This song was originally intended to be sung. In the end we were unable to match the meaning of the lyrics with that of the music. Pefhaps one day we will take it up again. In the meantime, here is the instrumental version.

Where I´m Going?

I once went horse riding not far from the Canadian border in Washington State. Cowboy hat, chaps, the lot. The guy in front yanked his horse's reins when it started to eat grass, causing it to kick backwards hitting my horse... which set off at a gallop. Yee ha! Unfortunately, the expedition leader was cross, accusing me of showing off! Nevertheless, it was exhilarating. 

All the guitar parts were played on a Duesenberg Paloma

Four Horsemen

To our ancestors, the cross-quarter time between Winter Solstice and Spring Equinox marked the cosmic beginning of spring. They innately understood how the season was created and timed by the earth's elliptical journey around the sun. They called this phenomenon Imbolg (also Imbolc), deriving from an older vernacular of Irish (Gaelic) it refers to "in the belly", a reference to the swollen bellies of ewes with lambs soon to be born.

Imolg (In the Belly)

Imbolg (In the Belly)

Vacances de pouvoir - Prod. Gaxillic

Reworked version of "Glitchout", 

lyrics:

Were you someone, I have to be asking
grew up serene, away from the struggle
and strife now presented that never did touch you
but words of deception that make you believe
that the world was on fire, injustice abound
right at your doorstep to take all your freedom?
but just close your eyes, there was never a real threat
other than the ones of split tongues and venom!

wired up, side on break the violence
fired up, ride on, hear the silence

tell me again who you were once ago
when the future was open and dreams were allowed
think of exactly who told you the difference
between cats and dogs and the hits that were misses?

the tales that were spun on a landfill of gaps:
all cognitive bias we need to unlearn!
projection, reflections, deflections, the point is
we all want our freedom and peace with the world

wired up, side on break the violence
fired up, ride on, hear the silence

Glitchout (wokey wokey version)

You get on the internet and you initiate a chat
You  might think you're talking to a dog but its actually a cat
You strike up a conversation with someone who seems real nice
But when you're surfing on the internet you're rolling the dice

You just who you're dealing with on the internet 
You try to be skeptical but it's easy to forget

It used to be if you wanted to con somebody you had to get out of your chair, but now you can do it from the comfort of home while you sit in your underwear

A window pops up on your screen, there's a prize , it says you've been selected, so you click on the link and your computer gets infected
You get a fake email from your bank asking you to update your account
And when you log in the next day your balance shows a zero amount

You just who you're dealing with on the internet 
You try to be skeptical but it's easy to forget

It used to be if you wanted to con somebody you had to get out of your chair, but now you can do it from the comfort of home while you sit in your underwear

People giving all sorts of questionable  advice about how you can eliminate bedbugs, acne and lice.
If you're bald as a cueball, don't worry, they can regrow your hair
but when it comes to the internet it's buyer beware.

The internet can be a crazy place, for all you know you could be chatting with an alien from outer space.
There could be an alien ship on the dark side of the moon
Trying to steal your credit card so they can get an amazon prime order soon

You just who you're dealing with on the internet
You try to be skeptical but it's easy to forget

You just who you're dealing with on the internet 
You try to be skeptical but it's easy to forget

You Just Don't Know

       This song I wrote back in 2000 and it's another one of the first songs Charle and I recorded together. Written during my bachelor mid-life crisis phase when I was in between marriages. Needless to say I was feeling alone and blue during that time but even worse than that, I was bluer than blue!? So that made me Blue Blue! I rocked out on this one a bit in the solos and Charlie sang it very well, I double-tracked his voice, and I think Charlie played some harmonica on this one too! I had my old recorder so please forgive the quality. The video is brand new, I put it together last month and played around with colors and strobes, so be careful if strobing effects bother you. The video will drop on March 1st.

VIDEO - https://youtu.be/C8SF28zQGTk

 I like my lyrics here, they are very simple but to the point and I think it sounds ok. It's actually a very fast uplifting song with a kind of anxious lyrics behind it, so whenever you're blue just remember that I used to be Blue Blue! ✌🏼✌🏼✌🏼  

“BLUE, BLUE"

MAYBE I’M PARANOID OR A LITTLE BIT OFF TRACK,   
CAN’T HELP BUT WONDER EVERY TIME YOU LEAVE,   
IF YOU’RE EVER COMING BACK,

I KNOW IT’S FOOLISH AND IT MAY SEEM IMMATURE,   
BUT THIS FEELIN’ OF EMPTINESS,  
FILLS ME EACH TIME THAT YOU WALK OUT THE DOOR,
         
I’M BLUE, BLUE,          
AS THE SKY IS, 
BLUE, BLUE,             
AS THE OCEAN,         
BLUE, BLUE,         
WHAT I’M FEELIN’ EVERY SECOND I’M WITHOUT YOU,
      
I KNOW I’M CRAZY WITH A THOUGHTLESS JEALOUS HEART,             
AND I TEND TO OVERREACT,   
WHEN YOU DON’T CALL AND TELL ME WHERE YOU ARE,   

MAYBE I’M INSECURE AND IT HURTS ME WHEN YOU’RE GONE,     
BUT ALL I DO KNOW FOR SURE,               
IS THAT WITHOUT YOU THERE’S NO NEED IN GOING ON, 
   
I’M BLUE, BLUE,         
AS THE SKY IS, 
BLUE, BLUE,         
AS THE OCEAN,        
BLUE, BLUE,         
WHAT I’M FEELIN’ EVERY SECOND I’M WITHOUT YOU,
I'M BLUE.
                                          
BY JIM VALDES © 2000

"BLUE, BLUE" (Video - https://youtu.be/C8SF28zQGTk)

Hello again dear Listeners,

Here's another ambient improvisational flow 'with an edge' by ilio and i, featuring electric piano and acoustic guitar with classical and jazzy overtones.

Thank you all for Listening to our humble offerings.

We just have so much fun jamming and sharing.

Sunlight Wind and Waves * anomon & ilio

You can get this album from any good music service: 

Bandcamp: https://magnusmoone.bandcamp.com/album/the-convent
Soundcloud: https://soundcloud.com/magnusmooneofficial/sets/the-convent-1
Spotify: https://open.spotify.com/intl-de/album/4Rc5Tjpus9uHFa2uGU8EOt
Apple Music: https://music.apple.com/gb/album/the-convent/1856673428
Amazon: https://www.amazon.de/music/player/albums/B0G49PGRG1
Beatport: https://www.beatport.com/de/release/the-convent/5657012
Deezer: https://www.deezer.com/de/album/865451002
Tidal: https://tidal.com/artist/4777654
Juno: https://www.junodownload.com/products/magnus-moone-the-convent/7369950-02/
Audiomack: https://audiomack.com/magnus-moone-1/album/the-convent

About this album: 

"The Convent" is a richly atmospheric instrumental work by Magnus Moone, an artistic identity of composer and producer Wolfram Gruss. Merging neoclassical elegance with subtle electronic textures and precisely sculpted rhythmic elements, the album unfolds with the depth and gravitas of a period-drama film score. Immersive, somber, highly emotional and profoundly dramatic.

Its musical foundation lies in the often used expressive chamber strings that carry sweeping, emotionally charged melodies. These orchestral voices intertwine with understated electronic timbres, creating an arresting blend of tradition and modernity. The pieces frequently move from quiet, tension-laden moments, where every note seems suspended in air to commanding orchestral surges that release this tension in breathtaking fashion. This contrast imbues the album with a vivid narrative arc, as though each composition reveals a new scene or turning point.

The overall tone is shadowed and evocative, inviting the listener into a world shaped by introspection, conflict, and the subtle interplay of restraint and release. Wolfram Gruss’s devotion to sonic detail is evident throughout: every texture, gesture, and harmonic shift feels considered with great care, as though chiseled and refined until only the essential remained.

"The Convent" stands as a captivating sonic experience, an album capable of transporting its audience far beyond the confines of everyday life, into a realm of intense emotion and cinematic beauty.  

Written and produced by Wolfram Gruss. 

Follow also my Soundcloud: https://soundcloud.com/magnusmooneofficial

You can license my music for your own projects from many platforms such as: 

Soundtaxi: https://www.soundtaxi.com/de/Magnus-Moone:.:404
TribeOfNoisePro: https://prosearch.tribeofnoise.com/artists/show/38406

My music is released on Diventa Music: http://www.diventa-music.com/
Distributed by Digdis: https://digdis.de/

If you like my music feel free to check out my other projects:

Spoq:    / @spoqmusic  
PNFA:    / @officialpnfa  

#filmmusic #cinematic #epic #classical #orchestral #symphonic #contemporary #minimal #tense #dark #beautiful #strings #chamber #ambient #orchestra #piano #triphop #downtempo #sad #melancholic #melodic

The Convent

Blind Rose

male vocals with a spacious and atmospheric feel, ambient, reverb-drenched guitars, slow, blending soft synth pads, deep, male vocals, ambient dreamscape, and minimalist percussion, deep ambient

Silent Night

Softening Distance is a continuation of POLAR STILL’s ambient language, moving toward lighter space and reduced weight.
The EP focuses on air, distance, and subtle motion through slow-evolving textures, restrained dynamics, and minimal harmonic movement.
Fully instrumental and environment-driven, the music emphasizes place and stillness rather than emotion or narrative, allowing the sound to dissolve naturally rather than resolve.

Support

Held in the Quiet

Thanks to  the music-makers ,theirs is the universe of bass and treble ,space and time ,creators of new energies ,free to imagine a world of harmonic structure and dissonant entropy.
I love listening to all the music posted and thanks for listening to mine.
Grian Óg