulated beeps and blips. A touch of that iconic liquid acid sound pulls it together and gives the track its name. Sublime Frequencies Of Cairo is another beatless, floating collection of loops that shift and morph - seemingly suspended in space, before an ambient orchestral element resolves the track. 
As the title suggests, Du Brecht, Ich Dub revolves around a bass heavy sound, building up a rhythm of disparate elements that develop into a tense yet somehow weightless groove. Life Polarizer is further evidence that an Acid Pauli album will always somehow drift back towards the groove. The track works the effects pretty hard - sounds pinging between left and right and ebbing and flowing into the mix. Peace Waer Schoen also makes heavy use of delay to create a dubbed-out, wonky feel. The freedom of getting away from computer based production is referenced sardonically in Quantize Hell - its bleepy sounds find a rhythm and progression outside of the grid. Finally, No Kick, No Cry brings the journey to a close - it’s the first and only kick drum of the album and adds a structure to the magical unpredictability of the looped sounds. 
The album’s artwork perfectly reflects these sounds within - created by musician and artist Billy Caso. Each track is also accompanied by a minimalist video, created with a device from this modular world - the "Vidiot". It’s clear that in MOD, Gretschmann has produced a homage to the modular scene that might inspire as many people as it delights.

Acid Pauli - Propagating Flip Flops

Igwee

Fletcher Moss Park

Cherry Blossom

General Enquires: hello@atomnation.com
Bookings: pete@wearee.nl