It's easy to assume that Out Of Sorts came Out Of Knowhere when their first remix made its way into the hands of Kompakt Records gaining attention of some of the biggest players in the game. But there's something about their productions that tells you they didn't – something bold lurks within those modern grooves and nostalgic moods telling us that we're not dealing with lucky amateurs.

Because we're not. In fact, Out Of Sorts is the mysterious new identity fronting a duo who have seen huge international success under a different moniker. And with this new name comes a new sound that's difficult to pigeonhole, leaving the past almost irrelevant – except that this is a duo who know how to bring it.

Which they are. From the grimiest clubs to the most revered festivals on the global circuit, somewhere in the abyss of electronica you'll hear the Out Of Sorts sound.

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www.inaudible.org.uk

From an early age inaudible had a passion for music and badly tailored suits, the former being a blessing in disguise as, born with a speaker for a head, he was never going to get a job as a librarian or Taylor.
And so, for no other reason than to pad out his Biography and fulfil his love for writing in the third person tense, inaudible set out on the long road to becoming a superstar musician.
Starting as he meant to go on inaudible landed his first major gig at the Birth of Christ, after getting much respect from Joseph and Mary (Mary in particular) inaudible decided to get his head down in the studio for about 20 Centuries.
After spending such a long time out of the limelight inaudible found himself hungry to get out their and threw himself back at the scene with a whole host of high profile gigs including warming up for Martin Luthor's infamous 'I have a dream' speech and playing in-between rounds 2 and 3 of the Tyson- Holyfield ’ear incident’ fight. inaudible also holds the record for being the first person to DJ on the moon.
Inaudible dropping bassline bombs on the moon before NASA even planned a mission there.
Playing music from any one of many badly named, blog friendly, flash-in-the pan band-wagon genres, inaudible always delivers.
http://www.twitter.com/inaudbleuk
http://www.inaudible.org.uk
http://www.myspace.com/inaudibleuk

Under the alias Daedelus, Alfred Darlington has been an instigator of electronic music culture for the past 25+ years. A fore-figure of Los Angeles' Beat Scene, they have released 20+ LPs, countless EPs, remixes, and additional productions on labels such as Ninja Tune, WARP, and Brainfeeder. As a performer they're synonymous with controllers, from the grid Monome to computer-free modular, and have played over 1,000+ shows on 6 continents at events ranging from Boilerroom to festival mainstages such as Coachella.

Dj at Dublab, founding faculty member for the Berklee College of Music's EDI (Electronic Digital Instrument) program, and S.E.T.I. artist in residence.

Daedelus has begun to live up to their Greek mythological namesake.

I’ve always been into music, in the beginning as a musician and since many years a developing producer￼. I’m learning by trial and error, and trying to learn more about what ever I feel I lack in. Picking up insights and knowledge from other producers I’ve met and worked with.
Growing up Sweden and the UK with influences from graffiti, urban exploring￼, listening to and then seeing The Prodigy live in 1997, have been influences which have played a role in my taste for dark, dirty and shady sphere’s of the music map.
I decided I wanted to create stuff from all the inspiration I’ve gathered on the dance floor. Techno has been the genre that I still find mind-blowing, and is so much more to explore. I’ve mainly played gigs in Sweden, which has been great fun, but also in Greece, Thailand and Portugal. I’m grateful to have some released tracks on Fervence, Vantablakk, Detroit-Berlin, Makadam and I have upcoming releases on Stockholm based Pink Hell Records and Miami based Singe records. The more I find whilst
exploring, the more exciting it gets, and that’s what keeps the beat and vibe alive.

DJ Bookings: bookings@redrackem.com

Monthly Masterclasses from the best artists on the scene and Music Producer Mentoring: patreon.com/redrackem

Join My Music Producer/DJ Mentoring Community: https://linktr.ee/howiprogram

DJ, Producer, Label Owner, Broadcaster, Teacher, Writer, Husband, Father

Remixes/Licensing: danny@redrackem.com


Danny Berman aka Red Rack'em is described by Juno Records as 'one of the most respected figures in UK underground house circles'. Creator of classics 'Wonky Bassline Disco Banger' (hammered by DJ Harvey, Moodymann and even Elton John), 'In Love Again', 'How I Program', 'Kalimba', 'Tomato Pope', he's also a much loved broadcaster working with SWU.FM, Rinse FM, WWFM and NTS and guest spots on BBC Radio 1 for Pete Tong, Mistajam and Gilles Peterson. He's been even more busy during the pandemic supporting other artists with his 'How I Program' music producer community.

Since returning to the UK (after 8 years in Berlin), he's been releasing killer records like 'Wonky Techno Banger', 'Overthinking' and his Red Baron collab with Ron Basejam from Crazy P (huge support from Gerd Janson, Avalon Emerson and more), as well as undertaking huge tours of USA, India and Asia playing at clubs like Tag in Chengdu (Chinas Berghain), Rhonda in LA (one of the hottest pan sexual parties in the US) and Smart Bar in Chicago.

He's a super adaptable DJ, just as comfortable playing blazing disco boogie at Pickle Factory in London, deep house at TV Lounge in Detroit or raw swingy techno at Mothers Finest in Berlin.

Playing With 
KiNK, Nikki Nair, Cinthie, Maurice Fulton, Jennifer Cardini, Objekt, Crazy P, Jamie 3:26, Folamour, Leon Vynnehall, Carl Craig, Move D, Ian Pooley, Charlotte De Witte, Gerd Jansen, Paranoid London, Kerri Chandler, Tama Sumo, Bambounou, Tim Sweeney, Tygapaw, Budino, Jeremy Underground, Mike Huckaby, Hieroglyphic Being, Kyle Hall, CC Disco, Bugz In The Attic, Demi Requisimo, Klose 1, LNS, K Hand, Waze & Odyssey, Andres, Wbeeza, Redlight, Beautiful Swimmers, Nick The Record, O Flynn, Rebecca Vasmant 

Notable DJ Bookings
About Blank Berlin, Tag Chengdu, Smart Bar Chicago, TV Lounge Detroit, Potato Head Bali, XOYO London, Terminal V Festival Edinburgh, Propyard Bristol, Mona Paris, Rare Aberdeen, Fly Edinburgh, A Club Called Rhonda Los Angeles, Le Zoo Geneva, Decks On The Beach Beirut, Mad Racket Sydney, Novel Melbourne, Sugar Adelaide, Mutant Disco Tallinn, Radion Amsterdam, Boiler Room London, Mixmag Lab Amsterdam, Worm Disco Club Bristol, Bambis Toronto

Festivals
Alfresco Festival UK, Love International Croatia, Southern Soul Festival Montenegro, Melt Festival Germany, Bestival, UK, Under Festival Latvia, Tallinn Music Week Estonia, Secret Garden UK, Glastonbury UK, Mothers Finest Germany, Highest Point UK

Live Streams
Hoer, Mixmag Lab, Boiler Room, United We Stream, be.at tv - Wax Hounds, Melt Festival

Radio Appearances
Gilles Peterson ‘Worldwide Awards Live Mix’ BBC Radio 1, Pete Tong ‘After Hours Mix’ BBC Radio 1, Mistajam ‘Old School Disco Mix’ BBC Radio 1, Nemone ‘Resident Mix’, Blessed Madonna ‘Track Of The Summer’ BBC Radio 1, Blessed Madonna ‘One To Watch’ BBC Radio 1
 
Quotes about Red Rack'em

'This guy has been making great records for over a decade' Gilles Peterson live on 6 Music

‘He's making really great left house music which is thoughtful but would still work at the more peak times!’ Midland

'If there's anyone to watch it's this guy' - Blessed Madonna live on BBC Radio 1 

'This track is called Wonky Bassline Disco Banger and you can't beat that!' - Elton John live on Apple Beats 1 Radio

'The UK master of House, Disco and Techno' - Groove Magazin

'Moodymann just bought a copy of Wonky Bassline Disco Banger' - Phonica Records

’He has now firmly established himself as one of the most interesting producers and disc jockeys on the circuit - The Ransom Note

Writing and conversations about music and film, from the people who make them.

Talkhouse is a media company and outlet for musicians, actors, filmmakers, and others in their respective fields. Artists write essays and criticism from firsthand perspectives, speak one-on-one with their peers via the Talkhouse Podcast and Talkhouse Live events, and offer readers and listeners unique insight into creative work of all genres and generations. In short— Talkhouse is writing and conversations about music and film, from the people who make them.

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