Booking worldwide
(except North America Canada and Greece)
METALLIAN PRODUCTIONS
Agent : Mick Caesare
bookingmetallianmick@gmail.com
http://metallianprod.com

Booking North America and Canada:
STEPHAN MELLUL
Senior Booking Agent
steph@continentaltouring.us

linktr.ee/nightrage

Nightrage is back once again, delivering one of their best albums, in their 23 years of existence, without stopping creating uncompromising music for their devoted fan base.

“Remains of a Dead World” is the 10th album of the band and this time the band returned to where everything had started, since Nightrage was born in Greece in 2000.

With the great help of their past bandmate and now producer, sound engineer,  Fotis Benardo (Rotting Christ, Septicflesh, Sakis Tolis, Nightfall, On Thorns I lay, Suicidal Angels) at his Devasoundz studio in Athens Greece, and with his great producing skills, “Remains Of A Dead World” is a mixture of all the things that makes Nightrage a beast of integrity, they prove to be one of the last remaining true masters of the melodic death metal genre, fully unstoppable riffing, and great hooks with bigger than life guitar melodies with brutal vocals that represents the honesty and pure musical delivery, that comes straight from the heart.

The album has been mastered by a great friend of the band George Nerantzis (Abbath, Dark Funeral, Pain of Salvation, Sakis Tolis,) and his great skills gave the album a huge sound with clarity, power and analog flavor.

Songs like “Euphoria within Chaos” and the title track “Remains of a Dead World” showcase and deliver massive riffs and ethereal melodies, the new singer Konstantinos Togas really fits with the new material and proves to be one of the best singers to front Nightrage with his intense performance, combining brutality and melodicism on his amazing vocals.

“A Throne Of Melancholy” and “Persevere Through Adversity” it’s big arena rock type of songs with huge choruses, that gives you great hooks and melodies, feelings that can stay forever in your mind, where “Nocturnal Thorns” and “Dark Light” it’s definitely a journey into more mystical and eerie musical stories, that are interesting and showcase a more progressive and dark side of the band.

Marios Iliopoulos and Magnus Soderman, have once again managed to create such great songs, working together for the fourth time as a sweet songwriting team, their chemistry is unparalleled and this album is proof of great songwriting and team effort.
Francisco Escalona bring the low-end section of the band with dynamic precision, and a heavy dose of energy to head bang till whiplash.

The album concept once again talks about the tragedy of our actions against the world and ourselves, now we can clearly see the consequences of our actions, and what’s left is only the remains of a sad and miserable cosmos, a dead world that we’ve blindly created for ourselves.

Are we able to learn from our past mistakes and tragedies?

The various songs on the album also touch other subjects thematically.
Like we should never stop learning and become better, learning from our life experiences.

The fact that we are part of a dystopian world system under a technologically developed world we have seen the birth of a new kind of global ruler.

About the inner struggle for personal and spiritual freedom that many people face without even knowing it most of the time.

How people are nowadays, fighting their own ego all the time, and doing the worst things possible to each other under the name of fake friendship.

Also the fact that no matter how many times we are down, we need always to find the inner power to stand up and face our fears and live our life for what it is, with courage and patience, with no darker corners and no agendas.

Fight the loneliness of the soul, find the light at the end of the tunnel!!!!!!

The official Relapse Records SoundCloud page. Home of the finest current and alumni roster in extreme metal including artists such as OBITUARY, MASTODON, BARONESS, DYING FETUS, THE DILLINGER ESCAPE PLAN, RED FANG, OBSCURA, NOTHING, SUFFOCATION, NILE, AMORPHIS, DEATH, THE ALBUM LEAF, NECROPHAGIST and many more!

Follow us today and receive automatic updates with the latest new music from our entire roster! 

Always at the forefront with an active role in emerging stylistic nuances Century Media has truly shattered the barriers and exemplified diversity in extremes while remaining rooted in the underground but giving bands opportunities outside of the normal means with major league international touring, commercial radio play, and music placement in high-profile films, TV and commercials. Despite all of the years and breakthroughs the company maintains their organic, family feel and business is still being conducted by fans of the music for fans of the music.

Grimoire - Un Noir Profund

Black Metal
Blackened Death Metal
Grind

Acoustic and Atmospheric breaks
Face breaks

Influences (what ive been listening to)

Dissection
Emperor
Watain
Cryptopsy
Dawn
Death
Pure Riff Fury
Venom
Deicide
Nausea
Enslaved
Enabler
The Faceless
Bathory
Mayhem
DISSECTION!!!
DIIIIIISSSSSEEEEECCTTTIOOONNNNN
Marduk
NAILS
Metallica
Dawn
Sleep
Lord Dying
Lord Mantiis
Leftover Crack
Arch Spire
Xibalba
Absu
Inquisition

Metal Blade Records history by Dan Slessor:
Founded upon owner Brian Slagel's enduring drive to find great bands and get their music out to as many people as possible, since 1982 Metal Blade has brought wave after wave of powerful, innovative, and often genre-defining music to the ever-hungry metal masses. It is this ethos that has seen Metal Blade build up a stunning and diverse catalogue, weather the various storms facing any independent label, and in an age of declining record sales boast the most successful years of its existence as it strides into its fourth decade.

What perhaps makes this achievement all the more notable is the fact that Slagel never even intended to start a label. Working in an LA record store and writing for various publications, Slagel was acutely aware that many great bands in the local metal scene were being ignored, and he decided to release a compilation of tracks drawn from these ranks. "There were a lot of really good bands and I was just bummed out that nobody could hear them. It just seemed like I could help them out and have some fun at the same time, and that compilation was the first Metal Massacre," he states. Collating tracks from then unknown bands including Ratt, Bitch, Cirith Ungol, and Metallica amongst others, the compilation sold out immediately. "How important is Metal Blade to our career? They're only the reason we are enjoying the worldwide success we have today," states Metallica's James Hetfield. "Without Brian's openness to some raunchy teens with a crap sounding cassette tape we would be who knows where, and playing who knows what!" With the popularity of the tape spurring Slagel on, the first seeds of Metal Blade were sown. "After the success of those compilations I just started putting out records of bands that I was friends with, but without ever really intending it to be a label at all," he explains. "After I put out four or five releases I started to feel like something was happening, and I decided to quit the record store and quit college and see where it went."

Battling through the first few lean years, when the label consisted solely of Slagel working out of his mom's poorly ventilated garage in the San Fernando Valley, it gradually grew in both revenue and stature. Within a few years Metal Blade would go on to release the debuts of Slayer, Armored Saint, Trouble, and Corrosion Of Conformity amongst others, fanning the flames of the burgeoning metal scene and launching careers of bands that would go onto reap global success. "Without Metal Blade, there is a damn good chance we never would've made it out of L.A," says Slayer's Kerry King. "That was the one bit of luck we needed. You can be the most awesome band on the scene, and if no one notices you, you don't catch on. And Brian Slagel is still one of the biggest metalheads I know!" This genuine love and devotion to metal is central to the relationship many of the artists have with Metal Blade, and King Diamond credits much of its relevance and strength to this passion. "I refer to it as having 'boots on the ground'," the mighty Dane states. "It's not like a major label where some people might be into what you're doing but a lot of them just see it as a job – there's a genuine love for metal there. Through staying true to that and doing their own thing they've carved out a very specific niche that they control, and as an artist it's wonderful to be a part of that."over the years. Clearly without those people we couldn't do what we do, and to everyone out there who has helped us along by being a fan we are so very grateful to you."

Read more: http://www.metalblade.com/us/about-us/

Dreadnoughts, the naval titans of a historic era, tore across vast expanses of ocean, exhibiting the innovation and prowess of their mother nations. Their massive artillery and greater stature were symbols of grandeur, a masterpiece of a mechanical Babylon. As a quartet of musical architects, Dreadnought seeks to capture the spirit of these giants and manifest their scope, power, and sophistication in epic tales filled with lush textures, adventurous melodies, deep grooves and just a touch of serendipity.

Jordan Clancy - Drums, Alto Saxophone
Kevin Handlon - Bass, Mandolin
Kelly Schilling - Guitar, Flute, Mandolin, Clean and Harsh Vocals
Lauren Vieira - Keys, Clean Vocals

 We are an independent label working with music we love. The work we do is based on passion and feelings and that's what we hope to communicate to you, the listeners, so that you feel it to. We invest in building our artists careers to last and not just become one hit wonders. Our A&R policy is that we only sign music we love, from any genre or style, that we believe we can work with and do a good job.

Earsplit PR is an independent public relations agency based in the greater NYC area infiltrating international media outlets with extreme forms of music since 1999.

GRIMOIRE is following