https://capiuz.bandcamp.com/album/pleiades

Le Style

Artetetetra is proud to present two hours showcasing music from the label and gathering interviews from artists of the roster roster to reflect and debate in their native languages and dialects ideas of exoticism, post-world music and Quinto Mondo. Join this massive linguistic and aural hallucination trying to pin down the inconsistent boundaries Artetetra's digital Babele. No english allowed! 

With the participation of Ludwig Berger, Nicolas Sanguin (Nicolas Gaunin), Francesca Mariano (Francesca Heart), Seif Gaber (Polonius), Nicola Kokote (Los Siquicos Litoraleños), Lorena Serrano Rodriguez (Luce Celestiale), Marco Caizzi (Rainbow Island), Davide Amici & Alberto Ricca (Merchants), Teguh Permana (Tarawangsawelas)

https://artetetra.bandcamp.com/

The Showcase | Artetetra presents Speaking in Tongues

Taken from SBKT055: TRANCE BAND - Entrancing
Release date: 3rd March 2023

'A Seagull's Hymn'
Electric guitar - Felix-Florian Tödtloff
Drums – Will Ballantyne
Bass – KIM KHAN
Chains & vocals – Ican Harem

In a global landscape that increasingly prioritizes individuality over collaborative expression, TRANCE is a distinctive project. Initiated by Chinese multidisciplinary artist Tianzhuo Chen, best known for his work with Asian Dope Boys, TRANCE is as artistically amorphous as its constantly evolving line-up, that fluctuates as it shimmers across borders and time-zones. In 2019, the project was demoed in Beijing as part of a solo exhibition from Chen, a 12-hour durational performance that examined the altered states of living and dying and pondered the sounds, sensations, bodies and spaces that notion might suggest. On hold for three years due to COVID-19 restrictions, TRANCE was eventually premiered in Hamburg at the Kampnagel Theatre last year where it was presented as a surreal three-day ceremony. This time around the Trance Band was made up of Berlin-based noisemaker and vocalist Dis Fig, Indonesia's Gabber Modus Operandi, musician and MC KIM KHAN, guitarist and engineer Felix-Florian Tödtloff, and Vancouver-based percussionist and producer CITY. Chen directed the show, channeling each artist's unique energy into an alliance that highlighted their independent skills while pushing towards ideas that simply couldn't have been realized discretely.

"Entrancing" is a live documentation of that incendiary Hamburg session, powered by the performative fireworks that came from having the project halted for two years before it was allowed to burst into life once more. Just as with previous iterations of TRANCE, the space was terraformed into an alien landscape that allowed the collective to enact a carnivalesque display that was tightly controlled but creatively boundless. Musical u-turns were accompanied by monumental stage overhauls that reshaped a muddy, fog-filled outdoor riverscape into an arena, or a sweaty nightclub. This theatrical impact can't be visualized as clearly on the record, but musical cues do just enough heavy lifting to provide a tantalizing contour. When the alluring electro-acoustic plucks and resonant sustained string tones of 'There's a Ghost in the Lantern' cascade into cinematic drone metal on 'Ylva's Theme', it's impossible not to be drawn into the TRANCE narrative. Sonic stage lights flicker with uncommon intensity as the nebulous group rewrite their collective personal stories into stirring, synergistic poetry.

"Something changes!" KIM KHAN calls out on 'Soft and Black', cutting through warbling synths and itchy beatbox percussion. The track builds quickly, reaching a sizzling crescendo of buzzsaw noise and acidic electronics. It's a stylistic sea change that channels the group's kinetic energy into a rock show, and CITY picks up the message on 'Trance Genesis', adding rapid-fire drums to a barrage of guitar skronk. 'Shaolin Affliction' glues Trance Band's jagged artistic edges to a vintage metal template, gradually dissolving into throaty post-hardcore, while 'My Fortress' brings the show to a powerful conclusion with Dis Fig assuming the role of grunge balladeer, bellowing into the void over cacophonous live instrumentation. Unbound by musical and artistic conventions, TRANCE peers out from the basement, the gallery and the playhouse to forge an expression that's all of this and something new entirely. It's refreshing, witty, exhilarating and most of all, completely unpredictable.

Entrancing

TRANCE BAND - A Seagull's Hymn

Lush

Clay

snufkin is a DJ and producer based in Amsterdam. He is the curator of the Sonic Acts Biennial, as well as the main member of the band Valley. His mixes bring the mischievous spirit of unconventional creativity to life, with defiant unrestraint and palpable fun, adding in a bit of EDM, hard techno and hard house, his mixes are a joyful sprint through grinning experimentation and a shameless vibe of bright mood.

@dj-snufkin
Country: Nederland

BS mix 110 • snufkin

Trained on 16hrs of minimal techno.

Hyperparams used:

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Live recording @ the Future Intel headquarters in The Hague. Streaming live on Youtube, Facebook and futureintelradio.com.

Tj0ki╚═ Future Intel ═╗ 02 06 2023

La Non-Dansante accueille Valeska, artiste et DJ venue de Leipzig, dont la musique émotive accompagne le lent et long chemin de l'introspection. Au cœur de l'intime, elle nous invite à confronter nos émotions les plus brutes dans la mélancolie d'un jour sans soleil.

La Non Dansante #29 - missing sun w/ Valeska

Garage 83-C présente Turbo Teuf avec Muju ~ 14.06.2023

https://indusbonze.bandcamp.com/album/indus-bonze-live-hate-hate-hate-vol-6-2023-06-24

Indus Bonze LIVE @ hate.hate.hate. vol.6 2023/06/24 (Overdrive LIVE REC)

Bandcamp

Lightforms

" ℌEXOℜℭℑSMOS is an uncanny link between ancient and contemporary sound technologies. Prehispanic sound artifacts from ancient México, contemporary brain-computer interfaces and hand crafted electronic instruments blend together to situate the listener in a teknoXamanistic ritual of rhythmical noise soundscapes which addresses the politics of colonization and occupation – whether it be on the dance floor or interactive immersive sound installations.
 
He's an alumni of the Red Bull Music Academy held in London, UK (2010), participated as a guest composer at ElektronMusikStudion in Stockholm, Sweden (2014 & 2017), played in Boiler Room México, and has participated in the Tijuana, Mexico City and Berlin editions of Music Makers Hacklab by CTM festival. " 

• contact: hola [at] moiseshorta.audio

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