Elisha Morningstar/Lorenzo Abattoir, Titled

4u9usT01_t3

nakazakichō

From my album 'Upics', available today for preorders on Flag Day Recordings

https://flagdayrecordings.bandcamp.com

Vacuum (UPICS)

From "M​å​nen I Mine H​æ​nder"

Limited edition double cassette now available at

janushoved.bandcamp.com/album/m-nen-i-mine-h-nder

Paw Grabowski - Falder Igennem Døre Af Alt Jeg Har Gjort

advance track from the forthcoming album "Lichtung" by zeitkratzer director Reinhold Friedl (piano) and Radian member Martin Siewert (guitar). CD / DL out on january 12th, 2024

Lichtung

REINHOLD FRIEDL / MARTIN SIEWERT - Gestade

Heads Or Tails

A short mix of excerpts taken from « Light Leaks », the longform album available now on SlowTone Collages
https://slowtonecollages.bandcamp.com/album/light-leaks

https://www.instagram.com/neve_ambient/
https://www.instagram.com/slowtonecollages/

Light Leaks (mix)

"The Dark Opens The Way (Markus Guentner Remix)" is from the GALÁN / VOGT remix album "All The Time In The World", released Nov 23, 2023.
Mastered by Robert Babicz.
https://linktr.ee/galanvogt

Galán / Vogt - Engrama (The Space Between Numbers Remix)

These recordings, made in 2016 and 2017, document the shifting sonic texture of the cinema projection box, as it changes from 35mm to digital projection. By 2014, the majority of UK cinemas had already converted to digital, making many projectionists redundant, and quietly altering the way that cinema works, as both an industry and an experience. Very few cinemas maintain the ability to project 35mm film alongside digital, and it was in some of the remaining, tenacious boxes that I sought the persistent sounds of analogue projection.

The unique space that this album investigates is simultaneously a workshop, an engine room, and an artist’s studio. The projection box is a small room at the back of the cinema auditorium that conceals both the apparatus of the moving image, and the labour of the projectionist, ensuring that both remain invisible, and inaudible, to the cinema-goer.

This album was developed as part of The Projection Project, a research project based in the Film and Television Studies Department at the University of Warwick, which seeks to record and investigate the history of cinema projection in Britain. A special issue of the Journal of British Cinema And Television Studies (Vol 15, No 1, 2018), edited by members of The Projection Project, features a number of articles about the history of British cinema projection and the work of the projectionist in Britain, through the twentieth and twenty-first centuries. It includes an article entitled ‚Sounds of the Projection Box: Liner Notes for a Phonographic Method‘, which augments this album, and elaborates upon the theoretical and methodological rationale for the use of sonic field recording as a mode of enquiry. 

All of the images that accompany this record were made by Richard Nicholson. Some of them form part of a series of portraits entitled The Projectionists. 

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http://www.gruenrekorder.de/?page_id=16703
http://shop.gruenrekorder.de/?full#Gruen_177

Sounds of the Projection Box | Michael Lightborne

Part of the piece - 2 Kinetic studies, made during the residency at the Spatial Sound Institute in Budapest in 2016: https://soundcloud.com/svetlanamaras/sets/2-kinetic-studies

Study no.1 is guided by the principle of symmetry. The central spot of the composition is in the middle of the room - half the way on both horizontal X- and Z-axis. Each object always moves through both halves of at least one of the X- or Z-planes. The element which is being doubled, is followed by the same-pace movement of the element on the opposite side of the axis, but the movement is being reversed: element no.6 positioned on Z-4 goes from X-5 to X+5 while at the same time in the same speed element no.7 at Z+4 goes from X+5 to X-5. 
There are three elements which are the musical nucleus of the composition (1, 2, 3). These sounds are airy (noisy) but they have a recognisable pitch and form a minor triad. All other elements are tuned to these three elements which define the tonal center of the piece. This kind of interpretation of the harmonic aspect of the composition, parallels the interpretation of ‘symmetrical’ in spatial domain. 

This is a stereo mixdown of the piece.

VIDEO: https://vimeo.com/210260544

Study No.1

GRUENREKORDER

understands itself as an organisation with the aim of promoting soundworks and phonography. Phonography considers nature / the environment as an acoustic experience, loaden with musical sounds. It is as a form of art and culture, that Gruenrekorder promotes phonography. We therefore organise events, lectures, publications and exhibitions as well as artistic projects in the fields of phonography and soundwork. Please visit Field Notes our bi-lingual magazine and Tonangel our workshop or take some time to read or listen to Gruenrekorder.

Sounds of the Projection Box | Michael Lightborne

Gruenrekorder

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