DAS KOMPLEX - POWER

Fuga Ronto's second release Greatest Treasure is a musical journey exploring different kinds of territories by blending elements of synth funk, dub, fusion, new wave and ambient with household noises, reverb vocals and quotes from movies to adventure games. Out of playful recording sessions the Zurich duo Schweizer and Shiller created songs with track names that read like movie titles. The treasure quest begins with a tongue-in-cheek intro before the title track kicks in. It’s all about exotic boogie with adventurous lyrics and voodoo magic. The rhythm guitar, percussion and multilingual chanting driven single „Falling Star“, lures even unathletic feet onto the dancefloor. "Columbo De Domingo“, a rolling instrumental based on a four chord sequence creates an illusional staircase moment. The tracks on the B-side guide towards slower and dreamier attempts. "Mirror To Water" builds on swaying synth pads that lead up to a laid-back song with breathy male and female vocals over a shuffling drum beat. It’s epilogue "Wobble In The Pool" sticks to the mood and takes the sounds further into dubby lands. The closing chapter "Mystery Of Zambio" is a delightful two- parter. Nostalgic melodies take the lead at first to be replaced by chords and a choir in the second part, until they dance away into the fade-out. Maybe a hint for a continuation of the story? One would hope so.

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[PHI-19] Fuga Ronto - Greatest Treasure LP snippets

Meet Leng’s latest signings, Liminal – a Danish duo comprised of guitarist, multi-instrumentalist and producer David Rosenkilde, and DJ, producer and sound engineer Morten Troest. 

The pair first met when Rosenkilde was booked to perform as a session musician at Troest studio. They clicked immediately so with Troest’s studio skills and inherent knowledge of what works on dancefloors paired with Rosenkilde’s abilities as a musician they decided to produce their own music together working to one simple rule: try out every idea, however outlandish!

Since then, Rosenkilde and Troest have been recording their debut album that’s set for release on Leng later in 2025. First, though, we get a taste of their talents via ‘Keep Coming Back To Me’, an impressive debut single that blends electric and electronic instrumentation while keeping its focus fixed on the dancefloor.

Ushered in by shakers, rubbery bass and flanged guitar licks, ‘Keep Coming Back To Me’ blurs the boundaries between colourful nu-disco, low-slung dub disco and the sun-splashed beauty of the more club-friendly end of the Balearic spectrum. It boasts a hazy, multi-tracked and lightly glassy-eyed lead vocal, as well as a nagging TB-303 acid line that works its way to the fore as the track progresses, adding extra layers of excitement and energy as it unfolds.

Remixer Ray Mang (AKA long-time friend of the label Raj Gupta) takes the latter element as his inspiration on a stunning, nine-minute plus remix that brilliantly re-frames the track as a blend of tactile 21st century nu-disco colour, hypnotic proto-house and analogue-rich, acid-fired Chicago jack. Re-playing the bassline in an early Chicago house style and reaching for lo-fi and spacey synth sounds, the veteran British producer frequently strips the track back to the groove before re-introducing the vocal and the dreamiest of chords.

Liminal also display their sonic diversity on bonus cut ‘The Moon Is Changing’, a wonderfully atmospheric and star-lit affair in which spacey ambient chords, twinkling electric piano keys and intergalactic electronics slowly usher in a mid-tempo Norse nu-disco groove. The pair build slowly, adding vocals and layered guitar licks. The results are hard to pigeonhole but thoroughly impressive, offering a tantalising glimpse of what’s to come on their must-check debut album.

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Liminal - Keep Coming Back To Me (Original Mix)

The Vendetta Suite is back to light up the early part of 2025 with a brilliant brace of singles on Hell Yeah. Kicking things off is a glorious acid house/disco thriller backed by a soothing out of body escape.

We’ve often referred to The Vendetta Suite as Belfast’s best kept secret, but with the quality music he keeps releasing he is rightly picking up ever more of a profile. The Hell Yeah regular has long been a key part of his native Northern Irish scene thanks to the way he mixes genres; ambient, post-rave Balearic, dub and acid house all in the mix with his own unique psychedelic magic.

First up is ‘The Jam Answer’, which taps into plenty of classic sounds but reinvents them for modern dancefloors. Bendy acid lines weave in between the dusty analogue drums, familiar acid house vocal samples and fizzing chord stabs bring the heat before a cosmic synth lead sings out with sunny soul.  ‘Island Hill Microdot’ channels dreamy Chicago house, the futuristic styles of IDM with the blissed out warmth of Balearic. Carried along with gentle percussion, it’s an immersive soundscape that makes for the perfect tropical distraction.

Two very different but equally effective cuts from The Vendetta Suite.

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The Vendetta Suite - Island Hill Microdot

I made this having some thoughts , the song has a melancholic mood

Lost Memories

Between pulse and emptiness, existence unfolds in harmonious symmetry. Each vibration becomes a mirror where consciousness learns to heal itself: a silent exchange between order and chaos, rhythm and stillness. The laws of infinity whisper through invisible corridors, uniting thought and matter in a single continuum. Health is the resonance of understanding: the balance where the soul remembers its own geometry.

Cosmic Horizon

Grant Williams Bournemouth 


Out 6th of Oct Pre-Order here. www.pbvinyl.com/products/max-essa-sekko-mekko-aestival-craig-bratley-rmx 
 Is It Balearic artist Max Essa returns with two warm weather bombs. First up is Sekko Mekko an early evening shuffler full of all max’s trademark sounds subtly charming the most horizontal listener onto the dancefloor. Top post sunset shuffler. Craig Bratley pumps up the bass sounds and drops an lovely vocal accent. We love this remix at IIB a real fav. Reminiscent of an early doors Flying track
The B-side is the stand alone track Aestival a beautifully evocative journey from chilled out bliss do chuggy dancefloor grooving done as only Max can do.

Premiere : Aestival by Max Essa from Sekko Mekko Ep.

Spaghetti Sunrise

VA - Sentrall 006 
B - Project Sandro - Blazer 
Sentrall Records (SEN006) - 2005 
Written & produced by Rollmottle & Tony Watson

SEN006

Blazer (Original Mix) by Project Sandro

Here's the Lexx mix of E.S.P in it's 'Sunset Ashram Remix' form.

Apiento & Co. – ESP [Lexx Sunset Ashram Remix]

MERC002 Mark E - Plastic People

"If you didn't know, Hell Yeah is the Italian label hell-bent on releasing the best modern disco(ish) you can find. Sometimes it's blissed out and Balearic, sometimes it's squelchy and down-right weird and sometimes it's the sort of elongated, tribal stuff that works dancefloors into a salacious frenzy" (Kristan J Caryl - DJ MAG January 2014)


Hell Yeah Recordings, a descendent of leading Italian dance label Mantra Vibes is an Italian-based electronic music label active since 2006. Releasing from Ferrara, Bologna, and Amsterdam and led by Marco Gallerani “peeDoo” (A&R), the label bases its philosophy on a diversity of artists and recording experiences tied together by a common vision of what defines quality progressive recording. 

With a sound as diverse as the artists it represents, Hell Yeah does not limit itself to the constraints of genre but packs a complex palette of sounds ranging from techno to minimal-nu-rave to electro-funk and tech house.  Artists as varied as Radio Slave, Santos, Umek, Oliver Koletzki, Congorock, 3iO, Crimea X and the mighty Balearic Gabba Sound System have helped establish Hell Yeah’s eclectic sound, a distinct take on party music loaded with a sonic Balearic feel good vibe that has made press around the world hail Hell Yeah as a label to watch, always

Hell Yeah aims to build upon its current reputation as a leading Italian Electronic Music play, overseeing the release of a series of progressive productions that straddle genres, defy conventions and blur barriers between listening and dance music. Stemming from Hell Yeah’s initial graphic identity formed by Neverending’s Rocco “the Boghe” Pezzella, new mind-bending web and label artworks from Italian artist Andrea Amaducci and the Berlin-based Ice Cream For Free collective promises complete visual as well as aural stimulation.

info/bookings: 
marco@pplayground.com