fave listenings of this month

*

in the pic: Johann Johannsson

"musica assoluta" (marzo 2025)

Naviar Haiku Challenge: www.naviarrecords.com/about/naviar-haiku

To participate in the Haiku Music challenge::

- Make a song in response to the weekly assigned poem (a new poem is published every Wednesday)
- When choosing a title for your piece also include the assignment number, for example “Title of your track (naviarhaiku382)”

To submit your track:

- If you’re a Soundcloud user, upload it on Soundcloud and send me the URL via private message, or tag me in the track.
- If you upload your music on Youtube, Bandcamp or anywhere else, upload your submission and then send me the link by email at marco@naviarrecords.com or contact me on X, Facebook or Instagram
- If you don’t use any music platform, upload it to this Dropbox folder and I’ll include it in the weekly playlist. If you choose this option, make sure you include your name in the track’s title. www.dropbox.com/request/JvKyUfuCSzJ3gRNRocZz

Your track may be included in Naviar's weekly podcasts and free (pay-what-you-want) compilations. If you can, please set the track as downloadable on Soundcloud and allow others to remix/reuse it by using a Creative Commons License.

Naviar Records store: www.naviarrecords.bandcamp.com

Naviar Records Membership (access to full discography, creative meetups, workshops, and more): https://www.naviarrecords.com/membership-and-services/#membership

all submissions

haiku #586: fog dissolves to rain - / cool breezes clear the vista, / showing cloud-topped hills

Naviar Haiku submissions

LIve recording from premiere at the Festiwal Muzyczny Trzy-Czte-Ry. Konteksty. Kontrasty. Konfrontacje – 19.11.2024 / Studio Koncertowe Polskiego Radia im. Witolda Lutosławskiego  w Warszawie

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024) for clarinet, violin, cello and piano

The work is inspired by japanese poetry dedicated to landscapes, nature and its atmosphere and it reflects the sound and mood of constantly flowing water. In the steadiness of the subtle wall of sound, I try to integrate and mix timbres of all of the instruments. This composition can be connected to ambiental sounds, to static structures, which are slowly fluctuating or evolving over time. It can be also connected to water flowing through the waterfall.

Andrzej Ciepliński – clarinet
Małgorzata Wasiucionek-Potera – violin
Marcel Markowski – cello
Andrzej Karałow – piano

Andrzej Karalow – Some whispers of mists and water above, hidden in the rocks (2024)

here and there
upon scorched fields
wild violets

by: Arii Shokyu-Ni
Picture by A C

here upon wild - naviarhaiku582

Live performance from Hashtag Lab 27.10.2024 in Warsaw

Andrzej Karalow - Luminous Gardens (2024) for vocal-instrumental ensemble and fixed electronics

Luminous Gardens is an ambient space in which the listener freely chooses the path, voices and layers to listen to. The structure of the composition consists of consonances, harmonic structures that shape the narration and segments of individual parts-sound gardens. The musical material consists of vocal-instrumental motifs separated by sections of silence and processed field recordings interspersed with pads recorded with the original Roland Juno-6 synthesizer.
Light, sound "organisms", space, reverberation - these are the main features that make up the sound environment of Luminous Gardens.
The composition was written for Hashtag Ensemble.

Match Match Ensemble (SSAATTBB) 
Hashtag Ensemble
Łucja Chyrzyńska – flute
Bartłomiej Sutt – vibraphone
Aleksandra Demowska-Madejska – viola
Dominik Płociński – cello

Lilianna Krych – conductor

Wojciech Błażejczyk – sound engineer

Andrzej Karałow – Luminous Gardens (2024) for vocal-instrumental ensemble and fixed electronics

« Prière pour notre terre » pour piano, bande magnétique et récitant
Ma nouvelle composition réalisée ce Dimanche 2 Mars 2025
Franck Douvin © 2025 Contemporary Chamber Music
Thanks for listening & sharing
I hope you'll enjoy !

« Prière pour notre terre » pour piano, bande magnétique et récitant (Ma nouvelle composition)

A solo bass piece that I've been working on for a couple of weeks. The bass is tuned C F Bb Eb G C.

Ghosts

Bowed basses and cellos (harmonics, fx and sustained notes)
Composed and performed by DD in Paris 27/March/2025.

Inspired by this haiku

Fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills

Poem by Raymond Cobley
Photo by Casey Horner

@naviar-records
@ray_cobley

Fog and Rain (naviarhaiku586)

Here's my musical resonance to this week's haiku from @naviar-records.

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills

https://www.naviarrecords.com/naviarhaiku586-fog-dissolves-to-rain/

Thank you Marco.

Fog dissolves to rain (naviarhaiku586)

An electronic composition, sounds created using Pure Data and Audacity.

Fog Dissolves (naviarhaiku586)

HAIKU MUSIC CHALLENGE

Naviarhaiku 586

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills
 

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

 

haiku by Raymond Cobley

picture by Inggrid Koe
 

Submission deadline: 2nd April 2025

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Grey &amp; Cold

Grey & Cold (naviarhaiku586)

29Mar25
My naviarhaiku586 track
https://naviarlab.tumblr.com/post/779084554596139009/naviarhaiku586-fog-dissolves-to-rain
:D

fog dissolves to rain [naviarhaiku586]

fog dissolves to rain
- cool breezes clear the vista,
showing cloud-topped hills
 

Raymond Cobley is an experimental composer and regular participant in our Haiku challenge. Now retired, Raymond aims to explore the possibilities afforded by open-source software, which he uses exclusively for creating and editing both sounds & images. All his works are published ​under a Creative Commons licence, and free for anybody to download or remix.

 

haiku by Raymond Cobley

picture by Inggrid Koe
 

Submission deadline: 2nd April 2025

To find out more and participate, visit https://www.naviarrecords.com/haiku-music-challenge/

Fog Dissolves To Rain (NaviarHaiku586)

A piece composed for the Naviar Haiku http://naviarlab.tumblr.com/

"Someone else's clock / During the long night / I count all the strikes"

This is a modular piece that uses two quantisers that are transposed throughout the piece such that they are never in the same key.  These drive two pairs of oscillators, one from each pair ring modulated with one from the other pair to give the bell like sounds. A lot of complex sequencing involving prime numbers and different length sequences ensures it never quite repeats.

Someone Else's Clock [naviarhaiku101 - Someone else's clock]

Through the ages
rising above the mountains
tonight's moon

Haiku by Inoue Shiro

http://naviarlab.tumblr.com/post/136732575773/naviarhaiku105-through-the-ages

The repeating sequence represents starlight (and the 'ages'), the brassy sound is the mountain, and the higher shimmering melodic line that appears gradually is the rising moon. 

Tonight's Moon [Naviarhaiku105 - Through the ages]

My attempt at some music for Naviar Haku 106: Sunrays.
I tried to represent the needles underfoot by the crispy noises, the dark mystery of the pine forest with the deep foreboding bass, offset by the brighter rays of sunlight, and then cut through by brighter shafts of light.

I am guessing the poem is saying that the pine trees look like snake gourds (which I hadn't heard of before - they are long and thin and hang down off their vines - I can imagine the trunks of pines would look like them in the bright sunshine?)

"Sunrays - 
Between the pines we see 
snake gourds"

Poem by Ichihara Tayo-Jo

Sunrays [Naviarhaiku106 - Sunrays]

This is my entry for this week's Naviar Haiku:

"The sleet falls / As if coming through the bottom / Of loneliness"
Haiku by Naito Joso

This is as usual 100% modular,  one take, straight into the  computer. The reverb is Strymon BigSky, and the Mix and Tone levels are being controlled by the modular via the expression pedal input. 

The Sleet Falls [Naviarhaiku107 - The Sleet Falls]

My entry for NaviarHaiku 114 - http://naviarlab.tumblr.com/

"Where do you come from? / Borders on Earth fall away / as we fly upwards" - poem by David Pulsford

This is a modular piece that uses multiple LFOs and envelopes both as modulation sources and as a method of triggering events (using a comparator) - meaning that the outcome is derived from simple rules but exhibits complex behaviour - much like the universe. And us. 

From Whence We Came (Naviarhaiku114 -where do you come from?)

This will be my place for Naviar Haiku and Disquiet Junto entries.
-Experiments may appear on YouTube from time to time: 
https://www.youtube.com/user/ikjoyce
-Albums will be released on Bandcamp: 
https://ikjoyce.bandcamp.com/

New album "The Endless Solitude Of A Skylark's Song" now available:
https://ikjoyce.bandcamp.com/album/the-endless-solitude-of-a-skylarks-song

Album 'Selene' now available on Cassette / Download from Naviar Records: 
https://naviarrecords.bandcamp.com/album/selene 

**Albums now available on iTunes, Amazon, Deezer, Spotify, and Google Play**  

I make electronic ambient and drone music using modular synthesis to explore themes of nature, space, isolation, man/machine interaction, and the borders of the sleep/wake cycle.