promise. underground. warehouse parties. cherry beach soundsystem. cherry blossom celebration. fun. friends and friends of friends. www.ilovepromise.com

Conscious Spoken Word Artist & Hip Hop Emcee. Extraterrestrial lightworker, incarnated to assist in raising Earth's Vibrational Frequency threw rhymes and consciousness.

Toronto-based LeeLee Mishi is known for her smooth sets of deep, jazz-infused house and minimal techno. She started DJing with deep house vinyl in 2000 and her style evolved to more minimal sounds when she switched to digital in late 2007. LeeLee's current sets often blur the line between house and techno, with bouncy bass lines and playful grooves that keep the dance floor moving.

Along with Zuzana Grimm and Tal (Faetal), she created and hosted the Cyclelogic monthly to showcase local female DJs and producers, and was a resident at the long-running underground weekly Archi-textures.

She has played alongside international talent such as Magda, Kollektiv Turmstrasse, Daniel Bell, John Acquaviva, Robag Wruhme, and Robert Babicz at late night venues and various outdoor events such as Promise Cherry Beach, Harvest Festival, Camp Summerdaze, Om Summer Solstice Festival and Burning Man.

LeeLee is a founding member of the Suma collective whose signature Om Festival drew global fans from 1998 to 2004.

zumone likes to play. Whether working with children as a teacher, making big kids dance as a dj, experimenting with sound design and audio production, melding and morphing light sculptures or bringing people together to celebrate through festivals, special events or art shows; play is the goal! Learning and building collectively designed projects allows art creation, social interaction, and play to be the catalyst of enriching experiences and hopefully, positive change.

www.ghunghru.fm
monthly on NTS Radio
experimental label / radio show / curatorial project by @modularprincess & @eeeeeeeugenia

SF / Delhi / NYC / London

a space where sound is sound, without needing to be music. 
a space where we promote all audible oddities, in fact, encourage.
a space where we focus on the whole.
a space where time isn’t measured.
a space where no structure is okay. 
a space where silence is accepted.
a space where active listeners flourish.
a space where sounds that normally don’t get heard, get heard.
a space for intellectual physical emotional spiritual analysis of sounds that excite you. 
a space for you to be weird about what you find sonically beautiful.
a space for you to play all the groovy rhythms you want, if you want. 
a space for you to play all the ambient drones you want, if you want.
a space for you to play all the hair standing unexpected glitch you want, if you want. 
a space for you to play none of the things that are expected.
a space for traditional world sounds, in an untraditional manner. 
a space for comfort in discomfort. 
a space for not just sounds, but also words, poetry, whispers and voice.

Grant Ball is following