http://bleep.com
High Quality Music and Media

No hope, no dreams, no love, my only escape is underground...

www.coldcutshotwax.uk

We're an online record shop... pushing the music we love!

Born in the year of our Maker 1971, which as it happens was a great year for movies. Around 1984 graduated from Toy Soldiers and Ralleyvo into Breakdancing via crew Funkadelic Rock. Morphed into Graffiti Art writing CRED, a very enjoyable period that was too....Rave scene appears, went clubbing for a few years like a deranged voidbot ( empty but mechanical ) this was the Techno era !!!
Been crafting slices of Eccentronica for a while now, each track is created like a Scientific Mythological storyboard to a film not yet made..
Obvious influences:-
Kraftwerk, Jarre and Carpenter
Aphex Twin, Clark and Plaid..
Saddle up and Jog on.

Contact/bookings: rederickmusic@gmail.com

This Soundcloud account is secondary to the www.soundcloud.com/dvsnme account; Its purpose is to re-post tracks that I enjoy. If you are looking for mixes (Dark Science Electro), contact or original work by DVS NME please go here: @dvsnme

Influences include: AS1, Ashtar Lavanda, Aux88, Blotnik Brothers, Boris Divider, Carl Finlow, Cignol, Commuter, Cygnus, Das Muster, Der Zyklus, DMX Krew, Dopplereffekt, Ekman, The Exaltics, Exzakt, Franck Kartell, I-F, Kan3da, Kobol Electronics, Kraftwerk, Lake Haze, Lowfish, Luke Eargoggle, Mandroid, Maelstrom, Metacomplex, Morphology, Mr. Velcro Fastener, N-Ter, Plant43, Silicon Scally, Solvent, Umwelt, Underground Resistance, Univac, Versalife, Volsoc, Zeta Reticula and more.

https://www.facebook.com/Placid-191249620933551/

DVS NME is an Electro music producer/deejay and Post Punk enthusiast living in Colorado. He runs a weekly mix series called @DarkScienceElectro (est 2010) and is actively producing under the name @DVSNME (est 2000)

His musical influences include, but are not limited to: Abstract Thought, Adult., The Advent, Aether Pilot, Afrika Bambaataa, Aphex Twin, Aloka, Andrea Parker, Animistic Beliefs, Annie Hall, Anthony Rother, Armec, Arpanet, AS1, Ashtar Lavanda, Audiogenetics, Autechre, Automat, AUX88, Bass Junkie, Binary Digit, Blackploid, Blatromen, Blotnik Brothers, Boards Of Canda, Boris Divider, Carl Finlow, CEM3340, Cignol, Client_03, Commuter, Composite Profuse, Comtron, The Consumer, CPU, Cyan85, Cybotron, Cygnus, Cylob, CYRK, Dark Vektor, Das Muster, Datawave, Datassette, Deemphasis, Delayscape, Der Zyklus, Detroit's Filthiest, Dez Williams, DJ Stingray, Dave Clarke, Helena Hauff, Dibu-Z, Digitizer, Ditone, DJ Di'jital, DJ Godfather, DJ Overdose, Djedjotronic, DMX Krew, Dopplereffekt, Drexciya, E.R.P., Dynarec, Ectomorph, Egyptian Lover, Ekman, Elecktroids, Electronome, The Exaltics, Heinrich Mueller, Exzakt, Fabrice Lig, Faceless Mind, FAH, Fleck ESC, Fotoapparat, FPU, Franck Kartell, Francois Dillinger, Galaxian, Gedanenexperiment, Gesloten Cirkel, Glass Domain, Go Nuclear, Gosub, The Hacker, Hadamard, Hardfloor, Headnoaks, Heinrich Dressel, Heurisitc Audio, The Hidden Persuader, I-F, Illektrolab, Imatran Voima, Inkamera, Isolated Material, Ivna Ji, IXRQ, Japanese Telecom, Jauzas The Shining, Jeremiah R., John Carpenter, John Selway, Kalson, Kan3da, Keith Tucker, Kobol Electronics, Komarken Electronics, Kon001, Konerytmi, Koova, Kraftwerk, Kronos Device, Krypton 81, Lake Haze, Lectromagnetique, Legowelt, Lithium Flux, London Modular Alliance, Low Tape, Lowfish, Luke Eargoggle, Luxus Varta, Luke Vibert, Luz1e, Machino, Maelstrom, Manasyt, Mandroid, MAS 2008, Maschine Brennt, Melogik, Mesak, MetaComplex, Microlith, Microthol, Miss Kittin, MNLTH, Model 500, Mono Junk, Morphology, Mr. Velcro Fastener, MSRG, Mumm, MystesSystem, N-Ter, Nebenprodukt, Newcleus, Nite Fleit, Noamm, Noise&Noise, Nomenklatur, NRSB-11. Nullptr, Oberman, Ole Micc Odd, Orgue Electronique, Pametex,  Paul Blackford, Pip Williams, Planet Pluto, Plant43, Polytron, Privacy, Q-Chip, R325, RA-X, Radioactive Man, Rebustape, Reedale Rise, Relaxant, Reptant, Retax Gorgon, Richard Easel, Robodrum, Rutherford, S>>D, Sansibar, Sbassship, SC-164, Scape One, Siak, Silicon Scally, Simulant, Skinny Puppy, Solar Chrome, Solvent, Solid Blake, Sonar Base, Sound Synthesis, Stingray313, Sync 24, Synth Alien, Syrte, T/Error, TecRoc, Terens K., Teslasonic, Thomas Kress, Textasy, Ticco Ross, Transparent Sound, UHU, Ultradyne, Umwelt, Underground Resistance, Unit Black Flight, Univac, VC-118A, VCS2600, Velocs, Versalife, Vertical67, Vessel In Distress, VLR, Voice Stealer, Volfram, Volsoc, Wee DJs, Weltwirtschaft, Will Web, Wumpscut, Xerodefx, XY0815, Zerkalo, Zeta Reticula, Zobol, Zwischenwelt, 96 Back, 240 Interceptor, and many more.

Legendary Manchester City broadcaster Ian Cheeseman has three MCFC fans in to the studio to discuss the major events of the past week's football. Expect debate, famous faces and plenty of laughs.

Presets & Samples: www.gumroad.com/conforce
Music: www.conforce.bandcamp.com
Bookings: fran@sungaterecords.com

"A solitary Conforce release can never be described as predictable, with each unknown entity having the potential to take you on an emotional rollercoaster or a primal abandon" — Inverted Audio 

"Impeccably-crafted techno that maintains bite in its grooves even while the textures spiral into the ether." - Bleep.com

Conforce is a restless producer residing in Rotterdam, Holland, who is forever keen to search out new techniques, tools and sounds for the various musical projects in which he is involved. Continually flirting with a range of genres like ambient techno, techno and house on numerous EPs and LPs, he also operates in sonic territory that has no easily identifiable name. As one of the most prolific artists in the scene over the last 10 years plus, he has become an essential voice in the often crowded conversation: he is someone who always speaks clearly and captivatingly and has done so via ten full length albums and more than 20 EPs on labels like Delsin – where he has been a core artist for years – Clone, Rush Hour,2020vision, SOMA and his own label Transcendent. 

With this performances he focusses on musical content rather than equipment. The digital/analogue dichotomy of his productions spread into these sets, always stressing the importance of the human element without shying away from technology’s advances at the same time as marrying genuine emotional depth with dance floor compatibility.

Okum Grazer is following