i still main game and watch on smash bros
produced by me

titles 웃 w/ funeral

@gnde @twikipedia @threedimensionsapart @quannnic <3

instagram

stuck in my head w/ grandee + twikipedia

For three male voices, performed by Neue Vocalsolisten Stuttgart

Cuál es su Ardor [2018], for Neue Vocalsolisten Stuttgart

hi

guitar sampled by cewer . @cewer
drums + bass and melodies by soju . @qtgf
mastered by tda . @threedimensionsapart
additional production by me

lyrics -

oh ur stopping right through
i should have said whats up
but im too busy not trying 2 bruise

even thinking of this shit ..

u got me cutting to feel loose
maybe chasing something new
is it poison for me

ur like a gun that doesnt shoot
i know im not one for talking but
ill take it out on u

dont do what i do
falling through the surface dont help me
so different around me
its never what i want

i dont want to look around at all
cuz id be 
dead on the cement before id listen to u talk

i used to think that it wasnt too late to call it off
but it was
and i keep giving up cuz it kills me

is it really
the things i never said
cuz u say everything for me instead

i wish it was easy for u .. to forget
its my luck isnt it
get u out of my head im done feeling

its just something
i never thought to stay
ill be gone but ill still carry the blame

u did me fake and u threw me away
its stupid all down the drain
so sorry shooting my brains on the ceiling

i got nothing 2 lose
i only got a couple things that i been dying to prove

in my head i cant remove
stuck in here dont have a clue
is it poison for me

ur like a gun that doesnt shoot
i know im not one for talking but
ill take it out on u

dont do what i do
falling through the surface dont help me
so different around me
ur poison

poison

ON|RUST as it appears here on soundcloud is the first stage of a small project that is actually called O|N|RUST consists of this track, plus a Bandcamp version (January 2024 - supplemented with two short pieces for percussion and electronics) and a 2024 small scale vinyl release. I've built a number of rhythmic sound machines especially for this piece which mainly consists of the hum and interference of electrical equipment supplemented with an electric guitar drone. Mastered by Rupert Clervaux.

ON|RUST

LAMENTATION  2024

enter the ghost - exit the ghost - reenter the ghost

(w. shakespeare, hamlet)

Schatten=bibliothek

Richard Craig, bass flute & speaker
Text: Amelia Rosselli
Additional speakers on fixed medium: Bettina Wenzel, Cassandra Quave, Harald Muenz
Live recording from 5 June 2009, Cologne, Kunst-Station Sankt Peter

Programme note:
Three articulatory spaces, one text, three imaginary worlds, one poetess: born in Paris as the daughter of an Irish mother, her father, an Italian anti-fascist, was assassinated when she was seven years old. She grew up first in England, subsequently in New York, studied literature and music (!) in Rome and London and finally settled down in Florence. Thanks to this polyglot background, Amelia Rosselli, from time to time, composed her poetry in three languages at the same time, in Italian, English, and French.
Following this inspiration I recorded an excerpt from her ‘Diario in tre lingue’ (‘Diary in three languages’) with respective non-native speakers (Bettina Wenzel, Cassandra L. Quave and myself) on tape and added a score for the sounding, articulating and filtering tube of a bass flute. Carin Levine, the American flutist who premiered the work, had to deal with a lot of Italian, but not with the English idiom. She pursues a for the most part determined musical-phonetic score, while the CD player’s random generator controls the 22 tracks of the CD. In this manner changing their order each time ariche is being performed, the sequences and voices coming recall dram sequences from the sphere of the subconscious. In fact, in several passages Amelia Rosselli’s text speaks exactly about this. Contrarily to the wide spread understanding of music as ‘a language, which everybody understands’ I am choosing a different approach: speech is a type of music all of us are concerned with.

ariche

"ariche" for bass flute and random controlled CD (2001)

Orlando's Dream Of Planuba (electronic music)

u mean even less to me now

harald muenz (he/him)
is a german-italian transdisciplinary artist realising instrumental & vocal, peformative and radiophonic works with an artistic focus on phonetic composition & ars acustica.
harald's compositions have been commissioned by ensembles mosaik, auditivvokal, hand werk, apartment house, modern, musikfabrik; by radio stations such as hessischer rundfunk (hr2-kultur), westdeutscher rundfunk (wdr3), bbc, deutschlandfunk, dlf Kultur, among others.
harald's works have been performed and broadcast internationally and have been documented on several cds (portrait cd nearly-fast with ensemble mosaik at coviello contemporary).
frequent collaborations with experimental poets (florian neuner, mathias traxler, cristian forte, christian filips, roža domašcyna, among others)
on the vr platform 'second life', harald (aka cuirec d’erc) has realised several interactive sound installations and has been a member of the avatar orchestra metaverse (aom) since 2017.
harald is also active as a multilingual speech performer (trio sprechbohrer), author and lecturer.
harald's music has been occasionally described by others as ‘worldly,’ ‘non-conformist,’ or ‘provocative.’

https://haraldmuenz.carrd.co/
Work list on http://composers21.com/compdocs/muenzh.htm

Artist residencies
1996 Künstlerhaus Schloß Wiepersdorf (Brandenburg/Germany)
2000 Villa Aurora (Los Angeles/USA)
2021 Künstlerhof Schreyahn (Niedersachsen/Germany)
2023 Atelier Galata (Istanbul/Turkey)

Studies
Composition at Music Universities in Cologne (J. Fritsch, K. Meyer, C. Barlow) and Stuttgart  (H. Lachenmann)
PhD in Composition from Brunel University London (J. Croft)
Phonetics at Cologne University’s Institute for Linguistics (G. Heike, G. Sachse)
„Cleaning the House“ Workshop by the Marina Abramović Institute

Teaching
2001-2005 Lecturer for Aesthetic Phonetics, Institute for Linguistics, University of Cologne (part-time)
2006-11 Artistic Director of Musikhochschule Lübeck's Studio for Electronic Music (part-time)
2005-16 Lecturer in Composition Brunel University London (full-time permanent)
2016 Decision to work as a full-time freelance composer again
2017-22 current Lecturer at International Ensemble Modern Academy Frankfurt/M. (IEMA; part-time)

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