Contact for booking at:
https://www.facebook.com/crooksofficialpage/

CROOK$
In the realm of music, where beats and melodies transport us to new dimensions, Crook$ stands as a master of sound, captivating audiences with his unparalleled talent and electrifying performances. Born and bred in the heart of the music scene, DJ Crook$ has become an iconic figure, pushing boundaries and shaping the landscape of music.

From the moment he laid hands on his first turntable, Crook$ knew he had discovered his true calling. The rhythmic pulse of the music ignited a fire within him, fueling a relentless pursuit of sonic perfection. With an insatiable curiosity and an ear for the extraordinary, Crook$ embarked on a journey of musical exploration, honing his skills and crafting a signature sound that defies genres and captivates listeners.

Drawing inspiration from an eclectic mix of musical influences, Crook$ seamlessly blends elements of electronic, hip-hop, trap, and beyond, creating a sonic tapestry that takes audiences on an unforgettable journey. His ability to read the crowd, understand their energy, and curate immersive soundscapes sets him apart as a true master of his craft.

Crook$ is more than just a musical virtuoso. He is a showman, a conductor of energy, and a force that ignites dance floors around the globe. With his infectious charisma and magnetic stage presence, Crook$ commands the attention of every soul in the room, transforming mere gatherings into euphoric celebrations of sound and movement.

Beyond his prowess behind the decks, Crook$ has also made a mark as a producer, crafting original tracks and remixes that resonate with listeners on a profound level. His studio creations, like sonic alchemy, merge layers of melody, intricate rhythms, and infectious basslines, leaving a lasting impact that lingers far beyond the dance floor.

As his star continues to rise, Crook$ remains committed to pushing the boundaries of his artistry, never content with resting on his laurels. His relentless pursuit of sonic innovation and the creation of immersive experiences has earned him the admiration of peers and the unwavering support of a dedicated fan base.

In the pulsating world of Crook$, music is a language that transcends barriers, connecting souls from all walks of life. His performances serve as a testament to the power of music, the unifying force that moves us, inspires us, and awakens our spirits. Crook$ invites you to join him on this sonic odyssey, as he continues to shape the future of  music and elevate the collective consciousness through the power of sound.

Prepare to surrender to the rhythm, to lose yourself in the sonic abyss, and to be swept away by the undeniable magic of DJ Crook$. Get ready for an unforgettable experience as he takes you on a sonic journey that defies expectations and leaves an indelible mark on your soul.

Hiroshi MATSUI  ( compose , arrange , produce , remix ,dj ) a.k.a. royal mirrorball

(Born March 20, 1967)

While in high school, he started studying multi-recording composition with a synthesizer. In 1985, at age 18, he competed in a famous musical competition in Japan called the Parco department stores ORGAN-ZAKA Competition, in which HIROSHI MATSUI was awarded the Gran Prix. This is significant because he competed against such well known recording artists as TOWA TEI (of the New York group DEEE-LIGHT, and ZABADAK, a famous Japanese artist. With this award, HIROSHI MATSUI started his professional career by composing a new PARCO commercial jingle.After this early successes, he joined the production company named All Staff New Sound and started a professional commercial jingle and song composition career.

In 1992, HIROSHI MATSUI's song "SAMBA de Howa Howa", was placed on the play list of New York's Kiss FM radio station by its famous resident DJ, TONY HUNFLY, a recognized international authority of the House Music genre. This placement, rare for a Japanese recording artist, made HIROSHI MATSUI's music known to DJs all over the world. The song was then released on the KING STREET SOUNDS record label. The song soon appeared on the Dance Chart/Recommend of U.S. BILLBOARD magazine, and several other publications, making it a much talked about dance single.

In 1999, he garnered much success with the arrangement of the debut single of super-famous Japanese recording artist MISIA with the smash-hit song, "TsuTsuMi-KoMu-YoU-NI", and composition of the additional hit track, "NEVER GONNA CRY!". Due to his many achievements, later in 1999, HIROSHI MATSUI established his own production company, ROYAL MIRRORBALL SYNDICATE LTD, and created an initial record called the "ROYAL MIRRORBALL Unreleased Project Vol. 1" - "(earth in) BLUE". Though originally intended only as a gift for friends and colleagues, this record received much attention from enthusiasts of the New York Shelter/Body and Soul style. The song was then released in 2002 by FLOWER RECORDS on HOUSE THINGS Vol-3.

With the release of his second single on ROYAL MIRRORBALL RECORDS of "SUPER LOVE" in 2003, HIROSHI MATSUI has firmly established his own record label. With his intimate familiarity and support from the people and places in the underground club scene, HIROSHI MATSUI is fast becoming a definitive force in dance music.


松井 寛
　（マツイ ヒロシ ／ Hiroshi MATSUI ）
a.k.a royal mirrorball 
　（ロイヤル・ミラーボール）


作曲・編曲・プロデュース・Remix・DJ


1967年 3月 20日生

1986年「パルコ・グランバザール夏のCF」を始めに、コマーシャルの作・編曲家として「多数のコマーシャル音楽」を送り出す。 

その後、歌謡曲の作・編曲を開始し、平行して「ゲリラ的」に、「アナログ12インチ・レコード」の自主制作・発売を始める。 

その中の1枚が、ニューヨークの「インディー・レーベルよりライセンス」発売され、ビルボード等に紹介される。 

その後、自身のレーベル「 RMS records 」を 立ち上げている。 

「MISIA」の特大ヒットソングを始め、「名取香り・Candy・加藤ミリヤ」などの玄人好みな「和物R&B」、「SweetS・観月 ありさ・モーニング娘。・山田 優」などの「アイドル歌謡」に、「K・天上智喜」などの「韓流スターへの楽曲提供」まで幅広く、どれも思わず「クセになる」ディスコでゴージャスで どこか懐かしさのある作品作り。

一切「手抜きなし」で、「いい仕事」しています。今、注目の音楽プロデューサーです。


最近作（ 2011年〜 ）

東京女子流　
ほぼ全部  作曲/編曲/remix

Berryz工房
「Mythology 」編曲

DiVA　
「No Way Out」編曲 他

城田 優　
「Sisphus」編曲  他

JUNO
「Fate 」編曲  他

ANGELA BABY
「Tripod Baby」  編曲  他

新世紀 エヴァンゲリオン 
「 Les bete-royal mirrorball mix」
 remix

Trying to spread the sound we love

Broadcasting
Every 4th Monday
10PM(JST, UTC+9)
http://mixlr.com/abysmal-lounge

Music by
@Stupid-Kozo
@fico1

previous shows available at 
https://goo.gl/vvSUAQ

BOOKINGS AND INQUIRIES: abysmallounge@gmail.com

I created this page for the posting of older Breaks DJ mixes. It is not intended to infringe anybody's copyright as an artist or owner of the mixes, just a place to share some of the best and rarest Breakbeat DJ Mixes from yesteryear.

www.punksmusic.com 
https://open.spotify.com/user/punksmusicofficial
For all Submissions & Info
Email: info@punksmusic.com
Please only submit private streamable demo links. We will not listen to any music that needs to be downloaded, any public links or any unfinished projects.

Official Soundcloud for the world of Red Bull. Hear beyond the ordinary.

Mark Pember (AKA Meat Katie) has released three artist albums to date. 
Off The Bone. Long To Belong. Vibrator.

As a DJ, Mark has compiled and mixed compilations for Bedrock Breaks, Fabric Live (21) & ‘Sessions Vol 8.1' for Ministry of Sound.

Released Music on R&S, Kingsize, Bedrock, Yoshitoshi, Mo Wax, Toolroom, Global Underground, SAW recordings, to name but a few.

Remixed such artists as James Zabiela, D-Nox & Beckers, Deep Dish, Lee Coombs, Stephane K, Phil Kieran, U.N.K.L.E 

He has run (as a label manager/A+R & recording artist) the highly influential LOT49 & Whole 9 Yards (W9Y) imprints.

In June 2013 Mark started a Podcast series ‘Lowering The Tone’ which in 2016 morphed into a Progressive Techno Label.

He now records exclusively for Lowering The Tone and is currently working on his fourth artist album, he still hosts Lowering The Tone podcast & also co-hosts ‘Setting The Tone’ (Podcast) with Ben Coda.

Bookings: Booking@db-booking.com

Journalist, Artist, Pilgrim, Sea protector, Pipe smoker, Wine drinker and Outsider musician - That's how everybody usually describe Jhon Nozzels

Igniter is following