Through The Looking Glass I (Paweł Szymański)

Jazz Suite (D. Szostakowicz) 
5. Little Polka
NOSPR

Jazz Suite (Dymitr Szostakowicz) 05 Little Polka

Magammahm is an orchestral composition dedicated to and premiered by Orkiestra Muzyki Nowej, conducted by Maciej Koczur at Polish National Radio Symphony Orchestra's Chamber Hall in Katowice, Poland, 19/12/2021.

Project co-financed by the Ministry of Culture and National Heritage of the Republic of Poland within the programme 
„Collections” – the priority „Composition Commissions” implemented by the Institute of Music and Dance.

Magammahm for chamber orchestra [2021]

OMN/Bywalec
NOSPR Chamber Hall, 15.01.2017

a 6 [+1] (Andrzej Kwieciński)

03/04

Concerto for piano and computer (2019)

Waves (Eugeniusz Rudnik in memoriam) for electronics (2020)

Cezary Duchnowski (1971*) - cROSSFAdE 1 for accordion, cello and electronics (2011)
Magdalena Bojanowicz-Koziak - cello
Rafał Łuc - accordion
Recorded at Złotówek 7 Studio on June 1st 2019
Mixing: Cezary Duchnowski

Recording comes from Rafał Łuc's cROSSFAdE album - chamber accordion works by Cezary Duchnowski

"The compositions from the cROSSFAdE series formally are dedicated to duos, either understood as classically conceived musi- cal ensembles, or in a different way, taking into consid- eration the particular way of dashing against each other two different artistic visions. The field of penetration is an attempt to catch the phenomena on their edges, not as an effect of a compromise but rather a fusion of radi- cal standpoints.”. 
Cezary Duchnowski

Album is released by Requiem Records and available at:
https://opus-series.com/pl/sklep/_crossfade_duchnowski_accordion_chamber_works

Cezary Duchnowski - cROSSFAdE 1

Najnowsza kameralna płyta Rafała Łuca z utworami Cezarego Duchnowskiego. Album zawiera 5 kompozycji z okresu 2011-2019, które zostały nagrane i wydane po raz pierwszy. Akordeoniście towarzyszą znakomici muzycy: Joanna Freszel - sopran, Magdalena Bojanowicz-Koziak - wiolonczela, Miłosz Pękala - perkusja oraz partner Rafała z Duo van Vliet - altowiolista Ian Anderson.
Za warstwę elektroniki odpowiada sam kompozytor, który wraz z Ewą Guziołek-Tubelewicz współrealizował nagrania.

 „Permanentne zmiany są treścią naszej rzeczywistości. Im bardziej niepostrzeżenie zmieniają się nasz światopogląd, hierarchia wartości czy gusta, tym mniej złożona, niż jest w rzeczywistości, wydaje się ścieżka przemiany”. Cezary Duchnowski

Text Elfriede Jelinek | translation Karolina Bikont for any melodic instrument, any harmonic instrument, percussion and electronics, without video 2018

Rafał Łuc "cROSSFAdE" – The Rage

Cezary Duchnowski (1971*) - Fere Vetus Canticum for accordion, voice and electronics (2012)
Joanna Freszel - soprano
Rafał Łuc - accordion
Recorded at Polish Radio Studio S4/6 on July 24-25 2019
Sound engineer: Ewa Guziołek-Tubelewicz
Mixing: Cezary Duchnowski

Recording comes from Rafał Łuc's cROSSFAdE album - chamber accordion works by Cezary Duchnowski

“Transition is a part of humanity. We die, but live on in our songs. Sing and play them serenely, without much emotion”.
Cezary Duchnowski

Album is released by Requiem Records and available at:
https://opus-series.com/index.php?lang=pl&p=sklep&f&c&t=album&st=data&o&pid=59&page=0&fbclid=IwAR0VQou_V6R5x01kUVXXXh0mfxpDWRFLXRPC9TfbZdX3ApCLyhVfv7V9XLg

Cezary Duchnowski - Fere Vetus Canticum

"Osamotnienie(nie)..." for ensemble (2020)
fl, hn, acc, vc, perc, el gtr, comp

Performed by: 
Orkiestra Muzyki Nowej, Szymon Bywalec - conductor, Paweł Hendrich - electronics

Recording: Łukasz Myszyński
Mix: Paweł Hendrich
Mastering: Paweł Hendrich

The piece "Osamotnienie(nie)..." („Isolation(no)...”) is an expression of respect for the people of Wrocław who were affected by Covid-19. The composer himself wrote about it - while still at the preliminary idea stage in 2020 - in this way:
"The source of the concept for the piece is the current pandemic situation and its associated constraints. As a society, for the first time in decades, we find ourselves in this kind of situation of widespread danger. Although it affects us all, each of us perceives it subjectively. The everyday fast-paced world favors extroverts, but now circumstances have changed - all of us (being forced into seclusion) have more opportunity for introverted reflection and analysis of the situation we find ourselves in. The theme of the piece will be the emotions felt during the pandemic by the inhabitants of Wrocław - the city that became one of the first outbreaks of the epidemic in Poland. On the stage we will hear sounds symbolizing rebellion against unwanted isolation, forced separation from loved ones, constant uncertainty and even fear.
During such extreme situations as a pandemic, it is best to see that Wrocław is, above all, the people who inhabit it, and not the urban buildings. And it is people that we miss the most when we have to stay in our homes for a long time. So the piece does not lack the thread of longing, which is also experienced by the composer - although we live close, in the same city, we cannot meet other people and have to rely on imperfect substitutes in the form of electronic contacts".

Work executed with funds from a grant by the City of Wrocław.

Osamotnienie(nie)...

Osamotnienie(nie)... (2020)

Paweł Hendrich was born in 1979 in Wrocław (Poland). After studying engineering and economics at the Wrocław University of Economics he studied composition at the K. Lipiński Academy of Music in Wrocław (prof. Grażyna Pstrokońska Nawratil) and at the Hochschule für Musik in Cologne (prof. York Höller). 

The works of Paweł Hendrich have been performed at concerts and festivals in Austria, China, Czech Republic, Denmark, Estonia, Germany, Hungary, Latvia, Lithuania, Malta, Poland, Russia, Slovakia, Spain, Sweden, Switzerland, Turkey and United States of America.

The composer has received commissions from: Warsaw Autumn Festival (Ensemble Musikfabrik, Basel Sinfonietta), Deutschlandfunk (Kwartludium), Goethe-Institut, BHF BANK Stiftung and Ensemble Modern, The Municipality of Wrocław (NOSPR), Polish Institute in Madrid (PluralEnsemble), Institute of Music and Dance, Orkiestra Muzyki Nowej, Chain Ensemble, The Forbidden City Chamber Orchestra, National Forum of Music (Lutosławski Quartet, LutosAir Quintet, NFM Leopoldinum String Trio), ZAiKS Polish Authors' Association as well as from the Polish Composers' Union (Pablostrom, Orkest de Ereprijs).

For several years now, he has been programming, composing and performing live electroacoustic music. With Cezary Duchnowski and Sławomir Kupczak he founded the electroacoustic group Phonos ek Mechanes. So far, trio has performed at festivals of improvised, contemporary and electroacoustic music, and at concerts in Poland and abroad.

In 2010 DUX released Paweł Hendrich's monographic record Chamber Works and in 2017 second one called Metaforma. In 2012 Bôłt Records released Phonos ek Mechanes’ first CD called C+-. Furthermore his music is also released on over a dozen other CDs.

Osamotnienie(nie)... (2020)

Paweł Hendrich

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