an Arduino synth with Mozzi library
cf. http://sensorium.github.io/Mozzi/
played with a coin

Arduino, Mozzi and 10yen

辻田絢菜 | Composer | Orchestrator 

https://linktr.ee/ayacom22

I continues genre-independent activities with the aim of spreading the enjoyment of a wide range of music using acoustic instruments.

https://ayana-tsujita.tumblr.com/

アコースティック楽器を使った幅広い音楽の楽しみを普及することを目標に、ジャンルに捉われない活動を続ける。
東京藝術大学音楽学部作曲科を経て、同大学院修士課程作曲専攻修了。

‘14年 第83回日本音楽コンクール作曲部門入選、岩谷賞（聴衆賞）受賞。
‘15年 第25回芥川作曲賞ノミネート。
‘18年 NHK委嘱作品「CollectionismⅪ/Sidhe for orchestra」放送初演
‘20年 テレビ東京「シナぷしゅ」にてアニメーションMV「んぱぱぱぴぴぴん」放送
‘22年 NHK Eテレアニメ「インセクトランド」音楽担当

Teacher;
Musician / Composer / Sound Artist; 
Sound technician (atnll);

Ikeda creates music and performs live using audio-programming language. He also plays improvisations without using computers, does performances without aiming to making any sound; and writes instrumental works using the idiom of contemporary music. Since 2001 he has been experimenting through many collaborations with contemporary dancers. From 2004 he joined in The Method Machine and made a wide range of interpretations of works of Hideki Nakazawa, Shigeru Matsui, Masahiro Miwa, Tomomi Adachi and Tom Johnson. Later, he took part in the Japan premiere of John Cage’s Variations VII as well as various works of American experimental music in the concert series organized by Tomomi Adachi. “Table Music” he premiered in 2009 (winner of the Excellence Award at the 4th AAC Sound Performance Dojo Competition) was intended to reexamine the notion of what is music and of what is its interpretation, which he continued on exploring. Ikeda has been collaborating with the filmmaker Kei Shichiri: in the screenings of “HOTTENTOT APRON – A Sketch” with live music, Ikeda played with other musicians to surprise the audience with very unique, unexpected interpretations every time; In the architecture film “DUBHOUSE: Material Experience 52”, he experimented to manipulate the sense of time through restructuring “St. Mathew’s Passion”. In 2013, He was chosen to be a composer of the residency program of Tambuco Percussion Ensemble, and he composed a new work “La Caverna (sin alegoría)” for them in Mexico. The premiere in Mexico City have earned a great reputation.

Arduino, Mozzi and 10yen

Takumi Ikeda