Presented on 140gm vinyl. Cut & mastered by Matt Colton at Alchemy. Artwork by plusyes.com 

Order from the Houndstooth store to receive free WAV files.

RCVR / XMTR

Order 12" / digi

Akkord - RCVR

I like everything dark, liquid, technoid, slow, fast, deep, chill, soft, broken, heavy, industrial, noisy, abstract, experimental in all kinds, forms and excesses of D&B, Jungle, Chillstep, Dubstep, Atmospheric, UK Future Garage, Ambient, Old School East Coast, Old School Techno/Rave, Autonomic, Ragga, Dub (Soundsystems), Downbeat, Lowbeat, Trip Hop, Downtempo, Noise, Industrial, Rythm n Noise, Breakbeat, Experimental, Accid Jazz, 90s UK GRIME, such kind of breaks, beats, bass ALL AROUND just like I also discovered electronic synth/cold/darkwave/postpunk as an VERY interesting new paths. My understanding of music mainly characterised by: David Bowie, Depeche Mode, Prodigy, Wu Tang, LTJ Bukem, Krush, Kid Koala, DJ Food, Goldie, Roni Size, CAM, Andy C, Kid606, Dieselboy, Q_Bert, BTTB, Tricky, MC Conrad, Ed Rush, Portishead, Antipop Consortium, Vadim, Massive Attack, KanKick, Enduser, Coldcut, Architect, Broken Note, DJ SHADOW, And One, Project Pitchfork, Hype, Shy FX,  Grooverider, Optical, Rebel MC, Marky, Zinc, Krust, Kool Herc, Tim Westwood, Beastie Boys, Kris Kross, KRS One, Busta, Snoop Dogg, DUB FX, Black Moon, Boards of Canada, Björk, Salt n Pepa, TLC, Janet Jackson, Missy Elliot.....
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Second account created for my new discovery of the genres electronical Wave/Synthwave/Darkwave/Coldwave/Pop, Industrial, Rhythm 'n' Noise, Noise, Postpunk, EBM, IDM, IBM & appropriate in all facets and wings around to separate this incredibly interesting and beautiful new door in https://soundcloud.com/noone-2-310434778.
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If you're SO insanely happy about every single new follower here like i am......i think it should give me and my self-worth (a lot) to think about, I absolutely know. For this reason: my biggest THANK YOU to every single follower. You and all this here really mean a lot to me.
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I know that music can neither heal nor prevent the decades-long existing global sick capitalism, consumption, politics, lobbyism, corruption, systems, society/s that are sick of it, nor the imminent climate collapse resulting from all these causes. But what it can heal and fill up wonderfully I know: hearts and souls - even empty, cracked, damaged and discarded ones. And that completely free of charge. Unbelievable nowadays...what is also clear: we will never be enough people to be able to break the capitalist climate-damaging sick system globally in time, now it has been really too late for too many years gone by. I live against this system as far as my framework as a system-dependent taxpayer allows me to do so. Music is an enormously important part of it. We should tune in together to the inevitable real climate collapse. With happy hearts & souls filled to the brim with music, contentment & love. Only then will the demise of our livelihoods be bearable for us all.
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War, natural disasters, politics, violence, protests, riots, injustices, attacks, terror and much more. Back then, compared to today, it was all relatively completely unfiltered, clean and completely free of any media and political fake news manipulation and twisted propaganda. All the  pseudo massiv CAPITALISTIC problems, much more its numerous symptoms of illness such as "burn outs", "social media", "depression", "shortage of skilled labour", "housing shortage", with manipulation, fake news, advertising, capitalistic, political influence soaked "media", or topics such as "urban gardening", "gentrification", immigration, all that "self-love, self-worth, what is happiness, the search for the self" madness, "gender", LGBT, "metoos". ... didn't exist back then or were healthy, normal, simple, clean. And yes, people's worries and fears back then were the same as now, just as real, normal, simple BUT FREE from any capitalist distortion, self-promotion, exaggerated and inflated hyperbubbles. Without the very large, constantly spreading epidemic of capitalism, there would probably be less than 40%? of all these problems on our planet, and a global negative climate collapse would never have been an issue. Religion does not affect our climate alone, but in numerous religious political disputes harms people beside climate, nature and all living creatures the most.

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Hi, I'm a producer, DJ from Europe.


If you like what I'm posting, check out my mixes here: www.mixcloud.com/kaiper/

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

Stuck at the ceiling, I should be floating away

Visual artist. 
I listen to music 9hours a day.
Thank you for making my days
over and over.
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Black implies white
Self implies other
Life implies death
Death implies life.

Bookings/Label Interest: doscmusic@gmail.com

Hailing from San Francisco, Dosc (Jason Urbina) is creating his artistic foothold in the dance music industry by blending genre-specific sounds to produce tracks that unite divisions of music. With his releases on San Francisco's own Mioli Music - 'Constant' and 'Kimono' , Dosc delivers a unique, bold flavor of Techno and House. His technical style pushes the boundaries of music production as a result of his influences throughout his musical career.

Dosc got his first door opened in the industry in 2008 working as a Sound Engineer at 17 Hertz Studios formerly based in Hayward, CA.  He recorded, mixed, and mastered a vast array of Rap, Hyphy, RnB and Hip-Hop projects; from artists such as The Jacka, AP9, E-40, Husalah, Dem Hoodstarz, Big Rich, J-Diggs, Jimmie Reign, Shad-Gee, D-Lo, Philthy Rich, and Larry June.  This exposure yielded a reflection of the Bay Area's signature raw percussion and heavy bass in Dosc's track composition.  

Included in this decade, Dosc was attending Ex'Pression College for the Digital Arts.  There he became acquaintances with Rodrigo Quinonez and Stephen Campodonico (RQ&SC) of the label RE-SET Audio.  Dosc was introduced to the world of Minimal Techno and grew to love the complexity and technicality of the sound. The micro-timbre drum patterns and dark tonal synths of this genre became a huge element in Dosc's arsenal; synonymous in style with artists like Dubfire, Richie Hawtin, Worakls, and Stephan Bodzin.

Additionally in the same network, he met two of his early mentors - Cove and Daegon of the label Frucht headquartered in Berlin, Germany.  Through Cove and Daegon, Dosc was exposed to the world of Techno and Tech-House as well as his first dip into the performance side of the industry: mixing and DJ'ing.  This new knowledge of Techno & Tech-House led Dosc to love artists such as Format: B, Paco Osuna, Pan-Pot, Carl Cox, Joseph Capriarti, Oscar L, ANNA, Nicole Moudaber and Maceo Plex.

Collectively, this spectrum of influences has shaped Dosc's sound into his releases you hear today.  However, it doesn't stop there - the very same experiences molded the appeal of his set performances.

Curation and delivery are fundamental to Dosc and reverberate in the energy of his shows. He can be heard at San Francisco's Great Northern, 1015 Folsom, Monarch, The End Up, and many underground gigs.  Along with Mioli, Dosc has partnered with Housepitality, Techno Bunker, Bassment Sessions, Studio, Infected Frequencies, Red Monkey, G-Code and more to create a synergistic, cross-genre, multidimensional sound experience.  

Dosc lives outside of the box, and embodies a full creative spectrum; making you aware of that is his passion.