DJ / PRODUCER (AKA DANCE SYSTEM)
All Inquiries: l.vis1990@gmail.com

Electronica since 2007. 
It’s a marathon, not a sprint.

https://linktr.ee/greco_roman

DJ • curator at @ctm-festival • yes you know me from Boiler Room • anything below 140 BPM is ambient

Pinty's House mixtape out now - LISTEN: https://bfan.link/pinty-s-house

Pinty’s witty wordplay and effervescent club sound take influence from the introspective poetry of The Streets, the downbeat moods of King Krule and the jazz tinged house tones of production partner Maxwell Owin.

If Yehan Jehan didn’t exist, someone would have to invent him. In the tradition of Prince and Todd Rundgren, Yehan Jehan is a cartoon maelstrom of creativity – the fact he writes, produces and plays all his elegant, gliding music seems almost normal when you consider that this Paris, Los Angeles based Londoner also oversees his own visual world shot through a lens which inspirations include the primitive graphics of ‘70s video games, Japan and David Bowie’s iconoclasm.

It'd normally take a battalion of songwriters and musicians to conjure up Yehan’s luxurious music. The most superficially obvious move would be to call it yacht rock. There’s a signature polish to the songs comprising his releases which trace a lineage back to the likes of Peter Gabriel and imbues the spirit of Quincy Jones in widescreen, as well as easing right next to contemporaries Kindness and Tame Impala. But that’s to ignore the slick funk influences and the magisterial Tears For Fears-flavoured psychedelia, his ability to harness a groove like Giorgio Moroder underpinning in his tracks. Influences everywhere, from British synth pop to the great American songbook.

As you’d expect from his impassioned songs, Yehan is a restless conversationalist. He has turned heads with his production nous, making a plethora of bands sound more expansive and technicolor, though he’s more than just a slick producer. It’s the marriage between melody and production is felicitous, where breakbeats, sub-bass and sequencers form a nexus with catchy melodies, while the glam stomp way to some funky soul sass in the verses, followed by more anthemic choruses.

Having written 40 songs before he was 16, one aspect that’s stayed constant in Yehan Jehan’s music is his strive to outdo himself. “While you can’t change the grand scheme of things, you can change your vicinity and that will influence people around you. Those little steps work out into a greater change. Being creative helps me be more positive generally, channelling my energy through music, art, making videos... You can transform emotions through that. A cool statement that resonated with me is ‘You can’t change the world, but you can change your world.’” 

Yehan’s music is offering a roadmap out of our current collective malaise by imploring us to dream big and open up our imaginations.

WWW.RUFKUTZ.NET

BOOKINGS: will@thefinaagency.com

Est. 2002

http://solidrocksound@gmail.com

Being one of the most in-demand Techno DJs of our times, Ben Klock needs little introduction. His name has been closely associated with Berlin’s legendary club Berghain since 2005. His monthly residency has formed the backdrop to his international success, providing an invaluable platform for his ability to create a room rather than just play to it.

Much of his early career was marked by marathon sets – a signature that played a considerable role in nurturing his skills and reputation – but even the more compressed sets he shares today evidence an intricate narrative and sense of flow that defines him as a DJ. It was these inherent abilities that led him to compile the fabric 66 compilation in 2012, before winning the BBC Radio 1’s Essential Mix of the Year award in 2015.

His releases on Ostgut Ton have become landmarks in the imprint’s history. 2009’s “Dawning”, the first of his collaborations with Marcel Dettmann kickstarted the label itself and remains a stand-out track in its discography. Another release of particular note is the Before One EP including “Subzero”, which many techno lovers still refer to as their gateway track into the whole genre itself. For many, however, it is his album One (2009) that best captures Klock’s talents as a producer. His skills as a remixer have also seen him rework tracks by a wide variety of artists, including Kerri Chandler, Depeche Mode, Robert Hood and Kenny Larkin.

Additionally, Klock curates with great passion his own label Klockworks, founded in 2006. With releases from DVS1, Stef Mendesidis, The Advent, Sterac, Etapp Kyle, Temudo and many more Klockworks became a synonym for unique, high quality Techno.

In 2017 Ben started his own event series PHOTON which is a unique concept show that blends light, architecture and music. Since then he toured PHOTON at special venues in major cities around the world such as Printworks (London), Gashouder (Amsterdam), Arca (Sao Paolo), to name a few. It quickly became a new standard for audio visual electronic music events. In 2023 the project returns after a pandemic induced break with a brand new visual and artistic concept.

Rhythm Section - regular dance in South London
Rhythm Section INTL - Record Label run by Bradley Zero 

Bradley Zero -  https://octopus-agents.com/bradley-zero
Mgmt: gs@285.group 
BOOKING:
UK/ROW: matt@octopus-agents.com
Americas: ricky@visionarytalentgroup.com
AUS/ ASIA: sam@dreamcabin.com.au

Label Distributed by RUBADUB GLASGOW

We do not check soundcloud messages: please email us thoughts/demos/promos/feedback info (<.at.>) wearerhythmsection.com

singing selecta
SE London

mgmt: alexander@olympianmusic.co 
live: lauren@earth-agency.com
tunes: ellmurphypromo@gmail.com

@juceytunes
@nitework01

MGMT: 
mgmt.heavensent@gmail.com

https://karmakid.bandcamp.com/
https://www.instagram.com/karmakiduk/

Greco-Roman is following