a delicate dance like the wind playing in the  curtains : )

Spent a little time in Thailand recently, amazing place and people.. this is what came from that. 

Throwing Knives At The Sun

Sardinia Sketches: River after siesta

Another snippet from Caligo Paean, darker in tone to evoke the power Of Caligo, who wasn't just in charge of mist but ruled the domain of chaos. 

Caligo Paean is a 1 hour long sound piece installed on river front property in the town of Franklin, Tasmania as part of the exhibition "When The Fog Clears". It formed part of the Ten Days on The Island Festival March 2025.
The work was installed in several locations across the property including a stack of subs under an old bus, in the main exhibition space and in an abandoned shed some 40 metres from the main area . The speakers were 'tuned' quite differently depending on their location and the sound was not delay corrected with the result of each mini-installation merging with each other in odd sonic ways - kind of calling the listener from one spot to another. The the work features field recordings, percussion, piano, bass guitar and Intonarumori as well as this special one off choir : )

Caligo is the Ancient goddess of Chaos. Born of the fog she controls the darkness, dwells in the void and is as old as the primordial matter that created the universe. This work is a tribute to the goddess as she continues to influence our lives and, in the case of this installation, the site and concept informing the show.

Official press release below for The Fog Clears

Every day, the mists of the Huon Valley perform a seductive dance, gently obscuring and revealing contours of the fertile land and waters. Situated in The Watershed Franklin, When The Fog Clears features six artists from lutruwita / Tasmania exploring the region’s iconic mists through a variety of mediums including installation, sculpture, illustration, sound, and video.

Developed exclusively for Franklin, this exhibit extends from the waterfront itself into the chambers, kilns, and rafters of the shed, inviting visitors to consider fog as an atmosphere that can cloak us in unexpected ways.

Caligo Paean 3  (The Abyss Calls)

Regular listeners will know that I like to experiment with chance and probability.  This can give my music an aleatoric feel where chaos reigns.  However, I like to think that nothing is truly random and that choice always has a part to play.  Each note can sound, or not, at any point in time.  As composer, I control the parameters — chaos is perception.  What do you think?

19 Sep 25 Open Window

Noise Italia: 5 POLIGNANO A MARE

The Desperate Struggles Of A Bulldozer Slowly Being Engulfed By Quicksand

Poésie (à Arthur)  (Catherine Inta/No Mates)

LIVE @ VISUAL BULK  Dani Kirby/Mat Ward/Matt Warren

DEMO - Distorted Intonarumori/Vocals/Percussion

For lovers of BASS....This started off as a moody kind of piece keeping in theme with the title but quickly turned towards a more 70's cop show soundtrack! from there I'm not really sure where it went. Writing for mainly Bass Clef is one of my favourite ways to enjoy music.

Winter Dance for 3 Basses, Baritone Sax and Tuba

Feeling very lucky to be involved in this recent festival project. Link to website at the bottom of this info. There is a lot to this one! The short version is under the guidance of Composer Madeleine Flynn myself and 6 other musicians performed a beautiful work on two different rivers in my home state of Tasmania during the MONA FOMA 2021 festival. The instrumentation included horns, strings, sirens/fog horns, intonarumori and many other sound and trad instruments as well as a beautiful and moving text from Theresa Saintly. Here is a small summary from the program guide. ...
Relay / Country Remembers Her Names

Madeleine Flynn, Tim Humphrey with Theresa Sainty

A slowly unfolding relay of land and sea signals echoes across our fair island, opening and closing the festival. Foghorns streamed from Low Head, boat horns, sirens, experimental intonarumori instruments, palawa kani (the language of Tasmanian Aboriginal people), bagpipe streamed from Queenstown, and other sound-making apparatus call each other over land and water, and ask us to reflect on where we are. From wukalina / Mount William and pilawaytakinta / Low Head, to Queenstown, Launceston and nipaluna / Hobart.  

You will hear the work projected from a moving vessel meandering close to shore. In Launceston, listen from the banks of kanamaluka / Tamar River around Riverbend Park, Royal Park and Seaport. In Hobart, listen from the banks of the Derwent around the Hobart foreshore, to Long Beach, Sandy Bay, and on the eastern shore between Howrah and Bellerive. 

The full story and list of all involved (there was lots live stuff streamed to the vessel as well as the onboard musos) can be found here
https://www.relaysound.art/

relay//country remembers her names

I started composing daily pieces and posting them onto SoundCloud at the beginning of 2013.  By posting daily I am tweaking, experimenting and developing a thought, idea or event in time.  I am endeavouring to show that there is no limit to that creative spark that lies within each of us.  So much of what we do nowadays is about instant return, I am about evolution not revolution (although each month starts with a clean slate).  Join me on my journey to 10,000 (18 May 2040!!!)

Over the years I have found the Soundcloud community to be extremely supportive and encouraging.  It’s great to have a Global Mastermind of musical adventurers.

Thank you!

19 Sep 25 Open Window

Graham Casey

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