from the Important Records release, Forse 1. Available on limited edition vinyl at www.importantrecords.com

Sera

Had an insightful Skype tutorial session on the 256e with Leo Espejo! Afterwards I tweaked the fun patch that we had discovered into this little beat exploration.  Pulses and CVs coming from 281e and Mod Osc processed through two channels of the 256e then feed into the 261e and 292e.

256e Beat Play



Made this the same hour I plugged it in.

XY Out and ZOut are always panning in opposite directions. Quadrature LFO modulates Morph X, Y, Z and panning.&nbsp; E350 recorded straight in, unfiltered. no VCAs.


1st run test patch to see what it sounds like.



Synthesis Technologies E350 1st Patch

The first few seconds of audio to emerge from Brian Kehew's 1979 Crumar GDS after awakening for the first time during restoration of this extremely rare groundbreaking early digital synthesizer.    The GDS was extensively used by Wendy Carlos in the production of the soundtrack for the film Tron.

Composition & Recording Copyright D.A.Wilson, Hideaway Studio.

1979 General Development System: Brian's GDS Awakens

Buchla Market

Prototype osc unfiltered sine/saw, unfiltered sine/squ bass kick (250e pulse to osc input), and 266e+291e noise (snare).

Heavy Bass Beat

259e and 292e

12 minutes of cool Buchla rhythmic stuff.  Recorded live--just tweaking as it goes, one pass.

Cool Rhythm Thing

Electronic Experimental Music and Sound
Modular synthesis and programming by IBDK.

Synthesis Technologies E350 1st Patch

ibdk