E350 Morphing Terrarium

Hardware Demos

no gates from any sequencers.  Just a clock that's multiplied with a Model 28, divided and rotated by the 4ms Clock Divider, some gate logic, and two more ASys dividers, and a bunch of envelopes modulating and oscillators and LPGs.



4ms Rotating Clock Divider Test

For Wetterberg. All trigger sequencing done by the 4ms Rotating Clock Divider.



About a quater of the way through I change the autorepeats a few times (courtesy of my homegrown expander). When it gets a little weirder (about 2/3 in) that's when I'm sending CVs to rotate the clock.



9 envelopes, 4 oscillators (6 if you count the HD twice), 5 LPGs. and an effects send. All timed from the 4ms module.



4ms Rotating Clock Divider Only Sequence

this one came out a lot more atonal than i originally intended. it consists of two layers… the first is a frozen guitar sample in the nebulae eurorack module being scrubbed through by an lfo from the synthtech  e355 and then feeding into a mungo g0 and finally into an intellijel uvcf bandpass filter. the 2nd layer is the e350 oscillator being played by a make noise wogglebug while i manually morph between waveforms.

not quite sure what i think of it, but the purpose of these daily sounds isn't to make great sounds, it's to explore ideas and exercise the brain.


Jan 12, 2014 (qubit nebulae + e350)

PATCH NOTES


E350 X,Y & Z been modulated by a Pittsburgh Modular VILFO and GINKO Tap Tempo LFO. Both LFOs are fed into a Malekko 8nu8r for attenuation and I manually adjusted this throughout.

Z output of E350 fed into Mutable Instruments Ripples filter with the band pass output. Frequency of Ripples is modulated by the LFOs also and so was the resonance amount. 

I added the Braids 'Ring' mode for a simple static drone underneath the moving E350 sounds. Braids was sent to a STG .mix with the volume pushed for saturation, I also mixed in the triangle and square sub into the .mix for a thick beating drone. 

Braids & AFG .mix fed into one input on another STG .mix which also had the Ripples output and the straight XY output from the E350 all of these were passed through a Malekko Borg 2 set to Low Pass Gate mode. The initial fade in and fade out in the track were done manually by adjusting the frequency on the Borg 2. 

Borg 2 was passed through an Intellijel uVCA just for volume control into the soundcard. 

At 1 minute a Chorus effect starts to fade up this was just automated up in Ableton Live (as I had it open at the time). Around 1.10 a reverb (Live's basic reverb) is automated up. I wanted to add effects just to show how they could be used towards the end. 

MOTM/Synthesis Tech - E350. Simple Drone.



Made this the same hour I plugged it in.

XY Out and ZOut are always panning in opposite directions. Quadrature LFO modulates Morph X, Y, Z and panning.&nbsp; E350 recorded straight in, unfiltered. no VCAs.


1st run test patch to see what it sounds like.



Synthesis Technologies E350 1st Patch

E350 and Model15/Miniwave through LPGs doing the percussion thing. Slight reverb added in Live.



E350 vs miniwave

E350 Challenge 2

Test run of E350 Morphing Terrarium bySynthesis Technology.

E350 = oscillator
Mutable Instruments Peaks = LFOs
Moog Mother 32 = filtering, utilities
Pittsburgh Modular Synthesizer Box = FM source
Zoom MS-70CDR = reverb

E350 Morphing Terrarium Drone

Off of the album "Pastfinder" on Golden Cloud Tapes.

http://goldencloudtapes.storenvy.com/collections/134465-all-products/products/3289635-gct009-sound-out-light-pastfinder-c40

Sound Out Light - Stations

Noise, maths, woggle, and a cyclotron used to make the audio.  Noisering, Woggle, Heisenberg and 149 used to sequence. Model 10 in LFO mode cycles just over 3 times making the different parts.

Alternative Oscillator Noodle

Electronic Experimental Music and Sound
Modular synthesis and programming by IBDK.

Synthesis Technologies E350 1st Patch

ibdk