The context of creation: 
a room where a shy sun shines 
for a few hours.
Isolation.
The winter.
Uncertain times.
Stretches of hours.
Tensions.
I look at a candle.
it redesigns its shape as it wears out.

I Am the one who fuels the fire
I am the one who consumes it
I am flame
Devoured by itself.

Its glow
Like a wound in the dark.

----------------------

new edit made in 8/03/2024

some sample are made by vocal messages from: Ugo Pisco Lùmaia

here's the following link on his page

https://soundcloud.com/12-days-for-a-new-way?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Tra La Fiamma E La Cera (cattedrali In Rovina)

Tra Fiamma E Cera (cattedrali In Rovina)

だけど結局わかりはしなかった
一見答えらしき否その形相
そう何億とStreamingされたCovid-19という
NegativeなChains
腐り落ちた世の中がどうにかしていると
いうにしてもどうせいつもおかしなまんまさ

Let's Sing a Song From a young age.

いつもIncidentなんかクソみてえに運次第
生まれた時点で大体半分決まるリアルガチャ
あと半分ならテメエで引きずり下ろせよどうせ運次第
割と特別ぶっといたけど、今ではフツーな沢山を
並べたとしても「かもしれん」と呼ぶにふさわしいか？

Let's Sing a Song From a young age.

Enlightenment

All sounds come from the initial spoken phrase 'Why don't you stop' .. and roughly follow the shape of it's waveform for overall structure. The sounds at any particular point in the piece are generated by the associated lexeme in the vocal phrase using an Akai s950 hardware sampler and its built in editing routines.

Performed 'live' straight into the mixing desk via the separate outputs. Sequenced by Logic. Mastered onto cassette.

Why Don't You Stop

Why Dont You Stop

Bass Keyboard /fevrier 24
Picture : Hagihara Takuya

Premature outer space ━big bang mood💥

Man 2023

released March 29, 2024

https://petrilahtinen.bandcamp.com/album/three-ghosts-one-forest

https://soundcloud.com/petrilahtinen/sets/three-ghosts-one-forest

Petri Lahtinen: field recordings, electronics
Paul Mimlitsch: clarinet
Martin Hoogeboom: objects, electronics, guitar

Mixing: Martin Hoogeboom
Mastering: Rupert Clervaux

Cover design: Martin Hoogeboom

Ghost in the Forest Act 1 /// Petri Lahtinen / Paul Mimlitsch / Martin Hoogeboom

Never Forget

ー水鏡ー流れゆく花船_Flowing flowers

Longing

Let's go to the sky

1:42 am (Demo)

Follow me!
I'm a weekend musician who loves Cerezo Osaka.

I am making music with the taste of "Hazushi", carefully laying down the memories of my long trip. We value the flavor and aroma of our products. Mainly instrumental music.

Like a twitter, like a passion
Like a ambiguous,Like a assertive
Like chaos, Like hope
It's like a cold rule, an energy like magma.
Does it look ridiculous?
It is a meticulously sculpted, nonsensical and surrealistic interpretation.
If this music touches you for the first time, it means that you have finally touched on the various values ​​of the earth.
The music you've been exposed to is like grains of sand. To put it more bluntly, I fear that the view of music in Japan is too narrow.

My works are like ambient music, poetic, architectural, improvisational, seemingly without motifs, and contain. Above all, it is music that only I can make in the world.

Funk,Blues,Jazz,Soul,Fusion,Rock,Electro,Pop,Ambient,R&B,Noise,glitch,Ambient,techno,citypop...

Release
2017 1st Album "Haute Couture" On DOD TuneCore (under the name of The Pekingese)
2018 2nd Album "THE END" On DOD TuneCore (L.B.C name)
2019 3rd Album "Mix tape -03-" On Bandcamp (Eric "Little Bird" Luv)
2019 1st EP "BRiDGE" On Soundcloud
2020 4ht Album "My Flagships" On Bandcamp (The Tricera Project)
2020 5ht Album ”For example, if I call this Art Brut.” On DOD TuneCore (The Tricera Project)
2020 2nd EP "My musical instruments" On Soundcloud
2021 3rd EP "Treasure Sword" On SoundCloud
2022 6th Album "The Music UMA" On SoundCloud
2023 7th Album おとだまの怪異
2024 8th Album MixTape'04
2024 9th Album pallet

Enlightenment

Golem Milk

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