The Same Old Rain

Polillas (2021) for string quartet was read by the JACK quartet on Nov 30, 2021 and premiered by the JACK quartet on March 30, 2022 on the campus of the University of Iowa.

this piece on youtube: https://youtu.be/lUhz6I958Mk

Polillas (2021) for string quartet

Soon: Oberlin - Six Dreamwebs

Pre oders start 17.02.2022
Edition of 40

https://shimmeringmoodsrecords.bandcamp.com

Oberlin - Six Dreamwebs (album preview)

Red Deer Rut - Binaural 26:09:2022

Diseño sonoro como parte de proyecto Iluminando las sombras de la selva valdiviana. Proyecto Fondart Difusión Regional / Región de Los Ríos, 2022.

Soñé que nos inundábamos

Scientific

Glacis is London-based Scottish composer Euan Millar-McMeeken, who some may recall from his previous collaboration work on Whitelabrecs including ‘Nothing Hurts Forever’ with Gavin Miller and as one half of Dead Bell, alongside The Green Kingdom. Euan also records as Civic Hall with Craig Tattersall and as Gallowglas alongside Johan G Winther. His most recent work 'Distances' with Adrian Lane was released on vinyl via Oscarson.

As a frequent collaborator, it is fitting that Euan’s debut for Whitelabrecs is in fact further partnered music in the form of ‘Interpretations’. He invited 11 artists to adapt, distort and deconstruct a collection of his original compositions, realising these into an album in its own right. Interpretations are not simply remixes. Euan explains that he’s never really liked the term ‘remix’ as it simplifies the process of working with original material. He never intended for this record to be a remix record and now it is complete, this feeling remains.

Euan aimed high in curating his artists, enlisting the likes of Tape Loop Orchestra, the Humble Bee, C.Diab and Satomimage and placing them alongside friends and regular collaborators including The Green Kingdom, Simon McCorry and Adrian Lane.

The tracks contained on Interpretations are all careful sonic studies of the original work that respond and react in different ways. Some of the pieces contain moments of the original pieces, some are unrecognisable, all are fascinating examinations. A rebirth, of a kind, from the original idea. Through these interpretations, the tracks are given new meaning and new life. Remarkably, this hour of music stands together as an album experience, despite the variety of the line-up and each artist’s approach to composition.

interpretations

wlr142 glacis - interpretations

Marco Lucchi | synth and tools

morphing "De spiritu santo" by Hildegard von Bingen, played by Noel Akchoté on elec guitar
https://soundcloud.com/noelakchote-1/hildegard-von-bingen-chants-02-de-spititu-sancto

21 aprile 2016

https://marcolucchi.bandcamp.com/track/un-grande-fiume-al-tramonto free download

Noel Akchoté & Marco Lucchi - Un grande fiume, al tramonto

Lahemaa National Park, Estonia, 12.04.2018.

www.bemtevi.de

if you want to support my work: ko-fi.com/bemtevi

Silence (Estonian Forest)

Broken echo, but why fix what is broken when it is beautiful?

Inre rum

Comment les sons s'écoulent.
Comment les sons découlent, les uns des autres.
Comment les sons s'écoulent-ils les uns dans les autres.
comment un son, d'abord contenu, peut-il se déverser
Et nous offrir une surface
Sur laquelle nous pourrions pratiquer divers sports.
Comment une corde pincée pourrait-elle devenir
Le support mouvant de nos déambulations

pièce instrumentale pour 14 musiciens:Clarinette Basse; Contrebasson; 2 Trombones Basses; 2Timbaliers; Harpe; Piano; 2 Altos; 2 Violoncelles; Contrebasse)  
joué au CNSMDP par les étudiants
enregistré par le service audio visuel

Comment les sons s'écoulent

Gregory Rowland Evans is a classical cellist and composer.

Polillas (2021) for string quartet

Gregory Rowland Evans

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