First track of the album "Pupila" by VICTIM!/Cadu Tenório.

"Pupila" will be released in november through Seminal Records(Brazil)

VICTIM! - Medo

星座の歌

Violin : Tatsuki Narita
Conductor : Yoichi Sugiyama
New Japan Philharmonic
commissioned by Suntory Foundation for Arts
use of the recording licensed by Suntory Foundation for Arts

Violin Concerto "On the G string" (2011/2015)

Instrumentation: 2 flutes + soprano saxophone; clarinet, bass clarinet + horn; 2 trombones + tuba; 3 percussionists; 2 violins + viola; 2 cellos + contrabass. Recording by Peter Böhm of the first performance, by Klangforum Wien conducted by Pascal Rophé, at the Schömer-Haus, Klosterneuburg, 23 November 1996. The image shows an action in the same space one month earlier by Hermann Nitsch, resulting in an installation which was still in place at the time of the performance.

ruin (1985-95) for six instrumental trios

Ramo - Ramo

an Arduino synth with Mozzi library
cf. http://sensorium.github.io/Mozzi/
played with a coin

Arduino, Mozzi and 10yen

Infinito Menos interpreta "i--" (2015), de Paulo Dantas. Concerto na Fundação Educação Artística, Belo Horizonte, 26 de agosto de 2017.

Paulo Dantas: i--

Question et Flamme II for recorder,violoncello and orchestra

Ikeda creates music and performs live using audio-programming language. He also plays improvisations without using computers, does performances without aiming to making any sound; and writes instrumental works using the idiom of contemporary music. Since 2001 he has been experimenting through many collaborations with contemporary dancers. From 2004 he joined in The Method Machine and made a wide range of interpretations of works of Hideki Nakazawa, Shigeru Matsui, Masahiro Miwa, Tomomi Adachi and Tom Johnson. Later, he took part in the Japan premiere of John Cage’s Variations VII as well as various works of American experimental music in the concert series organized by Tomomi Adachi. “Table Music” he premiered in 2009 (winner of the Excellence Award at the 4th AAC Sound Performance Dojo Competition) was intended to reexamine the notion of what is music and of what is its interpretation, which he continued on exploring. Ikeda has been collaborating with the filmmaker Kei Shichiri: in the screenings of “HOTTENTOT APRON – A Sketch” with live music, Ikeda played with other musicians to surprise the audience with very unique, unexpected interpretations every time; In the architecture film “DUBHOUSE: Material Experience 52”, he experimented to manipulate the sense of time through restructuring “St. Mathew’s Passion”. In 2013, He was chosen to be a composer of the residency program of Tambuco Percussion Ensemble, and he composed a new work “La Caverna (sin alegoría)” for them in Mexico. The premiere in Mexico City have earned a great reputation.

Arduino, Mozzi and 10yen

Takumi Ikeda