Gabriel Ananda - Doppelwhipper

DCR140 Live with Adam Beyer - CUT!!

Unknown - Kot-anda (Marco Faraone Re - Edit)

Opposite Forces

Heyhey,

Our dearest @mulyamusic returned from the haunted house with a psycho-paranoid monster called "Samanas" and there's no space left dropping jokes this time. The tight and aggressive beat is covered by annoying arpeggiated noises not to mention those crying voices asking for help somewhere from down the execution area. Perfect match for weddings and kid's birthday parties.

Please don't forget to chart, give 5 stars, upload to Aslice and play in famous FM radios. Deepintech or taleofclubs videos are also warmly welcomed.

Peace,
Sobek

ps: yes, we have a new designer called Zsofi Cseve, and we think she's really on point with the cover this time.

Written and produced by MULYA
Mastered at CALYX Berlin
Artwork by Zsofi Cseve

Samanas

Pre save / order

MULYA - Samanas

20 Years Reworked

Blackout: White Noise (Casper Cole Remix)

Another Concept-Cognitive-(Mellon Place Records)

Wrapping up a short summer break, SPEICHER returns with a powerful double bill from rising duo HUNTER/GAME. It's the Italian producers' second contribution to the series, after having amassed quite a few nods with sneaky club anthems "Hexagon" and "Bermuda" (KOMPAKT EXTRA 83). This was followed by their strong rework of Weval's "Gimme Some" - a much-acclaimed highlight of our Total 15 compilation (KOMPAKT 340 CD 125). The new material sees them digging even deeper into the hardware circuits while cranking up the momentum a notch or two: opening banger ADAPTATION doesn't feel the need to ease you into the experience, dropping you right in the middle of its frenzied staccato synth throb instead. Meanwhile, THE PATH opts for rich, saturated colors and epic melodies, slowly building its case until it's ready to blow its lid. These are two extraordinary techno tunes that will command your attention and leave no floor unturned - an essential release for both the label and the artists.

Hunter/Game - Adaptation

Out now on vinyl & digital release - https://lnk.to/CRMCD039

Following the success of last year’s first Spirits compilation, Crosstown Rebels are back with volume 2. Expect “battle weapons galore” as Damian Lazarus unleashes eight tracks upon us that have been the biggest hits from his sets over the past year. Bathe yourself in a sonic soundscape that commands you to, as the man himself says, “play it loud”.

The second album opens up with the legendary Yousef delivering Heartbeat, a masterful track that perfectly balances light and dark, complete with euphoric strings. Next up is the seductive rhythm of Jenia Tarsol & Jinga with their offering - Jimjum.

On the B Side Nick Curly’s Maelstrom provides a darker, driving twist with a pulsating beat, followed by Emanuel Satie bumpy, rolling, inspiring master piece Fade, enlisting the divine and soulful vocal talents of Nanghiti.

The C Side features Jonas Rathsman bringing his tantalising touch to the proceedings next with Lost Youth. Its mystical tribal vocal sample and spiralling percussion glides into the Amazonian beats of Doorly & Tan Dem, who sample tropical birdsong on their offering, with a blistering piano breakdown.

Finally zotar aka Kenny Glasgow’s CIRCLE OF FEAR is pure afterhours hedonism. A throbbing beat drives the track forward with its enticing male vocal. Bartolomeo gifts us with a weighty number that utilises glitchy undertones on Celeste.

Crosstown Rebels Presents Spirits II

Jonas Rathsman - Lost Youth

Maceo Plex - Mutant Robotics

fivefourtwentytwentyone
PART II: fourtwotwentytwenty

Torture the Artist celebrates its 5th anniversary with the release of 'fivefourtwentytwentyone', a compilation compiled and mixed by the webzine-founder himself, Holger Breuer, who gathered together 17 exclusive tracks from artists that either have a record or relationship with the online magazine. 'fivefourtwentytwentyone', a numerical and literal abreviation for '5 for TTA', musically varies between Deep House and Disco, it makes an excursion to melodic and more techno-ish takes, it contains edits of current Indie/ Alternative but also Pop-artists and provides its audience with unreleased material from and of scene-heavyweights. The result is an eclectic mix that delivers several approaches to (electronic) music carefully and skillfully put together in a continuous mix that represents Torture the Artist's philosophy, namely that of offering various (mainly melodical) styles of music to its listeners from renowned as well as talented and uprising artists.

'fivefourtwentytwentyone' is released in four parts containing four tracks while each track is available as a FREE DOWNLOAD exclusively via Torture the Artist' Soundcloud-channel. The download-link for the 17th and last track, is unlocked to those who solve a riddle as each of the previously released parts will provide you with a hint.

PART II: fourtwotwentytwenty
The second part of Torture the Artist's 5th anniversary compilation 'fivefourtwentytwenty' comes with tracks/ edits from Amplitudes, Daniel Bortz, Valiete and Santiago Garcia and  are summed up under the code 'fourtwotwentytwenty', meaning 4 days until 2020. Augsburg iconic artist Daniel Bortz, known for his releases on Permanent Vacation, TAU, Pastamusik or Exit Strategy, probably delivers the most timeless take of the compilation, namely 'Take My Hand'. And it does not get any deeper than that – a classic bass line, paradisiac chords and a vocal that takes the listener (back) to sweaty underground clubs of NY in the 90s. 'Take My Hand' is followed by Amplitudes' 'Cognitive Shift', the first track of the duo, consisting of Philipp Harms and Marc Wolf, ever. Just like Bortz Amplitudes follow a stringent deep sound scheme but turn their approach into a rather mental on-going jam that uses warm deep chords to shortly break with the melancholia before coming back to it their initially introduced idea. Noveau Frankfurter Valiete takes on one of the tracks of 2019, more precisely Valiete reworks Billie Eilish's track 'Bad Guy' into a rave monster with a dub/techno touch that smoothly balances the amount of hard-hitting whipping hi-hats and a catchy chord and vocal. Lastly it's Santiago Garcia who got his hands on Âme's 'Give Me Your Ghost' and delivers the anthem of the compilation. A mellow melodically construct combined with Jens Kuross' vocals divided into three acts almost resembles the build-up of a classical drama with Santiago being the author of this outstanding play that is now ready to be presented to the world.

Part I: eleventwotwentytwenty - December 20th, 2019
Part II: fourtwotwentytwenty – December 27th, 2019
Part III: threeninteyonefourtwentytwenty – January 3rd, 2020
Part IV: tenninteyonefourtwentytwenty – January 10th, 2020
The Riddle Track – January 10th, 2020

Artist information
Daniel Bortz: www.facebook.com/danielbortzofficial // @danielbortz // www.instagram.com/danielbortzaugusta 

Visit & follow Torture the Artist at:
www.torturetheartist.net
www.facebook.com/torturetheartist
www.instagram.com/torture_the_artist
www.twitter.com/TorturingArt

fivefourtwentytwenty

Take My Hand

Free Download

FREE DOWNLOAD: Daniel Bortz - Take My Hand (Torture the Artist Exclusive)

Anette Party feat. Anita Coke & Patlac - Moreno (Original Mix)

Hunter/Game is an Italian electronic music duo comprising of Martino Bertola and 
Emmanuele Nicosia. Born and bred in Milan, Italy, these two visionary artists have carved a 
distinct niche in the realm of electronic music with their signature sound characterized by 
deep, emotive melodies and hypnotic rhythms.

Martino and Emmanuele’s musical journey began separately, with each of them exploring 
various genres and styles before fate brought them together. Their paths converged in 2010 
when they decided to combine their individual talents and embark on a collaborative 
venture that would soon become known as Hunter/Game.

Drawing inspiration from their diverse musical backgrounds and shared passion for electronic 
music, Hunter/Game quickly gained recognition for their unique sonic aesthetic. Their music 
effortlessly bridges the gap between the dance floor and introspective listening, blending 
elements of house, techno, and ambient to create immersive soundscapes that resonate 
with listeners on a profound level.