Reminds me of when I was a kid we had a dot matrix printer, this piece has the same sense of rhythm.  I also like that some of the transients have reverb on them, it opens up the mix more.

Making my ear jizz - comment by non-music maker gang

from 'An Excellent Spiritual Serviceman' [CD|LP|DIGITAL]
Denovali Records · den358
available on all formats at http://denovali.com/noiseensemble

After a creative break of more than 10 years the Contemporary Noise Ensemble returns with the brand new album called „An Excellent Spiritual Serviceman”. With the band’s line-up reduced and the sound of the brass section replaced with programmable synthesizers comes an entirely new sound of the band’s music. Leaning towards composition instead of improvisation the music is now less jazzy sounding - with electric bass being used instead of double bass and drums actually being the only strictly acoustical instrument. But then again you can hear a lot of other prerecorded instruments like marimba, vibraphone, Rhodes and upright pianos surrounded by arpeggiated synths and other programmable electronic instruments. The album takes you to a journey through jazz, space rock, funk and electronic music with a destination in a form of a rock song which is as well the title song of the album. The Contemporary Noise Ensemble still impresses with maturity and class.

An Excellent Spiritual Serviceman

Dance Of The Headless Jazz Expert

Contemporary Noise Ensemble - Dance Of The Headless Jazz Expert

Track 7 from the ambient album 'This is soon too late'.
FDL#05.

Support independent music?
www.federleicht.be
https://federleicht.bandcamp.com/album/this-is-soon-too-late

Herbstlaub - 07 You Don't Have To Be This Way (FDL#05, 2016)

youtube.com/watch?v=oge4VxjAHqA

Hiroshi Yoshimura ~ Pier & Loft ** FULL ALBUM || 1983

Despite his status as a key figure in the history of Japanese ambient music, Hiroshi Yoshimura's music remains tragically under-known outside of his home country. Empire of Signs – a new imprint co-helmed by Maxwell August Croy and Spencer Doran – is proud to reissue Yoshimura's debut Music for Nine Postcards for the first time outside Japan in collaboration with Hiroshi's widow Yoko Yoshimura, with more fully licensed reissues of Hiroshi's work to follow in the future.

Working initially as a conceptual artist, the musical side of Yoshimura's artistic practice came to prominence in the post-Fluxus scene of late 1970s Tokyo alongside Akio Suzuki and Takehisa Kosugi, taking many subsequent turns within Japan’s bubble economy afterward. His sound works took on many forms - commissioned fashion runway scores, soundtracking perfume, soundscapes for pre-fab houses, train station sound design - all existing not as side work but as logical extensions of his philosophy of sound. His work strived for serenity as an ideal, and this approach can be felt strongly on Music for Nine Postcards.

Home recorded on a minimal setup of keyboard and Fender Rhodes, Music for Nine Postcards was Yoshimura’s first concrete collection of music, initially a demo recording given to the Hara Museum of Contemporary Art to be played within the building's architecture. This was not mere background music in the prior Japanese “BGM” sense of the word, but “environmental” music, the literal translation of the Japanese term kankyō ongaku [環境音楽] given to Brian Eno’s “ambient” music when it arrived in late 70's Japan. Yoshimura, along with his musical co-traveler Satoshi Ashikawa, searched for a new dialog between sound and space, a new way of listening: sound not as an absolute, but as something that interlocks with a physical environment and shifts the listener’s experience within it. Erik Satie's furniture music, R. Murray Schafer's concept of the soundscape and Eno’s ambience all greatly informed their work,  but the specific form of tranquil stasis presented on releases like Nine Postcards is still difficult to place within a specific tradition, remaining elusive and idiosyncratic despite the economy of it's construction. This record offers the perfect introduction to Hiroshi's unique and beautiful worldview: it's one that can be listened to - and lived in - endlessly.

Music for Nine Post Cards

Hiroshi Yoshimura (吉村弘) - "Water Copy" from Music for Nine Post Cards (EOS01) OUT 11/17/2017

'Pure exploration of what sounds can be made using just electronics and mathematical algorithms [sequence/probability] with sine waves, bleeps,glitch, loop, scratches, percussive effects, and white noise in rhythmic : for the truth of sounds aesthetic.'

*All sounds from Puredata.

Environmental Signals

composed by Steve Reich
Conductor – Edo De Waart
Orchestra – San Francisco Symphony Orchestra
1984

Steve Reich Variations for Winds, Strings and Keyboards

A Son

pan•american 'memphis helena'

CPO CD - Steve Reich - Eight Lines

Four Organs: Phase Patterns

Four Organs (feat. Jon Gibson & Philip Glass)

Fennesz + Sakamoto - Flumina 0327 ( D.S.edit )

Waiting in the Light
A Soundscape Created by Nailah Hunter 
For Union Station 2021

---------------

This original composition by Nailah Hunter is inspired by the morning light in Los Angeles Union Station’s historic Ticketing Hall, the luminous anticipation one feels before embarking on a long journey and what that might sound like. In this sonic landscape, we are transported to a shimmering space for restoration: in ourselves and for each other.

---------------

Written, performed, and produced by Nailah Hunter
Featuring flute performance by Cadmar Fitzhugh
Mastered by Matthew "Matthewdavid" McQueen

---------------

Available for Download 
March 1-April 26

-----------------
Presented in collaboration with Leaving Records
----------

Nailah Hunter is a multi-instrumentalist and composer from Los Angeles. She combines harp, synth, found sounds, and voice to create reflective sonic landscapes that promote healing and self-awareness for herself and the listener. Her ambient music conjures unique sonic locations forged by imagination, drawing listeners into a tranquil world of rest, contemplation and color.  Her recent releases include Bassin Bleu (Mexican Summer), Spells (Leaving Records), and Black Valhalla (single available on Bandcamp) which was created to support the Loveland Foundation.

Metro Art Presents Waiting In the Light

Free

Waiting in the Light A Soundscape by Nailah Hunter // Metro Art x Leaving Records

"Mixing electronic sounds with acoustic instruments playing, Fahmi has combined his different skills to create electro-acoustic compositions that in some cases also wear resemblance to the style of what we used to call post-rock. Composition and playing with the sounds or of instruments are merged close together here, resulting in an atmosphere of ethereal and austere."
- Post Global Recordings

"I got hooked on Fahmi’s music before, and … honestly, far from playing favorites, I find I keep accidentally running over it through aliases and different links and enjoying it over and over again. (While I was just in Indonesia for Nusasonic, it wasn’t the trip that made me discover the music – it was the work of musicians like Fahmi that were the reason we all found ourselves on the other side of the world in the first place, to be more accurate. They discovered new sounds, and us.)"
- Peter Kirn / CDM

"Although the excellent Tandem Tapes label is based in Jakarta, they’re run by an ex-pat Aussie and have a decidedly international outlook. Nevertheless they do showcase plenty of great experimental Indonesian artists, and we finish tonight with Bandung-based “sound sculptor” Fahmi Mursyid, who uses granular synthesis to transform found sounds, guitar and traditional Indonesian instruments into surging drone and glitch works. I love the snatches of choral harmonies floating in and out of this particular track."
- Peter Hollo / FBi Radio

"With an ever-increasing array of powerful, portable and affordable electronic instruments available, the temptation for producers is to go maximal with their sound. But as these videos—courtesy of Indonesian musician Fahmi Mursyid—prove, a seriously affective and versatile sound can be crafted from the most limited of means."
- Telekom Electronic Beats 

"Jakarta Indonesia based Tandem Tapes is quickly becoming one of my favorite labels. It seems like half of their artists are pulled from the pool of experimental music that the Tome swims in and half are undiscovered gems from around the world the Indonesian based Fahmi Mursyid. I find myself lucky to have discovered something like Fahmi's soundclash of the sacred and profane. Gorgeous vocal drones beneath playful, exploratory electronics that ward off any tendency for the heavy hand."
- Tome to the Weather Machine

Featured :

CDM (Create Digital Music)
http://cdm.link/2018/11/tape-loop-drones-fahmi/

XLR8R
https://www.xlr8r.com/news/donato-dozzy-album-fahmi-mursyid-and-alessandro-di-puccio-next-on-grand-rivers-one-instrument

Telekom Electronic Beats 
http://www.electronicbeats.net/the-feed/listen-drift-away-relaxing-ambient-tape-loops-indonesia

Brutal Resonance
http://www.brutalresonance.com/news/experimental-musician-fahmi-mursyid-releases-new-album-via-tandem-tapes/

FBi 94.5 FM Live Radio
https://fbiradio.com/945fm/programs/utility-fog/2018-02-18-2100/

Media Indonesia
http://mediaindonesia.com/read/detail/71038-sumber-irama-yang-tidak-kasatmata

Dewan Kesenia Jakarta
https://dkj.or.id/program/pekan-komponis-indonesia-2016-musik-eksperimental-elektronik/

A Musical Promenade
http://musicalprom.com/2016/10/04/mencari-makna-di-balik-suara/

MUSLAB 2018:
https://depositosonoro.com/2018/08/31/sesion-de-escucha-muestra-internacional-de-musica-electroacustica-muslab/

The Quietus:
https://thequietus.com/articles/27203-nurse-with-wound-klein-black-truffle-rum-music-review

Resident Advisor 
https://www.residentadvisor.net/news/44065

TOME TO THE WEATHER MACHINE PODCAST 019
http://www.tometotheweathermachine.com/reviews/2018/02/tome-weather-machine-podcast-019

One Year In Guangzhou
https://oneyearinguangzhou.blog/2018/04/07/new-music-china-zoogazer-the-foreigners-nein-or-gas-mus-pool-of-light-seippelabel/

Chinabot
https://www.chinabot.co/mental-maps

FACT
https://www.factmag.com/2019/07/09/donato-dozzy-ems-synthi-aks-one-instrument/

The Wire
https://www.thewire.co.uk/issues/417

Environmental Signals

Fahmi M.

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