10. Kat Nzingha - Denial (Inner Bootleg)

1st try zippn it up, excited to try with a second cdj.
 felt to share for a little
40 days on ocean avenue on my last 2 years of emotional life

1st try hyperpopping Glimmer In Yr Tears (40 Days On Ocean Avenue)

Kiosk Radio is an online community radio streaming 24/7 from a wooden shack in the heart of Brussels’ historic “Parc Royal”.
More info and music: https://kioskradio.com

Isengard w/ HAJJ @ Kiosk Radio 14.05.2023

Low jack - Riddims du Lieu-Dit (BZH001 - Les Disques de la Bretagne)

Low Jack - Les Riddims Du Lieu - Dit - 03 They Rule

The music of Naarm/Melbourne composer Lisa Lerkenfeldt channels a unique wavelength of foreboding, interstitial electronics, incorporating strategies of musique concréte threaded with veiled currents of melody and hypnosis. Recent recordings for Vienna Press, Longform Editions and Aught Void have demonstrated different depths of process and finesse but her latest, Collagen, captures perhaps the most complete and complex manifestation of her craft to date.

Drawing on a disciplined palette of peach wood combs, contact microphones, piano, strings, and feedback, the album moves in low, looming arcs, ascending to strange purgatories of opaque atmosphere. Lerkenfeldt cites a core aspiration to “elevate the everyday,” transforming common objects into otherworldly sound sources, which colors Collagen with a beguiling tactility, like vibrations traced in sand. The tracks shift in frequency and feeling, alternately heady and bodily, acoustic and synthetic, isolated states of static, light, and undertow skirting the outer rings of ambient, noise, and modern composition.

Although each piece exists in its own rare air the composite panorama they present is striking in its sweep...  more

Credits:
Released August 21, 2020

All music by Lisa Lerkenfeldt
Mastering by Kassian Troyer at D&M
Design by Bartolome Sanson
Scores by Lisa Lerkenfeldt

Collagen

Champagne Smoke

Pour le no draft estival, @janomax invite la multiverse @anissa-belleudy pour un b2b ping pong truffé de twists, hi, mid, kicks en pagaille improvisée, entre nappes sentimentales et blends affectifs.

New Beat, A Belgian Dance Revolution

no draft w/ anina, janomax (06.06.23)

After releasing ‘Times New Roman’, Taipei-based singer and producer Scintii returns with a new four-track EP titled 'wetlands, harbours… and stations in between'

‘Times New Roman’ was the first release since Scintii’s second EP, Aerial/Paperbags, on SVBKVLT in 2018.

'wetlands, harbours… and stations in between' is the all-encompassing new sonic project, with the first single from the ‘teltoya ii’ out today to mark the announcement, which is set for a digital and physical release on 5th January 2024.

Scintii, an artist whose instantly recognisable vocals and sound takes inspiration from two cities previously called home, London and Shanghai, tracks take us through wistful yet impactful vocals, and ear for production that disregards any traditional genre forms, opening our minds to a new captivating blend of synth-driven electronica, and moody, atmospheric beats.

Songwriting comes first in the music-making process for Scintii; by responding to music and ideas in an instructive way, she starts with an organic and original form and elaborates on it.

'teltoya ii' came initially from a dream Scintii had that immediately stuck her with the desire to create sound, specifically the drum-like sound that takes centre stage within. ‘teltoya ii’ is the final track on wetlands, harbours… and stations in between. Matching the nature of the EP’s overarching and deliberate disregard for narrative structure, it perhaps offers up more beautiful questions than it answers, leaving us with the boundless and exciting potential for future exploration and endless interpretation.
 
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With co-production credits by Bristol-based producer Hodge (track 1) and Soda Plains (tracks 2-4), Scintii continues with a signature wistfulness, with an occasional harder-edged tone too, dream-like synths and airy vocals seep throughout, making this a truly unignorable next step in the artist’s growing and highly exciting ongoing catalog.

Whilst often inherently personal, Scintii has not committed to a conclusion for the stories and questions this release traces, rather, leaves it up to the listener to decipher. There is no strict narrative to the project; moreover, it exists as a beautifully open-ended exploration of personal anecdotes and dreams, as well as memories of place, family, and sense of belonging.

“After finishing these songs, it took me a long time to summon up the courage to look back on their personal meanings and give them names,” Scintii explains. “It’s as if I’m standing at the entrance of a wild labyrinth made of intertwined confusion such as sense of belonging, distance, to connect and leave behind, cycles of light and darkness…” In not offering us any easy answers, this intuitive creator leaves the listener with a beautifully open-ended project that speaks about themes such as home and place, and a labyrinth of themes that emit both shadows - darkness and mystery - as well as brightness – hope, happiness, and longing.

wetlands, harbours… and stations in between

teltoya ii

More Info

scintii - teltoya ii

Music by @silentphil

Stream & Download: push.fm/fl/silentphil

“unreleased” is is a collection of unreleased tracks on which silént phil was working on with Oroboro, Personalbrand, White Gloss and ZERO COOL before passing away.
Soul Feeder has spent the last year working together with these artists and silént phil’s family to collect these tracks and release them as a tribute to silent phil’s memory.
All revenues from the release will be donated to silént phil’s family.

Artwork by _nismo95
www.instagram.com/_nismo95/
Mastering by DJ GHEPARD

silént phil, Oroboro - VICE

@johanjoeker

The 37th release of katharsis is the debut EP "Blå Forandring" by Danish artist Johan Jøker, coming out on November 17th. The title of the EP, which translates to "blue change" signifies the artist's intention to create a sonic backdrop for the effects of current climate changes on the vast ocean, which he achieves through collages of samples and field recordings mixed with the melancholic pads and abrasive stabs of his synths.

Across the five tracks, the artist aims to depict various perspectives and aspects of the climate crisis, including collapsing glaciers, the overconsumption of modern society, and fish polluted with plastic, but concludes the EP with a romantic and yearning depiction of the sea on the final track "Vandkorn". When showcased live, the performance takes on an almost ritual character as Johan Jøker brings a jumble of elements connected to contact microphones including washed-up buoys, an electric kettle and a bowl of water as well as a hydrophone.

All money coming in on this one will be donated to oceana.org/ <3

BlÃ¥ Forandring

Fisk POV

premiere: Johan Jøker - Fisk POV

Musiques de ciel d'hiver par la fenêtre, paysages entoptiques, nostalgies nuageuses, surfaces gigotantes, cyber dadaïsmes

OOPSY w/ Le Frit (28/11/23)

Nous y sommes enfin, après deux ans d'attente Theory Basement déboule et ça dérape. Né de la collaboration entre Eurrope et le duo 50cc et de 4 remix légendaire par Aval Douar, Glass, Modern Collapse, Classic Man on est trop fier de vous présenter ce bijou à ne pas mettre entre toutes les mains. À écouter dans toute les plus grosse gova sportives du monde.
Merci aussi à Lastrack pour le mastering, Delo pour le mixage et bien sûr Gobzfx pour la DA de monstre.

Il était une fois une bande de criminels intrépides, connus pour leurs talents de conduite hors pair et leur goût pour l'exploration urbaine. Leur passion ? Rouler à vive allure et explorer les endroits les plus insolites. Leurs montures ? Des gamos de course surpuissantes, capables d'atteindre des vitesses vertigineuses en quelques secondes. Ces jeunes délinquants étaient réputés pour leurs compétences de pilotage et leur audace sans faille. Avec leurs bolides dernier cri, ils répandaient la terreur sur les routes, défiant les lois de la vitesse et semant les forces de l'ordre sans la moindre hésitation. Mais ce qui les excitait encore plus que les courses effrénées sur l'asphalte, c'était l'exploration urbaine. Ils étaient fascinés par les recoins les plus sombres et méconnus de la ville. Et leur endroit de prédilection était les sous-sols des stades.
La nuit venue, lorsque le monde sombrait dans le silence, les bougs se glissaient furtivement sous les stades, à la recherche d'aventures palpitantes. Les entrées secrètes et les passages dissimulés étaient leur terrain de jeu, et ils ne se lassaient jamais de repousser les limites de l'exploration. Là-bas, dans les dédales obscurs, ils découvraient des vestiges oubliés, des histoires antiques laissées à l'abandon. Les vestiaires délabrés, les tunnels interminables et les salles mystérieuses étaient autant de trésors à conquérir pour ces thrill seekers. Leurs rires s'échappaient dans l'obscurité, mêlés au ronronnement des moteurs. Leurs yeux brillaient d'excitation alors qu'ils escaladaient les escaliers étroits et arpentaient les longs couloirs poussiéreux. Rien ne pouvait les arrêter. Mais leurs exploits et leurs méfaits ne passèrent pas inaperçus, et bientôt les cops était à leurs trousses. Une course-poursuite acharnée s'engagea entre les voitures rapides et les forces de l'ordre déterminées à les arrêter. Les rues de la ville devinrent le théâtre d'une traque épique, où vitesse et astuces étaient les seules armes en jeu. Les voitures bosstées à mort, manœuvrant avec adresse à travers les embûches de la circulation urbaine, semblaient intouchables. La tension était à son comble, et alors que les voitures des flics se rapprochaient dangereusement, le groupe trouva refuge sous un stade encore inexploité. Ils abandonnèrent leurs bolides dans l'obscurité et partirent à pied, se fondant dans les ombres environnantes.
Ainsi, ils continuaient leur vie de criminels audacieux, roulant à toute vitesse et explorant les recoins les plus secrets de la ville. Leur légende grandissait jour après jour, suscitant admiration et crainte.
Certains les qualifiaient de hors-la-loi, d'autres les considéraient comme les héros modernes d'une époque imprévisible. Quoi qu'il en soit, ils continuaient leur périple, prêts à repousser sans cesse les limites de la vitesse et de l'exploration urbaine.

50 cc & Eurrope - Stadium Solution

UK record label based at fabric, East London. Run in part by Rob Booth (Electronic Explorations)

scintii - teltoya ii

Houndstooth

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