Dealing with Demons but trying to get better, One Day at a Time

One Day at a Time

‘Through My Eyes’ Sophomore Album, COMING SOON❤️‍🔥🤭
Singer | Songwriter | Producer 🖤

80s Rock, Country Rock, Pop, Rap, lover of all music types.
michaelhollywood@hollywoodpkr-vampits.com

Felix Ferguson is an emerging genre-blending artist crafting a unique sound that floats between emo rap, indie pop, emo punk, cloud rap, and dreamy alternative hip-hop. Pulling inspiration from Lil Peep, Juice WRLD, XXXTentacion, Drake, and Future, Felix’s music is built on raw emotions, haunting melodies, and atmospheric vibes. While he hasn’t released his first track yet, his aesthetic already resonates with a growing underground community that craves music that feels personal, vulnerable, and limitless. With a sound that blurs the lines between pain and escape, Felix is shaping up to be one of the most exciting new voices in the dreamy alt scene.


Chris Drabble, based in the Northwest of England, is a rock guitarist who has over 50 years of playing experience.
With nearly 50K streams on SoundCloud in the last 12 months being a mixture of Guitar Rock and softer Ambient instrumental tracks, Chris is now ramping up his rock guitar work with his latest album ‘Foot to the Floor’, which harks back to his youth when rock guitar tracks had a catchy opening riff, and was the sort exciting music you felt you had to tap your foot to. 
His influences include Rush, Led Zeppelin, The Police, Simple Minds, Pink Floyd, Joe Satriani and Jimi Hendrix. He is currently listening to Porcupine Tree, Dream Theatre.

Je vous présente : "CRIME SCENE DO NOT …"
qui comme son nom l'indique ( ou pas ) est un album de chansons françaises " érotico-socio-balnéaires " .
à consommer sans modération !
à écouter et ou télécharger sur :
deezer : http://www.deezer.com/album/6744592
amazon :http://www.amazon.fr/dp/B00DRUOCCC
iTunes: https://itunes.apple.com/fr/album/crime-scene-do-not/id669696175 
spotify: https://open.spotify.com/intl-fr/album/0u5ei9w4NeCNPDYGNKzRfY?si=p_8b-63TRZOPly63hqAiAA


et toutes les plateformes de téléchargement légal ...

Bonne écoute, avec toute mon amitié .

Born in 1980 under the name KRT, the band began its journey in the raw energy of live shows — in Spain, including a memorable concert in Burgos, and in Brussels at the Teatro. Those early years, intense and furious, were wiped away overnight: all archives, tapes, posters, and memories stolen in a single car theft, as if someone had tried to erase history itself.

By the late ’80s and early ’90s, the group found shelter in the former RKM studio on Avenue Molière in Brussels, under the demanding ear of artistic producer Jean-Claude Maury. From those sessions emerged Fast Beat and The Ballad of the Mouse and the Bird, defining tracks that carved NUR’s sound into stone — dark, restless, untamed.

After a split and years of silence, the band resurfaced under the name NUR, carried this time by the new promise of the digital age. The music could no longer be erased; it was destined to survive.

But fate struck again: the passing of one of the founding members closed the collective chapter. Today, NUR rises once more, as a solo incarnation. More than a project: a resurrection. A flame still burning, more than forty years after its first spark.

Making music in my bedroom with guitars, MPCs, plugins, and cheap synths. Big fan of quartal harmony and Stratocasters.

Hi, I'm open to feats! If you want to collaborate, send me a private message.

One Day at a Time

Gregg Spychala