Bookings (WW): sari@neptunemusic.net
Bookings (NA/SA): natalie@auroratalent.agency
Promos: promos@mira-official.de

Upcoming Gigs: http://mira-official-tourdates.de/

Mira is that rare kind of DJ whose music can immediately transport you into her world - a midnight circus in Berlin, where time loses all definition and anything becomes possible. 

Born in East Germany to a renowned photographer and a classical musician, she began DJing in 1996 and quickly rose to prominence as part of the growing underground techno scene around Leipzig and Halle/Saale. Her dedication to her craft and natural talent swiftly paid off with a series of rapid successes, leading her to substantially shape the electronic music scene of Eastern Germany from that point on. 

In 2006, Mira moved to Berlin, Europe’s capital of electronic music, where she found her musical home at the legendary Bar25. Situated on the banks of the river Spree with parties that lasted into the middle of the week, Bar25 was the true embodiment of Berlin’s club scene in the 2000s. In the company of notable artists such as Nu, Acid Pauli, Feathered Sun and Christopher Schwarzwälder, a musical language was being formed that looked past the minimal trends of the time towards a more nuanced, organic musical language. 

It was from this here that Mira rose to fame throughout Europe and the world, as she suddenly became a defining representative of a distinctive sound that was going global. Deep and soulful whilst always maintaining a continuous, sensual groove, Mira’s sprawling, hypnotic sets became the soundtrack for many an endless night at Bar25, Kater Holzig and now, Kater Blau. 

The centrepiece of Mira’s residencies at these clubs has been her yearly birthday event ‘Katzen Tanzen auf’m Tisch’, which runs for three days straight every December. Curated by Mira from a selection of old friends and new faces, the series has hosted a multitude of  then-unknown artists who have now gone on to tour the globe. In 2020, Mira’s birthday series came in the form of a compilation for the first time, showcasing the spirit of her events over 43 original tracks. Also a year-round booker at Kater Blau and curator for the Kater-affiliated label Kiosk I.D., Mira’s fingerprints are all over the sound of the club.

In the studio, Mira often collaborates with her partner-in-crime Christopher Schwarzwälder, and the two of them have released a host of chart-topping singles. This partnership has since carried on to dancefloors globally, where their legendary back-to-back sets make for a perfect musical dialogue between the two artists, who share a deep understanding and love of sound.

Mira has been at the height of her game for the past twenty years, continuously shaping the sounds around her, and never ceasing to push inspiring new artists. As happy playing in a small underground club in East Germany in the 90s as she is playing to thousands of festival-goers at Burning Man - Mira is one of those artists of whom you can truly say that she’s doing it for the love of the music. 

Every time a new track by some undiscovered producer falls into her lap is a new moment to fall in love again with her craft, and spread that love with the tens of thousands who hear her play.

Bookings :: private message
When The Morning Comes 
Duke's Distribution 
Lobster Theremin
Grant
Mörk
SITU

Artist: @martin-cozar
Title: My Mind EP

Track list:
1. 1977
2. My Mind
3. Niksen
4. Lights Out

Label: Kiosk I.D.
Catalogue number: Kiosk I.D. 044
Release Date: December 12, 2025

Buy Link: https://kioskid.bandcamp.com

Follow & Support:

Kiosk I.D.
SC: @kioskid
FB: facebook.com/KioskIDMusic
Bandcamp: kioskid.bandcamp.com/releases
Beatport: beatport.com/label/kiosk-id/80379
IG: instagram.com/kiosk.id

Martin Cozar
SC: https://soundcloud.com/martin-cozar
FB: https://www.facebook.com/martin.cozar
Beatport: https://www.beatport.com/artist/martin-cozar/874521
Spotify: https://open.spotify.com/intl-de/artist/2L7kud2OEMcErUcqhdpvAJ
IG: https://www.instagram.com/martin_cozar/

About:
Argentine-born, Barcelona-based producer Martin Cozar returns to Kiosk ID with his four-tracker ‘My Mind.’ Building on the funky modernism of Resilience—his split EP with Gespona—and a commanding peak-time remix for Manucho’s Idea Reset, Martin Cozar now steps fully into the spotlight with a solo EP that tightens his artistic identity. My Mind delivers razor-sharp groove work, stripped futurism, and a captivating brand of dancefloor energy that shines through inventiveness and viscerality.

Opening track ‘1977’ unfolds like a widescreen dreamscape, with suspended fields of synths arcing over a warmly booming, long-tailed sub-bass. Heaving synth sweeps, melodically intricate arpeggios, and fluttering square waves paint a morphing, hypnotic canvas that floats across the periphery. Deeply meditative, but suited for the almost-peak-time with a throbbing groove and dynamic sub-bass, 1977 is a slow-burning journey that wraps warmly arcing, spaced out melodics around a tight rhythmic core.

‘My Mind’ turns the focus to the floor. Funky and razor-sharp in its sophisticated modernity with stripped-to-the-bone drum structures, the title track channels Martin Cozar’s retro-futurist edge through ominously
squelching basslines and pulsing stabs, arranged in a spacious, expertly crafted, and darkly oscillating Indie Dance framework. Every element clicks into place, yielding a high-voltage groove that radiates raw, physical
energy: stripped-down machine funk with a dark, circuit-bent twist.

With ‘Niksen,’ Martin Cozar crafts an eclectic groover that cycles effortlessly through percussive moods. Crackling with icy atmospherics one moment and sweltering in hazy Western guitars the next, Niksen traverses shifting textures anchored in a stripped lead theme that transforms the tracks’ dynamic soundscapes into pure dancefloor class.

Closing cut ‘Lights Out’ dives into grungier, more tactile territory. Shuffling, blown-out acoustic drums and mangled guitars collide with a peevish lead synth that escalates through morphing iterations, finally exploding into bursts of erupting electricity. Raw and groove-heavy, Lights Out channels untethered energy into a gritty, kinetic framework—tech’n’roll with a beautifully organic feel.

Across ‘My Mind,’ Martin Cozar delivers four distinct tracks—each a self-contained microcosm of motion across gritty floor energy, razor-sharp Indie Dance, and booming after-hour rollers. The result is a hypnotic,
meticulously engineered suite that feels both instinctive and deliberate, and succeeds in walking the fine line between the physical and cerebral demands of the dancefloor.

As a producer, musician, DJ and serial collaborator, Chris Schwarzwälders distinctive style of deep, restrained house is hard to pin down, but you’ll always know it’s him when you hear it. 

Born in Frankfurt am Main in the 80s, he started playing hiphop in the 90s. While making beats on his MPC2000, he dropped into Offenbach’s Robert Johnson club and fell in love with techno. 

In 2009, Chris moved to Berlin and started DJing at KaterHolzig, where he found a group of people who thought about music in the same way he did. In contrast to the trends of the late 00s, the sounds being made from this little paradise on Berlin’s river Spree were slower, softer, and more soulful than a lot of what was being played in clubs at the time. 

It was here that Chris began to cement his reputation as both a solo producer and collaborator, who was capable of bringing his trademark sounds to a whole number of side-projects - many of which have gone on to play to crowds around the globe. He joined the Feathered Sun collective in 2013, together with a group of friends including Acid Pauli, Nu, Jo.Ke and Raz O’Hara. Dreamy, groovy and often improvised, the collective represented a special kind of musical freedom in which a group of producers came together to create something new in a singular, live moment. 

At the same time, Chris’ friend Mira was making moves of her own, and they started to play back-to-back sets, soundtracking the legendary Monday mornings of KaterHolzig, and now, Kater Blau. The two, who are both residents at Kater Blau, have now been playing together internationally for almost a decade, and have formed a common musical understanding that translates throughout every one of their sets - deep, clubby and melancholic. This partnership has also carried on into the studio, where they have collaborated on numerous hits. 

His most light-hearted side comes out in collaboration with Iannis Ritter, where the two musicians take on a weirder, more melodic & electro approach than Chris’ other proejcts. 

If you were to ask him, Chris would describe himself as reserved, logical, rational, melancholic and humorous. Which is why you’d never hear him telling you about the hundreds of nightclubs and festivals he’s played around the globe, or the number of hits he’s had with his productions. If you’re lucky though, Chris might tell you about his favourite synthesizers, and get lost in a conversation all about electronics and sound. Which is exactly where Chris wants to be - lost in electronics and sound.

Wigs, techno, and weird vibes
Montana + Funky Town, BRC

For booking please contact: sari@neptunemusic.net

If we think of those magical moments out on the dance floor, what likely comes to mind is that moment when the DJ and the crowd find each other in a rare kind of symbiotic balance of give and take. If you see this happening between two DJs it becomes obvious that two of a kind have found one another.
Those who love this kind of confluence will adore watching Mira and Chris Schwarzwalder doing
what they do best; playing back to back.
Having influenced the East‐German techno scene throughout the last twenty years, Mira established her musical home in Berlin’s legendary Bar25. There, she shaped her very own unique sound that can be considered as a story of these endless nights full of intensity.
Bar25 was also the place for her to meet DJ and producer Chris Schwarzwalder. Moving from his Hip Hop­‐roots towards electronic music, it was not by accident that Chris followed the beat of time to Berlin.
Anyone who has experienced their endless sets already understand why Berliners speak of the particular sound being created by both of them.
A soulful, mesmerizing sound that you will sense sinking under your skin and leaving you with a feeling of deep warm­‐heartedness.
What happens is the perfect chemistry of classic mixing skills along with ingenious live productions that really deserve to be called a moving experience.
All of their styles and sounds can, not only be discovered live behind the decks, but also on prosperous vinyl and digital releases.

Rush Hour / Perlon / Dekmantel

San Proper is a very strong character, and that always rubs off in his many musical endeavours. He is a famously unpredictable DJ who lays down party starting sets of house and disco, electro, afro and acid. He is also a charismatic live performer who places his own vocals and instrument playing skills at the centre of his show, whilst various bits of hardware and digital toys flesh out the grooves. And lastly, he is also an esteemed producer of often feral house and techno sounds on quality labels like Rush Hour, Perlon and Dekmantel.

Resident Party Balance @ BASEMENT / J&J's w/ Jeffrey Sfire / Major Records /  Majorettes w/ The Carry Nation @majorrecordsnyc / Bookings > Michelle@thebunkerny.com

Bookings: Gunita@Listedbookings.com
www.instagram.com/holmarmusik
https://bio.site/acidtourist

Label: 
www.soundcloud.com/acidtourism
www.instagram.com/acid.tourism

Legend has it that Hólmar was born during the dawn of winter solstice, way up in the highlands of Iceland, to one of it’s oldest and most secret “Hidden People” communes.  Sadly his elvish mother passed from complications during birth, and one fateful night not long after,  he was found by his human adoptive parents on their doorstep. They were sheep farmers in the valley below and in a letter they found by his side, they were promised the protection of their flock in exchange for raising him as their own. Knowing the many tales of wrath inflicted on villagers not complying with their highland neighbors, they took him in straight away and Hólmar spent his formative years on their quaint farm. 

His mother, an avid swimmer, would bring him to the cold mountain lakes during the summer months and teach him all there was to know about being the best there was in the water. It was during one of these lessons, he was discovered by the national synchronized swimming coach, who by chance was hiking in the area. Enamored by Hólmar’s raw talent, he negotiated his move from the tranquil countryside to the nations capital, Reykjavik City. There he began his training and quickly became an integral member of the Icelandic squad. It was during the course of his training for the Olympics in Seoul, that he suffered a serious injury which ended his professional swimming career abruptly. Fortunately, he was able to continue his passion for synchronized group movements above water and formed a dance troupe called the “Black Widows”.  He traveled with them all over Scandinavia winning multiple competitions and dance off’s.

Throughout his time with the “Widows" he discovered his passion for music while putting together playlists for their shows. Eventually he was asked to perform these playlists "live" at parties all over Reykjavik's then bustling underground scene. After many late night gigs, not showing up to practice and seriously messing up some of their shows, he was promptly ousted from the troupe. This was a devastating moment for Holmar and after a great deal of soul searching, he moved to New York.  

There he hit the ground running and started throwing rollicking parties all over the Big Apple. He formed the infamous Crack & Speed Records with his good Parisian friend Jef-k. On C&S he debuted his music as a part of the “super” group Mr. Negative & The Spencer Filipsson Experience.

During one of Holmar’s parties at a former brothel on the Lower East Side, he met Greg Oreck and shortly thereafter founded “Thugfucker”. After working together for a few years, during one hot summer night in Hólmar’s studio in Williamsburg, they created “Disco Gnome”. This record ended up being the first release on Life and Death Records and launched them into the international scene along with Tale of Us and Dj Tennis. He spent next years touring with Greg and fellow mates at Life and Death causing general mayhem and good times at clubs and festivals all around the globe. 

In 2011 he went to Burning Man for the first time, a pivotal moment for him, and now he can be found every year, riding his bike around and playing many marathon sets all week long. 

In recent years in addition to his work with "Thugfucker" he has started new collaborations. He co-founded “Lovestruckk” with Nico Stojan, “Theory of Light” with Brian Cid, “The Birds Fly South” with Maxxi Soundsystem and his first release in 2018 will be an E.P with L.A’s Jon Charnis.  He is also a part of a new dj collective the infamous "Twisted Sisterz".

In 2018 we will see his departure from “Thugfucker",  launching his solo career.

He has now brought his dancing shoes back out of retirement and has staged new impromptu of dance performances of the "Black Widows" on and off stage during his shows, staying true to his choreography roots.

Cristi Cons’s affair with music is deeper than you might think. He studied the cello for more than 18 years and he’s also a graduate of the National Music Academy in Bucharest. He started djing about 5 years ago and since he has developed a very unique sound. His mixing skills and talent pushed him in the booth of the best clubs in Europe and along today’s top dj’s.
Electronic music production has been his number one interest in the last years whether he was doing it alone or with Vlad Caia under the SIT (Sideways Invisibility Theory) monicker. Together with Vlad Caia he is running the Amphia label. He is also involved in Petre Inspirescu’s π Ensemble project. 
Last year, "Numiris" EP was released on Amphia, a collaboration between Vlad, Raresh and Cristi under the "Verico" moniker. 


Ian Marcus is following