Neck: Music Is Always By Your Side!
The world of House music has always made a great effect on him: he plays in Melodic House and Progressive House styles. In his DJ sets, his love for his audience and music and an eternal optimism can always be. :)
www.facebook.com/neck.official

Rare is the electronic duo that makes a significant impact on the music scene, but even rarer is the electronic duo that helps pioneer an entire genre, establishes a twenty-year legacy for building an international powerhouse, and all the while manages to stay happily wed for over two decades. PETDuo are true masters of their domain.
Formed in 1997 in São Paulo, Brazil, the Berlin-based hard-techno sensation have been bucking trends with their non-conformist attitude and maverick-like ethos since their inception, ruthlessly carving a place for themselves in the overpopulated realm of electronic music, and establishing the group as an innovator, a vanguard that fashioned many of Techno’s popular trends. 
But for Anne Gelfei and David Elie Merlino, partners in crime and masterminds of the two-piece DJ outfit, it all comes pretty naturally. “This whole journey and our career development was a mutual discovery in the music realm,” explains Gelfei. We are self-made artists, and we always push ourselves to improve our technique and find different ways of expressing and delivering our music. And a lot of times we push each other to overcome our own limitations and beliefs.”

He was born in Serbia in 1987.  He started collecting records relatively soon at the age of 9 or 10.  The first newly purchased vinyl was Primate's 5th release, namely Adam Beyer's Pump Ep. At first he just listened to the records, then when there were two record players in the house, he started to learn about mixing techniques. In 2001, together with a DJ friend, Hullo, they founded Electric Pulse, the aim of which was to give a brand name to the parties they organize. Their first party was called "Open Your Mind". Vargas carried the Techno line, and Hulló played Goa. After a few years, he met Phobos and Melon, with whom he became friends, and after that the three of them continued the Electric Pulse Techno department. They organized parties, for example (Eco Education, Amazon...). They played music in the area and further away, they had a website,they made mixes and were regular participants of the after parties not only as guests, but also as disc jockeys. At a memorable party in 2006, he showed DJ RUSH a symbolic heart and this moment helped change his thinking about music. But things didn't turn out the way they should have, due to private and external influences such as the flattening of Techno and he had to stop playing music. He sold the turntables and the DJ headphones and music went from first hobby to second. In 2009-2010, he bought a computer and started writing his own music. At that time even he didn't think that it would be such a big deal to learn it in a self-taught way. When he felt like it, he founded a publishing house, a digital one called Electric Pulse. The first edition was published in 2015 and the publishings have been continuous since then. Those who had a great influence on him musically and now only mentions the classic techno line without claiming to be complete: Eric Sneo, The Advent, DJ RUSH, Umek, Adam Bayer, Marko Nastic, Cristian Varela, Pounding Grooves, Hardcell...

NEXT EVENT: DEAD END - 𝚂𝙰𝚈 "𝚈𝙴𝚂, 𝙼𝙸𝚂𝚃𝚁𝙴𝚂𝚂" w/ ADRIAN MILLS, RAXELLER, RZVX 
https://www.facebook.com/events/782685823061691
Founder and resident of @dead-end1

𝐁𝐎𝐎𝐊𝐈𝐍𝐆 𝐖𝐎𝐑𝐋𝐃𝐖𝐈𝐃𝐄
booking@nakt-studio.de

𝐁𝐎𝐎𝐊𝐈𝐍𝐆 𝐈𝐍 𝐀𝐌𝐄𝐑𝐈𝐂𝐀
erotic.sentimentalism@outlook.com

𝐏𝐎𝐃𝐂𝐀𝐒𝐓 - 𝐃𝐄𝐌𝐎𝐒
paralich00@gmail.com

Paralich is a Budapest based dj/producer/party organiser/photographer & powergirl.
 
Her love for music started at a very young age when she attended dance classes. Later, she went to art school to learn photography and her friends introduced her techno, but something was always missing for her: she realized she wanted to learn to play and express herself her own way.
However, music was not her priority at this point and her plans to make music were put aside for some time until 2020, when she had her first gig as Paralich (‘Paralysis ‘in Russian).
That was the life changing experience that finally put her on the path of becoming a professional DJ. Although the past years have been very difficult for artists, Paralich managed to start her own label and party series called Dead End which is one of the most popular events in the Budapest underground electronic music scene, and also build her own career as Paralich.

She plays Hard Techno, but she also like to mix it with old school music from the 90’s, her sets are even trancy or have Gabber vibes. She makes a show when behind the decks, and although she likes to mix different music you surely can recognize the unique Paralich style.

Paralich has already played in Italy, France and has been invited to Moscow, South-America, Spain. You can listen to her discography on: Techno Germany, Technopsis, The Brvtalist, Industrial Violence, including the tracks produced by her.

What is techno? Scientists and philosophers have long since pondered the concept of its musical definition since it burst out of Detroit in the mid-‘80s. Is it that notion of the “ghost in the machine”, of soul from electronics that its inventors elicited? Or is it more the repetitive throb and thump of 4/4 beats and slow-burning momentum that the Berghain generation are proponents of? Croatian producer Petar Dundov’s stunning music manages to marry both ideals in the most explosive of fashions.

To Dundov, “techno is music that precedes movement. It is dance music, solid enough to carry emotions through the dance floor and abstract enough to be a template for ever”. And indeed his breathtaking productions embody this ethos, serving the inherent function of making your body pulse spontaneously while also challenging your brain with its complex melodies and slow-burning, hypnotic progressions. It’s the antidote for anyone who thinks that techno is about senseless, dull looping.

Although maybe the word “techno” doesn’t give enough detail about his style, it’s probably the nearest ballpark to whose principles his music adheres – and he is keen to expand the horizons of what people know and expect of the genre. But it’s that sense of his tracks being alive, forever evolving and expanding and increasing in intensity, which gives his music its unique sound and has seen his work crossover into a myriad of different areas of the global electronic music scene. The last two years have seen his mind-bending single Oasis (played by everyone from Dubfire to Sasha to Ben Klock to Prins Thomas to Timo Maas) take the scene by storm with its intricate, ever-changing melodies, John Digweed snap him up for an epic rework of Alan Fitzpatrick’s Reflections, and Gregor Tresher squeeze a deep, mesmerising remix of his track The Life Wire out of him.

His music shows you that he’s a producer with more than churning out mindless, functional and dispensable drivel on his mind. There’s a philosophy entrenched in his productions that breathes the very spirit of life and dynamism into them: “My ultimate goal as a producer and musician is to bridge the world of inspiration and physical world to the extent where the listener wouldn't be able to distinguish between the two. Music has this unique property to communicate deep emotions that are inherently in all of us. We just forgot how to use them, and my search is an attempt to revive those emotions where we all resonate as one.”

Born in Zagreb in the early ‘70s, his career in dance music stretches back the best part of 20 years, but it’s only in the new millennium that he’s been using his own name for his productions. Over the years he’s graced many of the world’s most prestigious and best-loved techno institutions – including mega-festivals I Love Techno, EXIT, Awakenings and Wire, and cutting-edge clubs like Berghain, Matter (RIP), Womb, Air, Fuse and Space. He counts a longstanding relationship with Belgium’s legendary Music Man label amongst his achievements, an imprint that has also played host to releases by everyone from Jeff Mills (for whose label Tomorrow he created the Sculptures mini-LP) to Green Velvet to Robert Hood, and after completing his acclaimed debut album Escapements in 2008, he’s got the follow-up in the works (for completion by the end 2010).

Petar Dundov makes intelligent electronic music that breaks boundaries, moves feet and twists minds. He is without a doubt one of the most inspiring, original and daring producers in electronica, and with the likes of Sven Väth, Francois K, Laurent Garnier, Adam Beyer, Josh Wink, Guy J, Glimpse, Hernan Cattaneo, Brendan Moeller, and Danny Tenaglia amongst his fans, it would be hard to disagree.


Gabriel Ananda has been an established institution in the electronic music scene for countless years now and produces from emotionally playful, to primetime Techno a wide range of styles, without ever forgetting the organic groove in it. In recent times he has attracted attention especially through his radio show and same named label "Soulful Techno" in the emotional, melodic segment. Through several releases on his more dancefloor oriented label "Basmati" and further collaborations, as well as remixes by and for various well-known artists, Gabriel can now look back on over 300 productions. In addition to that, he fascinates with his gripping and varied sets, which take people around the globe on an emotional ride. Either from behind the DJ desk, or with his monthly Soulful Techno Podcast.

For Bookings email to :
management@spiroskaloumenos.com

Máté rokonom levele hozzám:

Nagyon köszönjük az elküldött albumokat, most töltöttem le őket, mert eddig tartott a Viki szülinapi zsúrja, most kezdtük el hallgatni őket, mint mindig első osztályú.  Nagyon büszkék lehetünk a Gyurira, mert ez a zene ugyanolyan mint amilyen modern volt anno Beethoven, szóval ő egy igazi modern zeneszerző, akinek a minősegi kompozícioinak kijár a legnagyobb tisztelet, mégha ez nem is az a stilus amit Te vagy a Jankoek megszoktak, bar azt kell mondanom, hogy ez a jövő zenéje jobban mint bármi más.  Száz év múlva csak ilyen zene fog szólni mindenhól és azok az uttörők akik most ezt a műfajt müvelik lesznek a régi nagy zeneszerzők.  Remélem, hogy mások is felismerik a tehetséget és a zenéje sok emberhez fog eljutni, mert tényleg a legjobb szinten van.

én válaszom Máté leveléhez:


Szia
Máté én vagyok Áchim György, Nagyon megható volt amiket írtál a 
munkásságomról, és míg élek stílusokat fogok ötvözni. Úgy  döntöttem nyitok egy új soundcloudos profilt mert ez már betelt. Új stílusokat fogok próbálgatni bár a legfelső két zene a sárga szitakötőjű meg a piros szitakötőjű képű zene is valami új és teljesen magamévá tettem ami projectet küldött Pege. Pege azaz Pege Norbert az egyik jó barátm, zenésztársam, és tanítványom az a jó Pegébe, hogy jó a dallamvilága én jól ki tudom egészíteni amibe ő belefog és sokszor tettszik neki amiket csinálok. Már amikor az évfolyamtársam volt akkor már összehozott minket a zene és idővel 
facen bejelölt és azóta ketten is dolgozunk. Már akkor voltak próbálkozások amiket mutattam techno ej vel. Akár hiszed akár nem a tatám halálakor írtam a legelső zenémet ez 2003 as zene nagyon kemény re sikeredett.utánna traktorral keveregettem feldolgozásokat csináltam oldscool pl depesmod, banános jou st. ket resonnel is próbálkoztam bár annak csak live modba csináltam  nem sávolva hanem ahogy sikerült bár 5 jól sikerült 
zene lett. De aztán megismertem Cyrbit ő mutatta be a Fruityloopst 2006 ba 
elkkeztem albumokat gyártani 70 perceseket mára 90 db albumnál járok 
ezernél nagyobb db zene. De a kitartásomnak köszönhetően tovább 
fejlődtem nagy áttörés volt amikor szárnyai alá vett Cyrus strickli azaz 
Karácsonyi Béla aki szintén zenész nagyobb szinten volt akkoriban mindt én 
és elkezdett engem tanítani először csak alap írás majd szintetizátorozásra, és 
persze lekileg  fejlődésemhez sok tanáccsal. Átbeszéltük a zenéimet hogy 
mit kéne változtatani. Kevés ideje lett velem foglakozni. ezért már rég 
találkoztunk, sajnos. Nagyon jó barátok lettem vele is. A két új zenéhez 
hozzáfűzném, hogy a szilveszter alkalmával sok inspirációt nyertem és 
teljesen saját lett a zene amit közösen, közös néven van. Úgy éreztem megosztom veled az eddigi életemet :) Mert jól esett, hogy becsülöd a munkámat. Én mindig is azt akartam, hogy maradjon utánnam valami!!! :)Azóta bmegvettem a mesteremtől a stúdiohangfalát monitor mk2 es alesis stúdiohasngfalt stúdióerősítővel. És még sokat fejlődtem mert küldött a rokonom Máté egy stúdiófülest amivel még jobb mastert és mixdoundt tudok csinálni a zene visz engem a jövőbe míg élek zenéket írok :)

kiegészítés:
Annyi változás történt, hogy már összegyűlt 163 album Hard Even-es és 3 Inteligences album összesen 2102 zene. Mert kitaláltam magamnak egy második nevet azt, hogy Inteligence még 2018 ba. Aminek az a lényege, hogy nem használok loopokat a dallam és az alap is az enyém és 128 bpm ű míg a Hard Evenesbe használok loopokat. Egyszer 2020 szeptemberébe voltam Cyrusnál maszteringet tanulni csak korona helyzet miat abbamaradt. Mondta Cyrus, hogy felejtsek el fülesbe maszteringelni és igaza volt.  Azóta küldött az Ibizai rokonom egy Motu hangkártyát és vele még tisztább letisztultabb zenét tudok írni. Könnyebb a maszterelés vele jobban meglehet hallani, hogy a közép magas mélyet, hogy állítsam. 
ennyi zenét írtam eddig 2102 db és 163 album +3 Inteligences :)
Más is mondta, hogy fejlődtem. Gyakorlok míg élek mert zene az életem. :)

Hard Even aka. Inteligence is following