Gazelle Twin covers 'Heartbeat' by Wire. Released on 'Mammal EP' January 2013, on Sugarcane Recordings.

Heartbeat (Wire cover)

AMBIENT ETHEREAL SOUNDSCAPES FOR YOUR PLEASURE. RELAX, CHILLOUT AND DRIFT AWAY.

ETHEREAL - BORN OF ETERNITY

wort

Hope you enjoyed listening to this, High Sky was kind of a big ideal in my life.. It has a bunch of mixed up songs from new to old so I hope you enjoy!

Don't forgive those who won't forgive you.. P.s Christian Spaulding

All Rights Reserved

Please

https://jeremybible.bandcamp.com/album/music-for-black-holes
From "Music For Black Holes". 4 hour album of 15 long form minimalist ambient pieces compiled from Jeremy Bible's private archive. Pure tone ambient symphonics. Withdrawal and isolation. Intensely meditative.  

Available as a Limited Edition 8gb USB Drive containing "Music For Black Holes" in native HD audio 24bit / 88200khz wav format encased in black hard plastic box.

Music For Black Holes

**BUY**

Coma B (from Music For Black Holes)

I grew up listening to Wire and went back and rediscovered Colin Newman’s solo work after listening to This Mortal Coil’s covers of his tracks. I then immersed myself in his work, particularly his album “Commercial Suicide” and fell in love with “I Can Hear Your…”  entranced with its hypnotic and foreboding tone - desperate, yet with a real conviction of strength. 
My interpretation was to remove the sense of strength and expose the vulnerability within the song”

Taken from the limited 7" release 'Carry Me'

Included exclusively with the 7” is a CD featuring ‘Carry Me’ modified by Serbian enigma Abul Mogard into a taught and purposeful 13-minute drone masterwork - As played exclusively by Mary Anne Hobbs 6 Music on August 30th.

Carry Me

I Can Hear Your...

Buy 7" & CD

Penelope Trappes - 'I Can Hear Your...'

OKADA - Fucked Up Inside

Synaptics

Sensitive Person (feat. Sepalcure)

Live at Nyabinghi

Track title: I Caught A Glimps Of The Sea Trough The Leafy Boughs Of The Pines (excerpt)

Kim Myhr & Australian Art Orchestra announce new album due for release on April 17: Vesper 

Recorded live as part of the Melbourne International Jazz Festival in June 2018, 'Vesper' is guitarist/composer Kim Myhr’s collaboration with the world-renowned Australian Art Orchestra, led by Peter Knight. A long-form, immersive work consisting of three movements that add up to a combined running time of just under one hour, it further demonstrates Myhr’s masterly command of complex musical resources and extended duration. ‘Vesper’ - which means “evening” in classical Latin - also reunites Myhr with drummer and percussionist Tony Buck, of Australia’s legendary improv trio The Necks. Buck was one of the three guest drummers featured on Myhr’s acclaimed Hubro recording ‘You | me’, shortlisted for the 2018 Nordic Music Prize alongside Bjørk and Susanne Sundfør.

"I had been thinking for a while to do a night piece”, Kim Myhr says about the genesis of ‘Vesper'. "The music I’ve listened to the most, and which is perhaps the closest to me, is the music that I listen to in the hour before going to bed, when the tempo is a bit slower, and the expectations of the day are fading. Daniel Lanois talked about how they recorded Bob Dylan’s 'Oh Mercy' only in the night-time, because musicians tend to be more patient and relaxed then, and even play a few bpms slower. Although this is a nice idea, I was more focused on the music itself rather than the methodology. What interested me was the private spaces of night time, when the listener knows that nothing more will happen for the rest of the day. It’s an embracing and immersive space, where we can be at our most private and intimate.”

The music for ‘Vesper’ is embracing and immersive too, with an associative, dream-like quality that fits the night-time context to perfection. While each of the three movements could be said to follow its own internal logic and sense of development, capable of functioning as stand alone pieces if required, the overall span of the composition as a whole is suitably epic. The range of sounds is equally vast, from Kim Myhr’s own electric 12-string guitar with its special tunings, to the incredibly versatile resources of the ensemble - actually a septet for this date, but sounding far larger. Live instrumental parts for brass, woodwind, strings and percussion are complemented by re-processing from Joe Talia on Revox tape deck and electronics, with Peter Knight covering electronics and hammered dulcimer as well as trumpet. Combined with Tony Buck’s maelstrom of percussion, the overall effect is thrillingly intense, with each mounting climax coming close to a sensory overload, while quieter stretches can seem to roll by timelessly in a somnambulant haze.

Kim Myhr & Australian Art Orchestra: I Caught A Glimpse Of The Sea Through The... (Excerpt)

Void Fill Product

When I'm Gone (feat. Mücha)

Buy The Album

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

Penelope Trappes - 'I Can Hear Your...'

Houndstooth