Too Much Like Work

Stolen Moments

The new Henry Robinet Group recorded this Monday 11/22/21 for Thanksgiving.  Jacam Manricks on tenor, Damani Rhodes on piano, Cameron Womack drums and Ben Kopf on bass. Originally written for my most beautiful son on the occasion of his first Thanksgiving.

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L 33 & MC Bashment - Wolf Pack

This is a demo of my classic rock songwriter tribute.
Shaky Town Revue.  Featured artists Jackson Browne, Van Morrison,  Bob Seger,   self.  This demo is heavily weighted with Jackson Browne as I quite often do the whole album of Running on Empty in the middle of my show.  I cover many other classic rock song writers as well, Neil Young, Gram Parsons, Mick Jagger, Donald Fagan, Harry Chapin, etc.

Shakey Town Revue Demo

Happy Birthday !

Here’s a little laid back song from yesteryear - another 'blast from the past.' The reason I’ve kept it archived is because I think the lyrics have potential to be interpreted as a simple stripped back, acoustic guitar/vocal track some day. It was recorded by myself in my small student flat with the aid of only one microphone and one sampler in 2003. 
Lyrics: PQlia 
Music: PQlia/Cole 2003
Vocal: Errol Cole
Rap: KMA Reveal


'B The 1uR' Archived demo from 2003.

Steven Slate's "Everything Bundle" session for training & study purposes. Leave your comments below, i'll be glad to hear feedbacks!

The Plutonium Project - The Bottle (Everything Bundle Pro - Rock Session)

Axe-Fx III Firmware 12.08 features the best guitar pitch shifter I've ever experienced. It is insanely fast, which also makes it very tight.

Here's a quick clip to show my idea for a "Groove Shifter" effect where the shifted notes are offset in time to create weird syncopated polyrhythmic melodies. Using a dotted 8th delay technique to turn 8th notes into 16th notes is basically a cliché (a la "Another Brick in the Wall Part II" et al). Here, the pitch shift adds a cool twist. One expression pedal controls Input Gain of an extra Delay. Another controls Input Gain on a Plex Reverb. I improvised the guitar part to a drum loop and then layered synth bass and hihats. I'll try to develop this idea into something more structured.

It's a testament to this new shifter that you can't tell which notes are played and which are created by the effect!

Grooveshifter! Axe-Fx III 12.08 Pitch Block

FOR MILES - I wrote this in the winter of 1981 in my loft on West 30th Street in New York. I was feeling bad about the way things had gone with me and Miles earlier that year and I wanted to write something special for him that I thought might patch things up between us. Unfortunately he never got to play it ... or even heard it. The melody at bar 17 is a bit reminiscent of the bridge of "Milestones". Here Randy Brecker is in the role of Miles - complete with Harmon mute - and does a beautiful job.

Featuring: Randy Brecker, trumpet 
Victor Bailey, electric bass
Dave Kikoski, piano
Graham Hawthorne, drums,
Chuggy Carter, percussion


For Miles

I'm a jazz guitarist, composer and recordist. I also taught jazz at the University Of The Pacific and Consumnes River College. I own a recording studios - Henry's Place a tracking facility out of my home. My band is The Henry Robinett Group, which has been in existence in one form or another since 1985. We released 5 CDs.  The latest, "I Have Known Mountains" is the 5th in the series but without the group. I also play with The Capital Jazz Project.  In addition I'm active in producing various artists across the stylistic spectrum. 

I've taken a lot of my inspiration from my late cousin,  jazz great Charles Mingus. I lived and studied with him briefly in the mid-late 70s.

On this site I will put things up, all unfinished works in progress, unless I indicate otherwise, to either show what I'm working on or to give an overview.  We're working on a couple of CDs.  There's a wide variety of material, so I don't know whether it will become two or three different CDs, straight ahead jazz, my more accessible material or what. Many of the pieces here I have no plans to release on a CD. But it's good to get some feedback or just a feel for what folks are listening to. 

On another note, as I'm sure there's enough music here to upset everybody. Part of the pleasure of being a guitarist who plays jazz is being exposed to a wide variety of music in the popular idiom.  And frankly I love all genres. Part of my uniqueness, if there is any,  is being willing and able to play at most styles.  I don't consider my more "accessible" elements selling out, because I really like them, and I still play everything in my own style, rather than trying to cop anyone else either compositionally or guitaristically. What's more what personally drives me crazy is the narrow minded, musical fascism; almost a form of musical bigotry, that an artist has to stay within the confines defined as X or that anything but X is invalid as an art form worthy of ones attention.  The timbre of guitar and music has changed over the years. I like to explore it all. 

I believe part of an artists responsibility to is write what he hears and play what he imagines, if he likes it, regardless of other peoples considerations or pressure, one way or the other. If I only did straight ahead jazz or only did funk or only rock, I'd be dishonest.

Welcome 2021

Henry Robinett

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