Issa Bagayogo's fantastic new remix project, Issa Remixed,  is filled with great mixes from the likes of Shrift, Tal M. Klein, Adham Shaikh, Tapan Raj, Rise Ashen and many others.

Issa Bagayogo - Poye


Monsieur Periné - La Muerte

Swing Jazz has turned in one of the music genres which has been victim of fusion with other genres by music genius all over the world. Monsieur Periné in this track presents us a smooth blend between Colombian cumbia and swing jazz. I suggest you putt on your dancing shoes before rocking this masterpiece.

For more amazing tracks visit fatlicious.tumblr.com

Fatlicious!

Monsieur Periné - La Muerte

Música para la obra teatral "Ternura negra"

No descansaré

Quimey Neuquen (Chancha Via Ci

Debut album from AddisAbabaBand.

https://www.facebook.com/Addisabababand

Piakågerenout

Taken from 'I Can Be a Clay Snapper'
Order: https://goo.gl/3hCLGz
tak:til / glitterbeat

Hailing from Slovenia, Širom play vividly textured and (mostly) imagined, instrumental folk musics. Handmade and global instrumentation meets fearless sound exploration. 

Slovenia’s miniature, but incredibly diverse landscapes, echo through its distinctive cultural, historic and linguistic traits. When thinking about Širom’s geographical trajectories, as well as their musical ebb and flow, one has to consider the abundance of water that can be found in the individual regions where they come from. Cascading mountain stream lilt, lazy lowland river meandering and the mysteriously vanishing waters of Karst are most certainly inscribed into Samo Kutin’s, Iztok Koren’s and Ana Kravanja’s childhood memories and subsequently, their remarkable musical art. 

The band’s emergent sound oscillates between a wide array of acoustic folk sounds and contemporary post rock meditations, often drifting from improvisation to structured composition and then back. It is described by the members themselves as imaginary folk or folk from a parallel universe. “Our music creates emotional landscapes. When I was still painting every day (Ana holds a degree in painting) I was trying to paint my dreams but that didn’t work out,” Ana remembers. “I discovered that by using an abstract image I can draw nearer to what I felt in my dreams. Our music is based on a similar principle.”

According to Samo, the guiding concepts of their music-making are: “To play on acoustic instruments, to work with repetition and a common sound. Each of us can play a simple thing, but the overall result is that a complex thing comes to life. The quality of sound depends on the combination of the instruments and that’s why we modify and prepare instruments or create our own.”

As an avid sound-seeker, Samo began to develop an interest in building instruments out of everyday objects like drawers, computer boxes and other “junk” (as he lovingly calls his creations) as well as re-tooling the ones he brought back from his globetrotting adventures that have included personal encounters with local musicians in India, Morocco, Mali, Greece and elsewhere. 

Ana, who also nurtures a very personal relationship with music paraphernalia, adds: “There is a different attitude at play if you make an instrument yourself. It already tells you a story. If you buy it, it takes longer to get to know it, to tame it.”

In the little village of Lesno Brdo, tucked in the rolling hills ten kilometers south of Ljubljana, Ana and Samo organize music performances and festivals on a farm they rent, and divide their time between music making and vegetable farming. A close connection with nature is also important to Iztok who now resides in the capital city. “It’s a sort of a contact with the past but it also has its own life in the present.” 

Fearlessly textured sonic landscapes – both linked to and unbound by – the past and present, geography and tradition, the real and imagined. Hypnotic, otherworldly and epic. 

Širom’s music moves like the restless waters of their homeland. No matter how hushed or slow it may seem, it is never ever standing still. 
  
Širom are: Iztok Koren – banjo, three string banjo, bass drum, percussion, chimes, balafon, various objects // Ana Kravanja – violin, viola, ribab, cünbüs, balafon, ngoma drum, mizmar, various objects, voice // Samo Kutin – lyre, balafon, one string bass, frame drums, brač, gongoma, mizmar, various objects, voice

I Can Be a Clay Snapper

Širom - Maestro Kneading Screams of Joy (Maestro mane vriskanje)

Guem : Le serpent (pour percussion africaine)

Become a fan of Rio Mira:

www.facebook.com/RioMiraMarimba/

Co-produced by Grammy nominee Ivis Flies and Grammy winner Ivan Benavides, Rio Mira is a marimba supergroup with Afro-Pacific binational heritage consisting of some of the most in-demand and respected musicians from Colombia and Ecuador. Their music is the sonic rejoining of the region known as El Pacífico Sur, one connected by history, ecology and culture and divided by the national borders of Ecuador and Colombia.

The people throughout this area have similar music, food, speech, fashion, and background, and it is no coincidence that the band takes its name from the Mira River that flows across these borders, connecting rather than dividing people and cultures. This area is home to a great many people of African descent and the rhythms of Africa have become entwined with the lilt and grooves of Colombia and Ecuador. Marimba music has become firmly established, a sound so sacred it was added to UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity in 2015.

Marimba Del Pacifico is a beguiling showcase of this protected sound, a celebration of a unique cultural heritage found nowhere else on the planet, by a band of young musicians keeping this strong tradition alive.

Rio Mira - Guarapo

Moreland

Track 3 from the new Rocket Juice & The Moon album

03 Lolo (feat. Fatoumata Diawara & M.anifest)

Free download on your facebook page https://www.facebook.com/pages/Raymon-Lazer-page/347135932028579?ref=hl


Susheela Raman Sharvanna / Raymon Lazer dub edit

Glitterbeat is committed to global sounds and artists that don’t necessarily rubber-stamp our pre-conceptions of what regional music sounds like.  We live in a world of ever increasing intersections and the global musical conversation does not operate according to straight, predictable, and easily delineated rules. It is a conversation that is being reinvented and revolutionized each day.

Širom - Maestro Kneading Screams of Joy (Maestro mane vriskanje)

Glitterbeat Records

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