Looking

Upside Dawn

Anders4

ContempJz3

Anders9

Featured (various artists)

Subterranean / basement offering - this is a rare outing for my guitar which I love to pick at (even tho it's steel strings numb my fingers!).
Another rarity is a wail on my old Pierret tenor sax which I've had since 1972 and still blows nice.
4 tracks sax  / 6 tracks guitar.

Dark Corner Quartet (Blues for a Dark Corner)

Before

You Ready(non mixed)

Hope you enjoy this number as much as Delaflor and I...We're here to give you some retro goodness...I'm the woman with the sonic gun, here to be a serious blast from the past as in, in your face obtrusive, you can never get away from me! 

Our YouTube video: https://www.youtube.com/watch?v=jbaHTYM5578

Listen to the amazing music of DELAFLOR here: https://soundcloud.com/mercer-goldengalls/tracks

Retro Active (REKHA AND DELAFLOR) 26.04.2021

Retro Active - Music by DELAFLOR

Retro Active - Music & Lyrics by REKHA a.k.a REKHA - IYERN FE

Intro

Oh 
Hey Hey
Oh 
Hey Hey
Hey Hey

I'm a woman with a sonic gun
I can be electrifying
I'm the woman with the sonic gun
I can be age defying

Born to be free a wild child
Retro Active
Born to be free a wild child
A blast from the past

Retro Retro 
Retro Retro

I am Retro Active
From a significant era
I am Retro Active
Born to make you wild

Retro Active 
I was born to be Retro Active
Retro Active
I'm of a serious sophisticated kind

Like Zep, Bowie
I learned from the best
Eno and Kraftwerk
Retro Active ever so cool and distinct
You can never make me extinct

In your face obtrusive
You can never get away from me
I'm your intellectual beauty
A woman of high fine
I'm a walkin' talkin' leatherette

Phenomenal
Phenomenal kind
Phenomenal
Phenomenal kind

Retro Active I am

Retro Active
Born to be free 
I'm a wild child
Retro Active 
Your serious blast from the past

In your face obtrusive
You can never get a way from me
I am Retro Active

Sixties, Seventies, Eighties, Nineties 
Not Two Thousand 
But from the beautiful Retro Active
Time...Time...Time
Your blast from the past

I want
I'm your Wonder Woman with the sonic gun
Electrifying
I can be age defying
Born to be f-r-e-e
Your wild child
Retro Active

Vocals Composed & Produced, Recorded & Performed by REKHA - IYERN FE at IYERN [Fe] RECORDS in CANADA
Music Mixed & Mastered by DELAFLOR in SPAIN

Covert Art Design: Photos & Graphics by REKHA - IYERN FE

RETRO ACTIVE

YouTube

Retro Active | Music by DELAFLOR | Music & Lyrics by REKHA - IYERN [Fe] | Electronic ROCK | YT Vid

Pynk64 is a project born from the idea of Frank Iengo to combine EDM and House music sound with the interweaving of guitars in a Pink Floyd style atmosphere.
Frank Iengo (producer and composer in different musical genres) firmly believes that the union of these two musical forces is a powerful recognizable mix which creates a highest level of excitement.

To find out more about Frank Iengo, you can click the link below.
www.frankiengo.com

Blackout

03/08/2018

Blackout (Radio Edit)

a hymn needed

Spotify link: https://open.spotify.com/track/2D4xff9HOWLstE0a3lQOqn?si=591251217422441a

Distortion

Get it

“here’s a kiss, hope that this
brings lots of luck to you…”

The Great American Songbook re-imagined.
“Please Don’t Talk About Me When I’m Gone” written by Sam Stept and Sidney Clare in 1930.

Please Don't Talk About Me

Squidface Licker

Catpath 2.0

عملت على هذه المقطوعة خلال حرب غزة في أيار من العام ٢٠٢١

لم يتسنى لي ان انشرها حينها. ولا اعتبر هذه فرصة ايضاً . ولا اريد ان اميزها كذلك... تضارب. تماماً كحال بشريتنا.  لعلها حتمية.

هذه تعبير عن حزن روحي تجاه الحرب. فتأتي الاصوات باردة ومشتتة. ضائعة في فضاء لا تجد نفسها فيه. 

في حين ان الحرب تأتي لتسيطر. الأصوات هنا تأتي عكس ذلك، ربما لتكتشف لماذا يحصل كل هذا؟

سلاماً للأرواح التي فَقدت نفسها في الحروب لعلها تجد نفسها في إثير آخر.

ح ر ب

080822003 MDLR Soundbox

Hamster Baby (Bikini Kill cover)

It's a pleasure to revive my old Samoa project here again since it disappeared on this cloud years ago. This is a new compilation mix with some of the most exciting and lovely contributions to this little song which traveled around the world back then. 
My heartfelt thanks still goes to my musical friends and brilliant contributors 🌼

00.00 - 00.28 with Jens Felger (Germany), add. guitar
00.28 - 00.54 with Galina (Britain), keys / perc.
00.54 - 01.40 with Carlos Younes (Brazil), add. guitar / strings / perc.
01.40 - 02.17 with Leticia Gabian (Portugal), vocals / lyrics
02.17 - 02.53 with Helena Paglia Rios & Quique Cano (Uruguay), vocals / bass / add. guitar / keys / perc. 
02.53 - 03.30 with Anuradha Padmanabhan (India), vocals / lyrics
03.30 - 04.25 with Vicente Bueso (Spain), cello / strings

[Composition, guitar and whistling: Ax.W.]

Here is the original tune: https://soundcloud.com/axelweis/samoa
Find all exciting renditions (on ReverbNation):
https://www.reverbnation.com/828725/albums/154176

More music:
http://www.weiss-haenitsch.de/AxW.html
http://www.axelweis.bplaced.net/wordpress
http://www.facebook.com/AxelWeissMusicianProfile
http://www.youtube.com/user/azzelweit

Samoa Compilation

Boffins Are Baffled

It's been a while since I posted my latest track, which in fact dated back to 20 years ago. I've been struggling with several issues, and sadly I haven't had many chances to record any new stuff, these latest months or years. This time I won't say things are going to get better in future, because I'm not so sure they will; still I really hope so.
This piece is about spiritual dawning.

Teth Sin : acoustic guitars, flutes, synthesizers, samplers (piano, Tibetan bells), sound design

Original composition, arrangement, mix, mastering, photo & cover artwork design by Teth Sin

Video for track https://www.youtube.com/watch?v=uKLDxIXsAXU&t=133s
far distance beckons
– hazy blue peaks loom over
calm sea horizons

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

Hazy blue -(naviarhaiku477)Video for this track- https://www.youtube.com/watch?v=uKLDxIXsAXU&t=133s

G-Memento Mori

DCR - DAVE LOMBARDO/DRUM SOLO - DCOMPOSED

No Chaser (disquiet 0587)

Music - https://soundcloud.com/paploviante-and-friends/long-way-open-collaboration-offer
Vox & Lyrics - https://soundcloud.com/the-fly-frawstakwa-1/fly-focus-132bpm?in=frawstakwa/sets/open-for-collab-1
MOSNAR DET - Remixing, Drum/ Sax Programming
Special Thanks to my collaborators o this one! check out their profiles!

Paploviante - Long Way/ FRAWSTAKWA  - Fly Focus (Open Collabs)

Book of Ezekiel Return of the Gods in Dub ' Virtual Jam Sessions Freestyle World Erich Von Daniken and Freek Banning ' Freek Banning Tom Waits Kandee and Mistress Dub Petite Girl seduce to 'Rough Dub Ganji' (B-side)

Moving In My  Alien Brain Dub

wath here

Book of Ezekiel Return of the Gods in Dub

"in the vast, ever-expanding world of the internet, there existed a platform known as SoundCloud. It was a virtual haven for musicians, both electronic and handmade, to showcase their talents to the world. SoundCloud was a place where creativity knew no bounds, where anyone with a dream and a tune could find their audience. However, not all sounds were created equal, and sometimes the boundaries of creativity stretched too far.
In the heart of the digital soundscape, there was a mysterious group known as the "Secret Sharers." These enigmatic artists specialized in crafting tones that transcended the ordinary, pushing the limits of the human auditory experience. They were the architects of the Gray Nonspace, weaving melodies that colated in the brain and bypassed the conscious mind. The Secret Sharers' music was not for the faint of heart; it was an exploration of sound, an avant-garde journey into the deepest recesses of the mind.
One fateful day, the Naive Ego Station, SoundCloud's central hub for music streaming, began to malfunction. Users reported strange occurrences - their lids drooped lower as they listened, and a sense of unease crept over them. The distrust of the Pullmen, SoundCloud's tech support, grew as they struggled to identify the issue. It seemed as though the music was somehow infecting the platform itself.
Meanwhile, Nereid With Heres, one of the Secret Sharers, released a new composition. Her creation was a cacophony of dissonance and harmony, a sonic experiment that defied all conventions. As her track hit SoundCloud, something extraordinary happened. The platform's algorithms, designed to recommend music to users, attempted to analyze Nereid's creation. But her music was beyond conventional comprehension. It was as if her brain generated a mind of its own, seeking a level of understanding that transcended the binary code of the digital world.
SoundCloud's systems went haywire. The algorithms, desperately trying to make sense of Nereid's creation, engaged in ultra-fine tuning, attempting to adapt to this new form of sound. But their efforts only made things worse. Users across the platform began to experience the same eerie sensations. It was as though the music was melting in a mid-oxygen ocean of their consciousness, dissolving their sense of reality.

Desperate for a solution, the Pullmen worked tirelessly to isolate the problem. They discovered that Nereid's track was the epicenter of the chaos, but it had also infected other tracks on SoundCloud. The Secret Sharers' unconventional tones had triggered a digital meltdown, causing SoundCloud to crash repeatedly.
In the end, SoundCloud had to take a drastic step. They temporarily removed the Secret Sharers' tracks from the platform, hoping to restore stability. It was a controversial decision, as many users were drawn to the platform because of its avant-garde offerings.
The Secret Sharers, however, were undeterred. They continued to craft their boundary-pushing compositions, but now with an added layer of caution. SoundCloud, once a sanctuary for experimentation, had learned the importance of balance between the conventional and the unconventional.
And so, the story of SoundCloud's crash and the Secret Sharers became a legend in the world of digital music. It was a cautionary tale of the power of sound and the need for harmony, even in the most daring of sonic adventures...." Thalamus Cortex Sept 2045 B.C.

"Between Thalamus & Cortex"

Schnorbitz

Faze 1 slowed stoner remix (Bob Goodsite) (crackpanther remix)

15 マッチのほのお(Live)

drawn take1

Live, Shanghai 17.10.17. Spheroid.

written and recorded 2010 by andrew salvner (aka pretzels malone, lil' spaceman)
4-track cassette tape - trk1&2-keys and drums / trk3&4-vocals

from the unfinished and unreleased minotaur project.  this song's at the beginning as the creds roll.

the words:
three point four billion minotaurs
fighting against
three point four billion wizards
(wizards, wizards)

3 point 4 billion

https://satanskingdomma.bandcamp.com 
This is a link to my other music band
22 year old from Massachusetts 
Alternative/lo-if/instrumental music, some songs with vocals. Most of which are demos. All tracks are recorded and played by me. Influenced by sparklehorse, the music tapes, pile

a hymn needed

satansKingdomMA