New single from Bristol-based, Polish-born songwriter Agata

Unusual Behaviour

Released 8th October 2021 through Doing It To Death Records

The People That You Know

Dead men dancing in space
Hung amongst stars
Where have they come from?
Will they go very far?
Watch out the window
Watch as they spin
One two three, one two three, one

Clasped in embrace 
Tie upon tie 
Suit jacket straightened 
Glassy eye to glassy eye 
Take a breath in 
Hold it forever 
One two three, one two three, one 

Dead men
Dancing forever
Oh dead men
Do you see heaven?
Ah dead men
Teach me to dance like you
Dead men
Dance at your leisure 
For dead men
Time holds no pressure 
Ah dead men
Teach me to one two three, too

Tell me you love me
Tell me you’re tired
Tell me you like it
So close to the wire
Betrayed me in some way
Haven’t yet worked out how
One two three, one two three, one

What’s left of a waltz when the heartbeat is gone?
What’s left of a song when no one sings along?
How am I frozen so close to the sun?
Are we spinning and spinning and spinning and spinning and spinning?

Dead men dancing in space
Clinging to stars
I know where you’ve come from
Will you go very far?
Is a day on Venus 
Worth a life on Mars?
One two three, one two three, one 

Dead men
Dancing forever (Dancing forever)
Oh dead men
Do you see heaven?
Ah dead men
Teach me to dance like you
Dead men
You can dance at your leisure (Dance at your leisure)
For dead men
Time holds no pressure 
Ah dead men
Teach me to one two three, too
Teach me to one two three

Dead Men Dancing

Lazy Queen entered the Norwegian music scene like a breath of fresh air by way of New York, and today, the four-piece led by Henrik Gacía Søberg (they/them) have returned with a stunning cacophony of introspection on new single “Bed/Head”.  

Powered by their unique amalgamation of guitar structures from Brooklyn’s DIY scene and bouncy slacker pop melodies, the new track (produced by long-time Lazy Queen collaborator Morten Øby at Taakenheimen Lydriket in Oslo) sees the band take a tongue-in-cheek look at the causality between coping mechanisms and isolation, while knowing life continues all the same.
 
Speaking on the track, Henrik explains “Bed/Head is what your room smells when you haven’t gotten out of bed for a week straight. It’s feeling like your friends have forgotten you exist, and you’ve given them every reason to. It’s forgetting the sound of your own voice. It’s isolation and looking for a way out. It’s also a noisy pop song.”

The latest offering is an explicitly refreshed direction for Lazy Queen, who inked a new longform recording and publishing deal with Swedish label Icons Creating Evil Art in the summer of 2021. Said Henrik of the new union “we already feel right at home with our neighbouring brothers in ICEA. And we’re hoping to make this union of Norway and Sweden a little less “war-like” than the one from some 100 odd years ago, but only slightly”

“Bed/Head” follows the release of “Get Home or Die Trying”. Released through Eget Selskap and Pick & Mix labels, the darkly beautiful EP served as a crucial catharsis for the band processing personal trauma, allowing them to reassess, grow and move forward. Carefully considered singles “Bid Geal”, “Gutted”, “Throwaway” and “A Place (To Bury Strangers)” received widespread support and critical acclaim from renowned outlets such as Wonderland Magazine, Under The Radar, NYLON, Red Bull Music, Earmilk, Indietronica, Impose Magazine,  Medium and more. 

Along with extensive streaming and radio support they also played an incendiary set during the US festival #iVoted, where they as the only Norwegian booking shared the billing with artists such as Billie Eilish, Fantastic Negrito and Måneskin. 

With an increasingly vibrant Norwegian Indie Rock scene on the rise, Lazy Queen - as founded by Colombian-Norwegian Henrik García Søberg (they/them) - have made their mark with a sound inspired by the rich traditions of the Brooklyn DIY scene that birthed the band, ambitious and effervescent releases, coupled with their unique ability to convey personal and relatable experiences through García Søberg’s lyrics. 

The Oslo-based outfit effortlessly blends harmonic and discordant elements together with an instinctive ear for melody into a playful, innovative and vibrant sound, which affixes both context and contrast to lyrics that often explore life’s more maladjusted corners. It’s immediate. It’s urgent. It impatiently demands your attention.
Keep an eye out for even more new music from Lazy Queen soon. 

Lazy Queen was born in Brooklyn, raised in Oslo, and will never die. Join the wreckage.

More from Lazy Queen
Official webpage: https://www.lazyqueenband.com
Facebook: https://www.facebook.com/lazyqueenband
Instagram: https://www.instagram.com/lazyqueengang
Twitter: https://twitter.com/LazyQueenBand
Spotify: https://open.spotify.com/artist/1U9zqBUEcScanms647YanK
Youtube: https://www.youtube.com/channel/UC78ksQbPjwC_3z79_DTwBJw
Soundcloud: https://soundcloud.com/lazyqueenband

Bed/Head

Buy/Stream

Lazy Queen - Bed/Head

It’s been four years since we last heard from Tigercats, with the 2018 album Pig City marking the expansion of their sonic palette from indie-pop and alt-rock, to include highlife, afrobeat, and scuzzy West African psych.

The New Works EP is another step into the new for Tigercats, the sound of an increasingly political band, unbound by the records they’ve made previously, and enjoying the freedom of exploring and experimenting for these 5 new tracks.

“We’ve been a band over 10 years and it felt like all of our previous recordings have been leading up to this one. After Duncan switched from guitar to kalimba a few years back, and we welcomed a horn section into the line-up, the sound has been getting denser and grittier, particularly live. With this recording we’ve finally managed to capture some of that energy on record.”

The opening track New Work, a song about the relentless tyranny of labour in the 21st century, grows from the synth bass riffs and riotous brass lines with production inspired by industrial techno like JK Flesh, to display lyrical ferocity not often heard.
The Space came together completely improvised in the studio, and reflects on the fight for space to create art - in a world fighting for your attention 24-7, and the depletion of available arts spaces.
The intensity subsides for The Picture, a track whose origins date back to the writing of the band’s second record. More reminiscent of Tigercats’ indie credentials, drawing on the textures of Low or Yo La Tengo, it is developed here by a band confidently hitting their stride.

New Works was written in 2019 and recorded at Lightship 95 on the Thames, and at Big Jelly in Ramsgate. Originally scheduled for a spring 2020 release, we’re excited to finally bring you these 5 tracks and the promise of a return to blistering live shows from Tigercats.

Tigercats are a kalimba-led psychedelic pop band from East London.
Having honed his songwriting craft in the short-lived but much much-missed Esiotrot, in 2010, Duncan Barrett went about forming a new band and recruited sibling/long-time producer Giles Barrett (bass), talented songstress Laura Kovic (keys), as well as Paul Rains (guitar, of Allo Darlin’).

The band have performed throughout the UK and Europe and have supported The Wave Pictures, Allo Darlin and Darren Hayman among others. They have also performed at the End of the Road and Primavera Festivals and have appeared on Spanish TV (RTVE Radio3) and Indietracks. A tour of the USA and Canada included a headline appearance at NYC Popfest.

New Works harks a return to Fika Recordings, having released the debut Tigercats album Isle of Dogs back in 2012, bookending albums with Fortuna Pop! (2014’s Mysteries) and El Segell Del Primavera (2018’s Pig City).

Tigercats are:
Duncan Barrett - Vocals, Kalimba
Giles Barrett - Bass, Production
Laura Kovic - Keys, Vocals
Paul Rains - Guitar, Vocals
Will  Connor - Drums, percussion
Seb Silas - Baritone saxophone
Meridyth Dickson - Alto saxophone
Thom Punton - Trumpet

New Works

Doxxed & Loaded

Tigercats - Doxxed & Loaded

Just a happy, jangly song. Hope to add lyrics to it soon :)

Stop and smell the roses (DEMO)

Released 18th March 2022.
Written and produced by Seaker
Mixed/mastered by Rick David and Buzz Allan

Shadow

New track released April 4th 2022.

Over the last few years I have built my own recording studio, and this is the first product of that. I worked closely with Ed Ripley (NOFX/Frank Turner/Spice Girls) he also mastered 'Shake On The Floor'.

The ethos behind this song; and future releases from this writing period, have focused on letting go of any cultures and restrictive associations. Just doing what felt right for me and having the freedom to express myself from my own studio.

Written & produced by Chris Barnes

Shake On The Floor

Keys to the Abyss

Captive Audience

Gothic Girl

ICEA is a boutique music label and publisher with the intention of evoking feelings and reactions, we want to provoke, inspire, create, destroy, and disrupt old structures while having fun doing so. We sign and develop new talent from the ever evolving field of pop music. Fighting conservatism since 2015