Take Me Over

The Voice In The Silence

Dirt (demo)

bigflower presents a dreamy selection about feeling lucky...sometimes...and that's mostly it..be kind x

bigflower-  CONNECTED

ig @koro_____________
I wanna fill
The hole
And break the wall
That cages me in and keeps me down

I know
I do
This to myself
I need an escape from the hell

Boy is it alright to be
Falling underneath
I watch as my sense of self wears down
And I’m feeling it now
All the weakness boy
(Vocalizing)

It’s only a matter of time before I lash out
You know what I’m looking for is a high I always feel way down

You got the kind of problems I’ll never forgive
It’s getting kind of hard to trust the ins and outs
Of everything
And you don’t say a word

Boy is it alright to be
Falling underneath
I watch as my sense of self wears down
And I’m feeling it now
All the weakness boy

(Ahh)
(Before I lash out)
(Hey)
(Is a high I always feel way down)

It’s only a matter of time

matter of time

spotify, apple music

Lazy
Afternoons
Hangin out      
With the goons

Glorified
Busy streets
Never me
I’m too weak

Aren’t you happy you’ve got something to judge
I give you something to judge
Why aren’t you happy?

My best
Your worst
don’t care
Come       first

Don’t mind
Bein found
Lyin here
On the ground

Your talk
Dragging me
Take your aim
leave me be

My sleep
So sweet
Your dreams
Not unique

Happy
Not doin much
So be a friend
Don’t make a fuss

Lazy
Afternoons
Hanging 
With the goons

Judgey (Radio Edit)

This is the first single from my forthcoming album, AFTER THE PULSE. The single is out on Bandcamp and will come out for wide streaming release on January 2nd. The full album is due on February 7, 2025. This and the Bandcamp version of the single are the only ones that will have this cover art by Spike Milliken, who did the cover for the full LP.

You can buy it here: https://marclaidlaw.bandcamp.com/track/weird-little-hill-2

WEIRD LITTLE HILL

We were looking at the lights of a sleepy little town
From the top of a hill with a chain-link crown.
Oh, the hill was dark but I didn’t really care.
There was light in her eyes, and oh, oh, oh weeds in her hair.

Every little town has a weird little hill
And I’ve climbed them all, and it’s done no ill.
Oh every little town has a weird little hill
And I’ve climbed them all and I always will

The moon never moved and the dogs didn’t fuss
And a transmitter tower kept watch over us.
We never did sleep, and we never saw dawn,
Till I said I gotta go, and she said with a yawn:

“Every little town has a weird little hill
But this one’s mine, it’ll be here till
You come back to my town, you come back to my hill.
Come and rest by me. Come and get your fill.”

I used to hitch a ride but now I got a car.
I drive a lotta miles but I never get far.
I fill her up myself, there’s nothing else inside,
Nobody waiting, no one wants a ride.
There’s always a hill I think I could be for real
I get to the top, it’s another bad feeling,
Another horizon, another shitty deal,
Another little town with another weird hill.

Every little town has a weird little hill
And I’ve climbed them all, not against my will.
Don’t remember that town, can’t remember her hill,
So I’m climbing them all and I always will,

Till I find that tower and I find her there:
With light in her eyes,
Arms outstretched,
Holding out my life,
And weeds, weeds in her hair.

Cause every little town has a weird little hill
And I’ve climbed them all and I’m climbing,
I’m climbing,
I’m climbing still,
Climbing still,
Climbing still,
Climbing still,
Climbing still,
Climbing still,
Climbing still,
Climbing still.

Marc Laidlaw: Vocals, rhythm guitar
Will Fox: Guitars, bass guitar, keyboards
Ryan Pollie: Drums, harmonica
Bailey Mae Gardener: Backing vocals

Produced by Ryan Pollie

Mixed by Brian Rosemeyer

Mastered by Rob Dobson

Cover art: Spike Milliken

Bandcamp

Weird Little Hill (Soundcloud Single)

[Verse]
Didn’t wanna go out
Really didn’t wanna go
Didn’t wanna stay in
So I laid down in (?)
It didn’t sound so crazy then
Was it crazy then
Maybe it was then
No I didn’t mean it

[Chorus]
Baby darling
I’m really sorry I’m late
Baby darling
Really sorry I’m late
Baby darling
I’m really sorry I’m late
Baby darling
Really sorry I’m late

[Verse 2]
Was it bad for you too
Think it really was for me
Been in bed since Tuesday
Hate how everybody
Said this is gonna be the thing
So sick of everything
I didn’t mean to fight it
I really did but

[Chorus]
Baby darling (Baby darling)
I’m really sorry I’m late (I’m sorry I’m late)
Baby darling (Baby darling)
Really sorry I’m late (I’m really sorry I’m late)
Baby darling (Baby darling)
I’m really sorry I’m late (I’m really sorry I’m late)
Baby darling (Baby darling)
Mmm

[Bridge]
Oh
Mm-hmm
Oh
Mm-hmm

[Chorus]
Baby darling (Baby darling)
I’m really sorry I’m late (Sorry I’m late)
Baby darling (Baby darling)
Really sorry I’m late (Really sorry I’m late)
Baby darling (Baby darling)
I’m really sorry I’m late (Really sorry I’m late)
Baby darling (Baby darling)
Mmm

I’m Really Sorry I’m Late

The blinding headlights in the rearview
The rhythmic sweep of the streetlights
The yellow glow of panic
My fence has rotted through

I slap
My face
To stay alert
The tarmac tributaries deliver all to dirt

Begging please no more media
Currency for true believers
Blood for these suckers
Unburdened by proof

Tall dark and
Frozen to the spot
Where the gun went off
My truth is your loss

A few were onboard
How would we know
If you were onboard how would we know?

Linktree

Frozen To The Spot

Still in My Mind

Grand Ol' Clock (Unmastered)

Email: harriekrishna@gmail.com 
Alt Email: harry.gibbons@harriekrishna.com

Harrie Krishna (Harry Gibbons) Multi Instrumentalist/Vocalist/Wannabe Producer. Based in NSW, Australia. Harrie is a multi mix of sounds that range from The Beatles, Crowded House, MGMT, Tame Impala and Gorillaz. Combining many more influences to bring something completely unique while still approachable and relatable to other music. His mix of psychedelic melancholy blended with a Beatles like vibe complement all to culminate in what you hear now. Even though the following is small that hasn't stopped him from releasing an EP and one album with another album releasing soon with another to follow in the near future. He spends most of his time writing and recording at his home based in NSW. Spending a lot of time growing up around music and musicians Harry has acquired many influences and is not afraid to experiment to push boundaries of what is acceptable. His love for everything music no matter the genre makes writing music a completely open and versatile process. His love for PC's helps in the recording process as he is able to do everything all at home with learning through trial and error. (If you have read this far well done! This bio is a work in process and will be updated in the near future.)💙💙💙💙💙

Gear used below...

Interface: Antelope Discrete 8 Pro
DAW: Live 12
Guitars: Fender Telecaster, Gibson SG
Bass': Hofner, Fender Jazz, Homemade Bass.
Drums: Roland TD-27 with digital Hi-Hat, Alesis SR-16.
Microphone: Neumann M 149 Tube.
Synth's: Micro Korg, Korg Minilogue Bass, Roland Juno D-S.
Piano: Roland FP90.

Grand Ol' Clock (Unmastered)

Harrie Krishna

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