Re-Extended 38

Just the Beginning (The Darkness Falls) Part 1

Created from tracks found at @re-ex ..mostly

NOV 2025 SUPPORT LIST

Re-Extase 73

Cosmic Silk Project

There's something better but I'll take whatever
I'll take a little Colorado grass
I'll take the grass though there's something better
Right now just want a little Colorado grass

I've been living on the Colorado grass
Staying up, rolling 'em up past midnight
But I'm looking for the the kinda stuff that lasts
Won't find it in the Colorado grass

Don't let me take another hit, man ...

Colorado Grass (Redux)

I asked Combstead if he had anything lying around that needed something, and we teamed up again. 
Ron Snyder (lead guitar)
Combstead (everything else) 

Link to Combstead's channel: 
https://soundcloud.com/markcombs-928282858

ROCK IN MY SNEAKER (Combstead & Snyder) INSTRUMENTAL

Patient Number 9

Patient Number 9 (feat. Jeff Beck)

Carolina Girl

Crack Cocaine

There are too many conditions that apply to various offers.

Too Many Strings

Gods Of Rock N Roll

Gods Of Rock N Roll (feat. Steve Stevens)

A Toast to Us delivers that raw, electric energy of early 2000s punk rock, channeling the anthemic spirit of Green Day with a modern twist. Fueled by driving guitars, punchy drums, and heartfelt vocals, it blends classic pop-punk grit with emo-tinged lyricism that hits right in the nostalgia. It’s the sound of late-night drives, bittersweet memories, and raising a glass to love, loss, and the moments that shape us. Whether you’re headbanging in the crowd or screaming along alone, this track is a toast to every high, every low, and the unshakable bonds in between.

A Toast To Us {Punk/Pop Rock}

Plywood

No Stone

Amy Stevens vocals
John Russell guitars, bass, keys, drums/drum programming
Recorded at PORKCHOPS! III September 2025
Produced by John Russell and Amy Stevens
All songs written by Amy Stevens and John Russell c/p 2025 Solstice Music INC/The Chocolate Era LTD

The Voices

All Platforms

Forget the Word

Prince of Darkness

Getting older is a privilege.  It's tough getting old but it beats the alternative.  I wrote this song about using the time I have left on this earth to becoming my best for me, myself and I.  All the pain and hurt has brought me to where I am today, and I will move forward and just be the best version of myself I can be.  I enjoy nature and spending time with my loved ones and my dog.  Simple things are life's greatest treasures.

Life's Lessons

Becoming My Best

Demo - Becoming My Best

Dealing with Demons but trying to get better, One Day at a Time

One Day at a Time

Mind on the vision, heart in the fight, Faith in my walk, I’m reaching new heights. Every sunrise, I’m redefining my prime, Success takes time — that’s hustle and grind 

Music Visualizer - https://www.youtube.com/watch?v=e-87tk41lIo

Hustle & Grind

The Final Raindrops

Halfway There

Breath

This song comes from a place of heartbreak, not hate. It’s me speaking as someone who still loves this country deeply, even with all the damage that’s been done. My grandfather was actually a big fan of Trump back in the day—long before he ever ran for office. I remember him watching that old Oprah interview where Trump said he might run someday, and my granddad said he thought he’d make a good President. If he were alive now, I know he’d be heartbroken and appalled to see what Trump has done to our country—to our people, our values, our sense of decency. This song is like a letter I wish I could read to him, and maybe to America itself. It’s slow, dark, and honest—part protest, part mourning. It’s about loving your country enough to call out the ones destroying it, even when it hurts to say the words: I never knew you.


LYRICS: 

[Intro]
This isn’t hate.
This is heartbreak.
The kind that burns slow.
The kind that makes you write a letter you’ll never send. 

[Verse 1]
I'm still glad to be an American
Even with the mess we're in
But I'm writing you to say you suck
'Cause you're just a nasty fuck 

[Verse 2]
It don't matter what your policy is
You're tearing down what we've always been
If I could see my granddaddy now
I wonder what he'd say to him 

[Pre-Chorus]
I can hear him now—
Voice cracking through the years—
Saying the words I never wanted to believe. 

[Chorus]
“I never knew you
I'm ashamed to have ever shook your hand”
You can't claim to be a patriot
While you're burnin' down this sacred land
This hateful letter's to you
I'm just speakin' the truth
I'm just speakin' the truth
We never knew you 

[Verse 3]
I don't care how much you paid in taxes
It ain't about what you owe
What you're takin' from us
Is worth a whole hell of a lot more 

[Verse 4]
And now you got folks hatin' on each other
We're more divided than we've ever been
It's time to pack up and go back to Mar-a-Lago
Or maybe we can build a wall around it 

[Final Chorus] 

I can hear 'em now,
“I never knew you
I'm ashamed to have ever shook your hand”
You can't claim to be a patriot
While you're burnin' down this sacred land
This hateful letter's to you
I'm just speakin' the truth
I'm just speakin' the truth
We never knew you 

Ooh ooh ooh ooh
Ooh ooh ooh ooh 

[Outro]
Maybe someday…
We’ll find our way back home.
But not like this.
Not like this. 

Not like this.

Letter to President Trump

04 - Mikols_Goble Project - Much Wiser Than That Now

This is my December freebie! Grab it on Hypeddit: https://hypeddit.com/gruv42/thetopone

Free Download

The Top One [FREE DOWNLOAD]

@lucasdileomusic_ on all socials 
@reyn_musi on all socials 
REYN SC Profile -> https://soundcloud.com/user-703266043

Sampha - Indecision (REYN & Lucas DiLeo Remix)(FREE DOWNLOAD)

My best life

Would you sell your soul to the Devil... for a mega #1 hit song? The word "Devil" makes allusion to whatever you want it to be. ;-))

Mr. DEVIL s MEGA #1 HIT SONG

„Beneath the Tinsel (Father’s Lullaby)“
A melancholic punk-folk ballad by Beyond & Before Music
Voiced by Adelheide – a ghost from the past, a whisper in the snow.
This song is a father-daughter dialogue across time, woven into the transmedia universe of „Hinter uns das Land“ (a biographical novel about memory, resistance, and the quiet violence of history). Recorded as a wartime Christmas ballad, it asks: What remains when love can’t stop the falling bomb?
„Oh, Father, did you know?
The war’s not in the snow — it’s in the silence…“

Credits:

Vocals: Adelheide (a character from the novel’s virtual world)
Music & Lyrics: Frank Talmon l’Armée
Genre: Punk-folk / Wartime Ballad (84 BPM, E minor)
Part of the Hinter uns das Land soundtrack – where music and literature intertwine.
Full novel & soundtrack coming 2026.
#PunkFolk #ChristmasBallad #HistoricalFiction #Transmedia

Why this song?
Adelheide’s voice – aged, raspy, yet tender – carries the weight of generations. This track is a bridge between the novel’s 1930s setting and today’s digital age, where „the battle’s in the feed, the human need.“

Listen closely: The theremin’s hum in the outro is the sound of a bomb that never explodes… but never goes away.

---

„Beneath the Tinsel (Father’s Lullaby)“
Eine melancholische Punk-Folk-Ballade von Beyond & Before Music
Gesungen von Adelheide – eine Stimme aus der Vergangenheit, ein Flüstern im Schnee.
Dieser Song ist ein Dialog zwischen Vater und Tochter über die Zeit, eingebettet in das transmediale Universum von „Hinter uns das Land“ (ein biografischer Roman über Erinnerung, Widerstand und die stille Gewalt der Geschichte). Als Weihnachtsballade im Kriegsmodus fragt er: Was bleibt, wenn die Liebe die fallende Bombe nicht aufhalten kann?
„Oh, Father, did you know?
The war’s not in the snow — it’s in the silence…“

Credits:

Stimme: Adelheide (eine Figur aus der virtuellen Welt des Romans)
Musik & Text: Frank Talmon l’Armée
Genre: Punk-Folk / Kriegsweihnachtslied (84 BPM, E-Moll)
Teil des Hinter uns das Land-Soundtracks – wo Musik und Literatur verschmelzen.
Roman & vollständiger Soundtrack erscheinen 2026.
#PunkFolk #Weihnachtsballade #HistorischerRoman #Transmedia

Warum dieser Song?
Adelheides Stimme – gealtert, rauchig, doch zärtlich – trägt die Last der Generationen. Der Track ist eine Brücke zwischen den 1930er-Jahren des Romans und unserer digitalen Gegenwart, in der „der Kampf im Feed tobt, das menschliche Bedürfnis“.

Hört genau hin: Das Theremin im Outro ist der Klang einer Bombe, die nie explodiert… aber nie verschwindet.


One Day at a Time

Gregg Spychala