Gen-Jun 2023

Stephanie Barbutova:  Vocals
Ben Juul:  Percussions, Mix & Master
Dirk Taubenheim:  Guitars, Bass, Vocals

This is a song from our forthcoming album "Forever". Thanks for the attention.

Recorded at Gatsby's Garage, mixed and mastered at Tone Hill Studios. Original version by Chris de Burgh.

Forever

Where Peaceful Waters Flow  ft. Stephanie Barbutova

Still here, dancing at the end of time.  Here is a ditty. Love..Love...Love.

Halloween in the Suburbs.  ( Stevek )

Made with GarageBand , enjoy!
Download Available!

A classical memo

unnamed station

22 3 16

My sister and I wrote this rather jazzy track a few moons ago. Was recently remastered by my lovely Sander. We hope you enjoy this instrumental number full of gorgeous strings from my big sister Jane. 😊🎶❤️🎻
@jane-hamilton-1 
@wane-of-summer

MISS YOU ALREADY...Annie Smart & Jane Hamilton

Continuing with the piano thing, forkin' around with an old chestnut...Enjoy!

Messin' on the Sunny Side

Recorded in Modesto, Ca.   Featuring Hammond B3 Organ solo. Gibson 335 Electric Guitar solo. Gibson L5 Electric Guitar Rhythm. Acoustic Bass. Hammond B3 Organ Rhythm with Bass Peddles. Drums Full drum kit. Percussion Tambourine, 22" Zildjan ride & Crash Cymbal.

Redondo

Bluez House

Available for download on:
http://cholly.bandcamp.com/track/heart-beats-slow 

Heart Beats Slow

a deeply personal song about almost losing someone close to me, and coming to terms with that.  something i don’t ever want to re-live, but it made me love them so much more.  more than i ever thought possible.

this song is available to BUY on bandcamp https://miaowmcdonald.bandcamp.com/track/a-fucked-up-lovesong

"A Fucked Up Lovesong" is also available on all other digital platforms to download and/or stream... iTunes, Spotify, Napster, Deezer, GooglePlay, AppleMusic, TikTok, YouTube  etc etc etc...

(c)(p) written & performed by Miaow McDonald

lyrics:

don't say you love me - or that you want me now...
don't say you want me - or that you love me now...

never been this high
i'm scared of heights
i'm scared of falling down.
never in this life
have i swam in sunlight
i'm scared i'm gonna drown.

'cos i love you more now
than i ever thought i would
i ever thought i could...
i love you more now
than i ever thought i would
i ever thought i could...

just say you love me - and that you want me now...
just say you want me - and that you love me now...

close the door
and hold me tight...
don't ever let me go
when i saved your life
you saved me from myself...
don't let that go...

'cos i love you more now
than i ever thought i would
i ever thought i could...
i love you more now
than i ever thought i would
i ever thought i could...


Words & Voice : Miaow McDonald
Acoustic Guitar : Miaow McDonald
Electric Guitar : Miaow McDonald
Broken Heart & Percussive Sobbing : Miaow McDonald
Piano & Keyboards : Robert Davidson (@AgedChoirBoy)
String Arrangement : Robert Davidson (@AgedChoirBoy)
Bass : Robert Davidson (@AgedChoirBoy)
Grinder Train : Scot Rail / GNER

Produced & Mastered : Robert Davidson (@AgedChoirBoy)

A Fucked Up Lovesong

the video — https://violamoonshape.com/video-1

how we made the video — https://tinyurl.com/y5cbbmgr

the blog — https://violamoonshape.com/blog/f/on-smog-part-1

stems for remixers available here: blnd.io/3ev4Elk

did it take some time after 
even as they did play?
did it take some time after 
or was it all just a laughter?
did it not take you by surprise
how my world wells with tears?
just thinking about it 
how the mess begins, darling 
how the mess, the mess begins, darling 

only there in the night 
when it starts to fall 
only there in the night 
do I see my fault 
only there in the night 
incognito deal 
only there in the night 
deliberate deal 
only there in the night 
reaction is served 
only in serving the cause of all causes 
only in serving the cause
does the dust settle 

how long will it take me
only to feel for you?

ॐ

part 1 in g flat major (a440) 
part 2 in e major (a440)
written, performed, and recorded by viola moonshape in april 2020
mixed by viola and brahma in september 2020
mastered by brahma in october 2020
copyright © 2020 viola moonshape

ॐ

vocals > neumann u87ai > apollo twin > logic (tracks 01–07)
fender squier precision bass > apollo twin > logic (track 08)
liverpool software bass > logic (track 09)
korg minilogue xd > apollo twin > logic (track 10)
mayapur jackals > sennheiser mk 66 > zoom h4n > logic (track 11)
carob pod shaker > sm57 > boss rc–505 > apollo twin > logic (track 12)
maracas > sm57 > boss rc–505 > apollo twin > logic (track 13)
gibson es–335 > apollo twin > logic (track 14)
garritan abbey road studios cfx > logic (track 15)
conch shell > neumann u87ai > apollo twin > logic (track 16)
lowden f-25 > neumann u87ai > apollo twin > logic (tracks 17, 18)
drums programmed in logic (tracks 19–22)

ॐ

cover by brahma
frame from don's footage
copyright © 2020 viola moonshape

ॐ

Smog Part One

The Music Video

Smog Part One (video on youtube)

The Music of Sound...really!!  It's all grist for the mill.  I visualize Sound/Music as colors, shapes and forms rather than notes in a scale.  I look upon each of these pieces as individual environments and/or sculptures in which to spend some time, looking round, feeling the curves, hanging out, exploring... Each composition is based on different elements, structures and rules or lack thereof.  Consequently, each is unique unto itself.  

Blissfully free of genre, everything is fair game:  beats; melodies; disquiet; washes; pulses; broken clichés and memes; subliminals; words and voices; chaos; sonorities; field recordings; indeterminacy; world music; the holy; the gutter; otherworld music; drones; synths; samples, etc. etc.  etc.  

I enjoy entering into the mitochondria of what makes a sound  that particular sound and then genetically change it into something entirely different than what it was - with just the essence lingering.  I also like to explore the "in-betweens" - spaces between beats, frequencies, timbres, spaces, tones, etc. In large part, simply, I'm curious to explore it all.  Suffice it to say, the wider your aperture the more you will hear and experience.  Et voila!

Oh!  Headphones will likely provide a more fulsome listening experience for many of the pieces.

You're thoughts/comments/feedback are very welcome.

Repost page started...
www/soundcloud.com/His_Left_Hand_Repost
Some amazing sounds and artists out there!  Respect,
you all!

Messin' on the Sunny Side

His Left Hand