Accompanying visuals @ https://youtu.be/iWLUqYsYQSo

Muted piano and solo strings and harp with a Bartok pizzicato style to create the sound of 'orchestral rainfall' ...

in pre-dawn darkness
the avant-garde soundtrack
of orchestral rainfall

Haiku by Elliot Carson https://www.instagram.com/i.write.haiku/

Further information: https://www.naviarrecords.com/about/naviar-haiku

visuals (YouTube)

halF orchestraL [naviarhaiku510]

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(﹙˓ ‍🎧 ˒﹚) • 󰅾󰓛󰹍

I'm a composer, working from a 3' x 5' studio (some may call it a dinette) in a 5th wheel camper, while traveling the United States. I've been on the road for six years, so most of my recent work will have come from a different state (of mind and location) during my travels.

Music makes me feel better about everything. I don't know that I'm ever happier than when I am creating. I sometimes wonder if creativity isn't one of the primary keys to happiness. Do you ever feel better than when you say, "Look what I did."? This phrase magically conjures the purest sense of childlike joy.

Music works for every part of our lives. We all have music for when we are sad, happy, celebrating, meeting others, when we are alone, and even when we are lonely. Did a song come to mind as you read each of those situations? I remember the first song I ever heard on the radio, on my first bus ride to kindergarten. One of my favorite musical memories is playing in a band for steel beach on the flight deck of the aircraft carrier USS Nimitz.

I love telling stories with music. Everybody loves John Coffey in the Green Mile, but Mr. Jingles should have a song commemorating his reaching and joining the circus at Mouseville. If you agree, join me for this and similar journeys. The music here is synthetic, but as real as you would choose to have it.

My music most often lands on Soundcloud first and is inspired by one of my favorite communities, Naviar Haiku:
https://www.naviarrecords.com/about/naviar-haiku
I find writing to a Haiku prompt sufficiently limiting and exquisitely inspiring.

Electronic music ranging from ambient to experimental.

Welcome to halF unusuaL, an evolving space inspired by play in the spirit of ‘hai’ (meaning “fun” or “unusual” in the word haiku). Here, improvisation connects the unexpected, mining the boundary between music and non-music to shape sound worlds that feel oddly familiar in their oddity. Listen freely, explore deeply, and for the sounds to live for your eyes as well as your ears, please stop by the YouTube channel. Thank you for joining this journey! Your support helps keep this afloat ... and is HUGELY appreciated 🥰

Poetry, Field recording and the More-Than-Human Human

'I use this space to offer an experience of Sonopoetry, the voice of verses combined with field/sound recording and music collaborations.
Writing and composition marked the passage from pre-history to history for human beings. I firmly believe that writing&listening (active care/empathy and full attention to each and every sound from each and every living and non living being) could inform, guide and represent the Posthuman era that I'll call Human Human era -from sapiens sapiens to human human.
The contemporary alliance between the disciplines of Art, Science and Philosophy elicits the conceptualisation of the Posthuman that to me also implies the transition from the Anthropocene to the Age of Art as a driver of thought and vision. I advocate the responsibility to assign a 'more than human' meaning to the Posthuman concept, that's why More-Than-Human Human, in order to emphasise the human core, the genetic connection to bio and non-bio diversity as per the Biophilia Hypothesis.
Are we listening?'

Born 6 January 1972, Ilaria Boffa is an Italian poet and sound recordist. 
She has published four poetry collections and she is one of the eight authors included in the North East American Association publication ‘Writing in a Different Language’ Vol XL 2018.
Over the last years, she has been experimenting with field recording, blending her spoken word with sound.
Publications:
Beginnings & Other tragedies/Inizi e Altre Tragedie, 2023, book of poems (Eng/Ita)
https://www.valleypressuk.com/shop/p/beginnings-tragedies

About Sounds About Us/Di Suoni e di Noi, 2019, book of poems (Eng/Ita)
http://www.samueleeditore.it/about-sounds-about-us-ilaria-boffa/

Writing in A Different Language, volume XL NeMLA publications (Northeast Modern Language Association), College of New Jersey, 2018
http://www.buffalo.edu/nemla/publications/nis/past/volume-xl.html

The Bliss of Hush and Wires/Periferie, 2016, book of poems (Eng/Ita)
http://www.samueleeditore.it/periferie-the-bliss-of-hush-and-wires-ilaria-boffa-2/

windspace began exploring electronic music in 1982 using analog synthesizers and in recent years has gravitated to ambient music. windspace today mostly uses computers to produce his music, but occasionally some ancient hardware sees the light of day. He also releases more experimental and extreme music under the name of ho66it.  He records his music now in Colorado where he resides with his greatest supporter...his wonderful wife.

Abstract sample sculptures, minimal/maximal, weird beats, broken ambient.

Latest: "Clique Plaisir" on BC: https://encym.bandcamp.com/album/clique-plaisir

"Crown Shyness" by encym & Wodwo: https://encym.bandcamp.com/album/crown-shyness

https://www.youtube.com/channel/UC-FOa7QY_bklUO9FiGT7C9w


What's the last thing the drummer said before being kicked out of the band?

"Let's try playing one of my songs."

Here are my songs.